I was looking at publications of a researcher for my own purposes, and noticed they have made an entire book about 8-bit dub/reggae titled 8-bit Reggae: Collision and Creolization (Editions Volumiques, 2014). This made me think about posting about 8-bit dub here on llllllllines. Any love for it here?
I have sympathy for this niche genre, and I hope to acquire and study this book. I know of Jahtari but haven’s studied their sound. Personally I find the finest, and perhaps the most extreme track to be Quarta 330’s Bleeps From Outer Space on Kode-9’s legendary Hyperdub, 2009.
Here is Soom T + disrupt collabs (on Jahtari), e.g. track (check the PWM solo at 2:27)
In the studio with vocalist Kiki Hitomi (King Midas Sound) MPC-1000, Korg Monotron.
and with SID
For some reason I at some point thought that this is particularly an Edinburgh sound. Of all the places ¯\(ツ)/¯ Any theories why this might be so? Any local knowledge?
yeah! can’t really add much, but i love reggae and i love chiptunes : ) afaik the big names have already been mentioned.
quarta300 is really great. we bought an old mitsubishi this summer that only has a cd player, so brought out my old cds and blasted a quarta330 cd-r … so chill : )
also, on a similar theme, this vgm reggae/dub mix rules: 8bit & Video Game Dub Reggae MIX by Oke Onkyo … mostly 8bit and 16bit, but some psx songs in there too.
Sort of - I had to add a massive 16-bit soundcard to my Frankenamiga to get that quality out of it - the A1200 and A500 were both 8-bit as far as sound went, with 12-bit being possible by banging the metal in demos and using OctaMED etc.