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About the Process category
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1
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632
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March 15, 2018
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Whither (traditional American) music theory?
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80
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1435
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September 23, 2020
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Mixing/mastering
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340
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20918
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September 22, 2020
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Experimental music notation resources
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452
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210928
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September 22, 2020
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Lowercase/Onkyokei/extreme minimal ambient composition
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48
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868
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September 22, 2020
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Please Share Your Experience of Rewarding / Engaging Interactions with Music Devices
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50
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1820
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September 22, 2020
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Drums
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37
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1669
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September 21, 2020
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Creative convolution: share your impulse responses!
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48
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2169
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September 21, 2020
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Disintegrating Loops
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79
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6010
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September 21, 2020
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Scoring animation movies
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13
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426
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September 18, 2020
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Studio Setup: Everything vs. Narrow Focus
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18
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1208
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September 17, 2020
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Sequencer strategies
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87
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6287
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September 16, 2020
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Composing for a String Quartet
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15
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910
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September 16, 2020
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Sound + Process: a lines podcast (episode #20: n-So)
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370
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40483
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September 14, 2020
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Resources for music composition & theory
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73
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5264
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September 14, 2020
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Composition Toolkit Blog - Generative Techniques
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12
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702
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September 8, 2020
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Major Timbral Shifts
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13
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650
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September 4, 2020
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Synthetic Speech and Vocals
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40
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1768
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September 4, 2020
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How to play live without really playing? :-)
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41
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2532
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September 3, 2020
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Notes on the practice of listening
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27
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2380
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August 30, 2020
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Do you leave anything in your modular pre-patched?
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66
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3109
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August 30, 2020
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Composing With Multiple Norns
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7
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598
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August 26, 2020
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Using a Fixed Filter Bank (with inductors) to achieve the sound of Eraserhead and 2001: A Space Odyssey
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21
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1172
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August 23, 2020
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General synthesis & sound design resources
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20
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1620
|
August 23, 2020
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Today my small discovery was
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37
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2964
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August 23, 2020
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Stereo processing and panning: why?
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42
|
1913
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August 14, 2020
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Lo fi techniques
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175
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7404
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August 12, 2020
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Film and Alt-Process Photography
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313
|
11036
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July 31, 2020
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Cassette Tape, technique, engineering, and creative processes
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46
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2763
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July 30, 2020
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All things drone
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140
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6492
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July 30, 2020
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