A rant about SoundCloud, and a proposal for an alternative


I’m writing this because I recently started using SoundCloud again, and I remembered why I disliked it so much. I figured I’d lay it all out here, share my thoughts, and then explain my idea for an alternative.


1. The Good

So to start off, it’s probably worthwhile mentioning what I think SoundCloud has done right. Compared with Bandcamp, SC feels a lot more like a social network. This is due to a lot of things, but I think it primarily comes down to three things: the focus on the single track v. a collection of tracks, i.e. an album, the ability to comment, and the ability to private-message people instead of contact via email. There are most likely many more reasons, but since I’m not the most familiar with the ins and outs of SC, I’m sticking with what I know.

The big thing, I think, is the focus on singles. This makes using SC feel much more casual, more akin to browsing Instagram as opposed to someone’s personal portfolio. It makes listening to other people’s work much more laid back, plus it makes it an ideal place for artists to share more off-the-cuff pieces, or works-in-progress, one-offs, etc. It also encourages artist-to-artist discussion, whereas I feel with BC it’s much more artist-to-fan focused. This is what I feel has made SC such a great breeding ground for collaboration.

2. The Bad

It’s no secret that SC has had a lot of financial struggles in the past. I believe this all came to a head in '17, though I’m hardly an expert on the matter. This caused a lot of concern among artists, naturally, as a collapse of SC equals a loss of years of personal work published on the platform. I know this definitely made me grateful that I didn’t have much work invested in SC, and definitely made me reconsider uploading more in the future.

Since that time, it seems the situation may have stabilized a bit? At least it seems to have, SC is still around. But who knows how long this state is sustainable.

More recently, there’s been discussion surrounding SC’s free upload limit, which currently sits at a cap of three hours of audio. However, it seems that in the very near future, SC will be changing that upload limit to “three hours or 15 tracks”. If you want to upload more than that, you’ll need to pay $11-16 per month.

It should be obvious how limiting this could be, especially for young producers who may not necessarily be making money from their music yet. If you’re using the platform more casually, as I and many others do, it makes even less sense to consider uploading further on the site. I’m willing to pay the optional $20 fee for Bandcamp Pro because I invest a lot of time in releasing my most polished works to my personal portfolio. I take what I release there very seriously, so it’s worth it to me to get the most out of the platform.

(I would highly recommend reading this reddit thread to get a more complete rundown of the information and what it means.)

3. The Ugly

What follows are my personal opinions about SC. Some of you may not take issue with the things that I do, and that’s ok. There are just certain things that bug me to death.

Aggressive Marketing

As I’m sure you’ve noticed, SC puts a big emphasis on their mobile app. Even if you’re trying to play an embedded track on desktop, if you try and pause the track it will give you this message:

It’s even worse on mobile, you can’t even play the track without seeing this:

So the mobile app. This is obviously something they push a lot, so a while back I decided to download it and give it a try. I remember being amazed at how useless and incomplete it felt. (This was several years ago, so doubtless it’s improved, I just downloaded it.) But even in the app, they can’t stop advertising:

This “Go+” even takes up its own tab at the bottom of the screen.

It should be mentioned that this is more expensive than both Spotify’s and Apple Music’s premium plans. I don’t know, maybe I’m being an asshole, but to me it just feels really aggressive, desperate, and money-hungry.

Let’s contrast this with Bandcamp. If you’re a fan, you can listen to anything on the site for free, no monthly payment, no pressure to subscribe to anything. Instead, it simply limits the amount of times you can listen to a release before asking you to pay for the album to add it to your library. This puts the focus on the artist. The artist can even extend the amount of times someone can play a release, or even suspend the limit altogether.

Now, I get why these methods are different. Considering that SC is more track-based, it makes sense that it would ask for a subscription, as fans aren’t likely to go around buying individual songs. I just think they’re going about it in the wrong way and are asking too much.

(There’s another app just for artists, which honestly is kind of a nice touch. I personally wish Bandcamp had something like that. My only slight gripe is that I wish you could upload directly from the app, but that’s no big deal.)

The Spam

Good grief. This stuff is terrible. I don’t know if it’s just me, but I’m getting absolutely flooded with bot accounts following me, commenting on my tracks, messaging me, etc. It’s absolutely ridiculous. One of my tracks has four individual comments from bots. It feels out of control. It sucks the enjoyment out of any amount of engagement I get. Any listens, likes, or comments always seem to come from bots, so it really deflates my engagement with interaction. Feels really lonely.


All of this got me to thinking about how annoying it is that SC isn’t as awesome as it could be, because I really do think it’s focus on tracks is unique and that makes it invaluable for sharing works in progress, one-offs, etc. The social side of it is really interesting too. If there’s one thing I could say against Bandcamp, it’s that it sometimes feels a bit impersonal. There’s no great way to connect with artists or fans.

So I started thinking about what I would do differently if I were to make an alternative platform. This is what I came up with:


This is obviously just a mockup.

I was looking for a happy medium between the focuses and ideals of BC and SC. The idea is that each track must stand on its own, similar to SC. Obviously, playlists can be made and curated, but that’s not really the point of the site. The point is simply to share what you make in a more casual setting.

This decision influences the design. Since the collection of tracks isn’t as important as the individual track, I decided to strip back much of the artwork and simply make the track player a long, scrolling list of songs. You start playing at the top, it will automatically go down the list. Autoplay could be turned off, of course. Your home-screen would be something like when you first open Instagram. You’ll be presented a feed of new tracks curated by the genre tags and artists you follow. As each track plays, track art and information will appear on the right side. Each track must have no more than five genre tags. This section can be collapsed to show blog posts, artist highlights, etc.

All of this would function in essentially the same way on the artist’s personal page, with the space on the right either displaying artist information and links, or track art and info. Perhaps you could give artists the option to create their own blogs, either to journal about their creative process or annotate tracks in a more in-depth manner.

I even considered eschewing track art altogether, but I thought that might be too dull for people.

As far as how to monetize it, I can think of several ways this could be done, but who knows if any of them are good. You could do something like SC, where you pay to not get ads. I personally don’t really like this option very much, but it’s an option nonetheless. Another is having your subscription money going to support the artists you listen to. Or perhaps, it unlocks the ability to create and curate and download your own playlists. Maybe as an artist there are pro features that you could unlock, like larger file upload, access to stats and mobile upload, etc.


I’m obviously in the early stages of mocking up how this would work, just some initial ideas. I’m just very interested in the idea of something track-based that might be more casual than Bandcamp but retain the quality experience and non-aggressive attitude. Something more low-key.

Despite what it might seem, I don’t hate SoundCloud. There are things that I think it does well, I just think the idea could be improved upon and expanded. It may also be nearing the end of it’s rope, and it might be time to start considering another option, and if it’s another option we need, why don’t we make our own?

Let me know what you think! :slight_smile:

P.S. I’d be willing to share the illustrator file if anyone wants to play around with the mock-up.


You have an elegant solution to the interface problem of streaming & discovery.

My criticisms might be that it’s seems a little bit white hipster/designery in the same way that (not very profitable) VSCO and ello are. I don’t see a “soundcloud rap” or similar genre finding a home in that clean design. I’m designery, so I do like it. But I think that would need to be addressed somewhere along the way.

The business model and back-end will need to work if you’re going to move beyond that. Do you currently have a technology partner and business-minded partner/advisor?

Are you going to build this as a business or pitch it as a UI skin to an existing service?

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Thank you!

At this point it’s really just sort of a daydream. I’m currently an unemployed graphic designer/artist with some time on my hands. I’m not super aware of other platforms that it could be pitched to, but that’s an option I hadn’t considered. I’d originally conceived it as entirely new platform.

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And I agree about with the hipstery criticism. Initially I kinda tried to model if off the elements of this site that I enjoyed, but yeah. It’s simple now because I only started design a UI last night.

I considered letting fans customize their interface by choosing between a range of colors

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As an entire platform I think you’re going to need help. I’m certain Omaha has a tech and startup scene, probably with cheap/free/paid classes, maybe a co.starters course or something. If you are going to pursue this as a business I encourage you to get involved in those areas.

first off
i actively hate SC as it exists today and have been ready for it to die for years as it became clear that i (as an artist AND fan) am no longer part of the core target audience

edit: [redacted]

if your main concern is preserving social interaction (thru comments per track, direct messaging) as a feature…and your main complaint is spam/bots, 90% of the challenge for your platform will be moderation

i’m not sure how you could make it work but i’ll keep my eye on developments


Soundcloud is next on my delete list…just need to make sure there isn’t anything on there i don’t have. Just deleted my Vimeo. I don’t like these other compony but i have been focused on youtube and Spotify. I haven’t actually listened to music on Soundcloud in years.

As “place where music is shared by artists and fans can interact with the music” it’s not that far off.

The business models are way different (and the driving force behind why Bandcamp is awesome and SC is not). But the interaction model from a listener’s perspective is not so different.

Love this! Would use.

yeah well

i should probably stay out of this discussion cause i have inflammatory opinions about all these platforms and cant see objectively

sorry yall


I wouldn’t say my main concern is that actively social side of things, like messaging, etc. What really interests me is the single-focused nature of SC.

And yeah, SC and BC are two very different beasts, but I guess my intention in comparing them was to show a platform that I liked using as opposed to one that I didn’t.

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Same and I can relate.

that has more to do with the culture of each userbase than the platforms themselves

is there a technical advantage to posting singles on SC as opposed to BC?

As far as technicalities go, I’m not sure. There’s certainly nothing stopping you from releasing singles on bandcamp, but due to the nature of how the platform works, (for example, all releases displayed as album art as opposed to a list of tracks), it’s not exactly the most intuitive to post single tracks. At least that’s the feel I’ve gotten from it.

To offset this I’ve considered creating a long-running album that I just add tracks to as I go along, but if someone were to buy it and a month down the road I were to have added five more tracks, they’d have to download it again.

Whereas with SC, everything you release is in this one long feed, each playing after the other. Instead of seeing all the “albums” an artist has released, you see all the tracks. This to me gives me the feeling that SC is more singles-focused, whereas BC feels more like a platform for “collections”.

For example, I don’t want to clutter up my bandcamp with all the tracks I make, it would take away the focus of my full releases. When I want to show someone what I just made, or just keep a running collection of everything I’ve done, I don’t upload to bandcamp.


The thing I don’t like about soundcloud is the feeling like I need to upload music on a semi-regular basis to keep things up to date…I also have a struggle with once something is up there it’s in a sort-of released state but doesn’t get worked over in the same way albums I’ve worked on do (mixing, mastering, feedback), so it’s just sort of stuck in a limbo place (in my mind). I would much rather save my recordings in my archive and release as part of a collection in a way that I am happy with.

I much prefer instagram to other social media, because I feel like I can throw up a quick video that shows a part of a process of a thing (and can put it in a story if I don’t want it there forever), and I tend to get people asking questions or providing feedback that is helpful (or at least nice to hear, I don’t know that I’ve gotten too much valuable critical feedback from instagram). Soundcloud, on the other hand is bots and aggregate accounts that promise to get me to a million followers or whatever. The few comments that are actual people that I’d like to respond to get lost (either my fault for not setting up notifications right, or I might have turned them off coz they were annoying and spammy, can’t remember)


I’ve been a paying subscriber for SoundCloud from the beginning of my little musical journey (2015). I was paying for the service on principle before I technically needed to. It provides a great value to me, but it’s also glaringly obvious that their priorities are not aligned with mine. I would be delighted to switch to viable alternative that is better aligned.

That said, I am not keen on free services. Charging money in return for a service is—in itself—a straightforward transaction for a straightforward relationship. Paying is also an excellent filter: if it’s valuable to you, you’ll pay for it. As soon as you mess with that, the relationship has changed and it gets weird. Facebook is currently one of the most extreme examples of that around: Facebook is “free”, but you get a horrible service chockablock with all kinds of noise and advertising while they sell your identity and your friend network to all comers. Flickr is a great counter-example: you simply pay for it, and you get a great photo service, with no bull.

If SoundCloud simply charged money for their service, they’d probably be a lot smaller, but many of its problems would go away, including the creditor pressure to be bigger at any cost, and to be all things to everyone.


I will say, I like the direction you are going in with the design, and I like your idea about allowing colors and such to be changed. I like that bandcamp is customizable but follows a very logical ux-wise template. And I think you could do that with what you have (maybe the color scheme changes as each song plays based on what the artist have set to be customized, that could be pretty cool). Another example of this I quite like is https://neutralspaces.co/


I like that example!

Yeah I think it would be fun to try and do some fun creative things with colors. I know right now the mock-up is all gray but I’d love for people to be able to tweak everything to their preference.

And yeah, I guess something I’ve been wanting is some sort of long-form musical archive of what I make, something no-frills, where everything is easily accessible and can be shared or streamed. Not everything I make will end up on an album, but that doesn’t mean it doesn’t deserve to be shared.

I feel the same way about Instagram, and I’d love to have something for music that felt more like that

So much this. Depending on demands, it need not be especially expensive. There’s room for “free” and paid services of different tiers, but the further we get into this digital hellscape we currently reside in, the more value that affordable paid services provide.

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