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General synthesis & sound design resources
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21
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2175
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November 5, 2020
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World Building
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12
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666
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November 3, 2020
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Please help with my master’s degree!
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13
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863
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October 25, 2020
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Studio Setup: Everything vs. Narrow Focus
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19
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1772
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October 23, 2020
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Music theory vs sound culture
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5
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434
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October 22, 2020
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Whither (traditional American) music theory?
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217
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3848
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October 22, 2020
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Outer Sounds LP Club/Interviews
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0
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69
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October 22, 2020
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Animals and sounds 🐋
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21
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518
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October 19, 2020
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Composing with song birds
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80
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5261
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October 19, 2020
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Tintinnabuli
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8
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814
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October 18, 2020
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Role of explanation when listening to strange sounds
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5
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251
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October 16, 2020
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Finger Drumming
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20
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2904
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October 15, 2020
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Modular Occultism
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157
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8880
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October 14, 2020
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Matching fidelity of an aged cassette with newly recorded audio
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12
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574
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October 9, 2020
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Pattern Synthesis
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21
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3087
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October 9, 2020
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Writing about your own artistic/music practice
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20
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715
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October 3, 2020
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Using a Fixed Filter Bank (with inductors) to achieve the sound of Eraserhead and 2001: A Space Odyssey
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23
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1807
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September 28, 2020
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Dealing with creative blocks; when things aren't working
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54
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3482
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September 28, 2020
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The spirit, meaning making, and aesthetic applications of the self to sound
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25
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1049
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September 28, 2020
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Composition Toolkit Blog - Generative Techniques
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13
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1198
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September 27, 2020
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Disintegrating Loops
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80
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6862
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September 26, 2020
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Scoring animation movies
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12
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521
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September 18, 2020
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Composing for a String Quartet
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14
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1013
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September 16, 2020
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Sound + Process: a lines podcast (episode #20: n-So)
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369
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41663
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September 14, 2020
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Major Timbral Shifts
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12
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717
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September 4, 2020
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Synthetic Speech and Vocals
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38
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2387
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September 4, 2020
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How to play live without really playing? :-)
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40
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2746
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September 3, 2020
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Notes on the practice of listening
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26
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2505
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August 30, 2020
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Stereo processing and panning: why?
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41
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2106
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August 14, 2020
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Publishing, Copyright, Licences, Contracts
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4
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292
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July 12, 2020
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