Anyone have a preview copy of the Keith Rowe biography that came out…uh…today? I’d love to hear anyone’s thoughts. I just ordered it (and the CAN bio!), but I’m not sure when I’ll get around to reading it. Seems relevant and likely informative for people interested in improv.

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I agree with Charles Cohen in that improv live brings out what can be in the back of ones mind and it’s feelings; peripherals.

It may not have the same meaning to the listener. I think the concepts of personal interpretation is analogous to some psychologocical version of the god Janus.

tradition vs. innovation


The Adventure - On Free Jazz & Ornette Coleman (II of II)

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I’m also starting to slowly incorporate my modular into the jams…

https://youtu.be/2lQnwqnEHDE

watched this a while back… Evan Parker joins in at/around 22 minutes into the clip. it gets pretty frenzied and exhilarating at parts. Parker’s entrance is quite beautiful, too

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https://youtu.be/L3MvGWFocS8
Miles Davis interview with Carlos Santana

https://youtu.be/Lf3sHBpWheE

https://youtu.be/YEHWaGuurUk
Bill Evans - The Creative Process and Self-Teaching

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thx for posting, didn‘t knew Santana did such a detailed interview on Miles

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Rahsaan Roland Kirk was a force live. He took hold of your being. Was in his audience in the mid-70s in Dayton, Ohio. Just wild creativity simply.

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http://www.furious.com/perfect/rolandkirk2.html

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great posts here!
i´ve not read it completly, but i´d like to share a little experience related to this thread.
while reading an interview from a well-known improv artist i know many years ago, he was asked about the meaning of “improvised music”. he answered improvised music doesn´t exist truly, because we´ve been previously experiencing that instrument (practice), or we´ve been taught on how to play it (theory).
i assume he was talking in a figuratively way…or maybe joking, because he´s a formed musicican/player. but taking his words on a daily basis, we´re improvisers since we wake up every morning :slight_smile:

i remember having lots of fun in a improvisation workshop from his partner in sound. we were just a few people using found materials, very simple things made from polyurethane foam, rubber, etc…almost everythin was recycled from rubbish. the place had amazing acoustics, so it helped to amplify the experience. honestly, it was one of the best sound-experiences i´ve dealed with. of course, we had no previous experiences using these materials as “instruments”…i don´t know if there was improvised sound-music-whatever, but it was funny and refreshing to me.

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Found objects are a wonderful way to get musicians of all experience and skill levels to return to beginner’s mind. And so much fun!

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https://youtu.be/pcHnL7aS64Y

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https://youtu.be/ePptcNqXRJA

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@mheton @carvingcode

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Playing modular live has been a really fun experience in improvisation. I’ve only played a handful of times this summer, but for most of them I make my final patch within 48 hours of my performance, cultivate groups of possibilities, then use my discretion as to how to use them live. Every time there has been an element of the patch I’ve prepared but never use, and I’ve started to find myself going into some spaces I hadn’t preconceived.

I have been following a narrative arc in my head for each performance, but at some point I think I’d like to eschew that notion as well. At least for the sake of experimentation.

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Raag Miyan Ki Todi by N. Rajam

Dizzy Gilespe and Max Roach - LIVE DRUM SOLO ! 1of2

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The only improvisation I’ve done with other musicians was when I was in my high school jazz ensemble/various jazz combos I gigged with for awhile. I think it’s a really important skill to have as a musician in any style, being able to think on your feet and knowing your instrument well enough to be able to play whatever pops into your head.

But improvisation is actually kind of an integral part in creating my own music as well. Quite often I’ll have some sort of foundation laid down (beat, chord progression, etc.) without knowing exactly what I want to happen on top of it. So I’ll just hit record and start improvising melodies. Sometimes I come up with an idea I like but needs work, so I’ll develop it further. But sometimes that initial improvisation makes it to the final version of the track.

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