Ithacus
2075
This is something I would love in a Eurorack module (but have never been able to find)… transposition in just octaves and fifths.
Something like the Beasts Chalkboard, but with 5th’s as well as Octaves would be rad.
All the transposers I have found are either Octaves or Semitones.
1 Like
Deru
2076
It seems like this might be a good job for a Crow script but I haven’t gotten around to making one.
3 Likes
Ithacus
2077
Yep I imagine Crow could definitely do that 
Away from Eurorack, Could this be achieve in Midi (as @Xylr is looking at) better by modulating Pitchbend?
I can imagine modulating Midi note pitch may result in hung notes (or result in re-triggering and other weird events)?
E.g. you could set Pitchbend range on the synth being used (all softsynths I know allow you to set pitchbend range) to 24 semitones, and than have a script/patch to scale/quantise the Pitchbend value being sent?
I could probably knock this up in Reaktor very quickly (not used M4L for ages though).
1 Like
n9n9n9
2078
This is a wonderful application of MPE’s per note pitch control.
Is there a way to keep audio interface I/O settings and names?
As soon as I open a new project that requires another interface or configuration, the old project looses all the I/O configuration which is a pain with all the I/O in use.
It happens too often and I feel it behaves as last used instead of saved per project, and if it doesn’t find said interface on startup it’s just a start from scratch situation.
It shouldn’t be this bad.
1 Like
If I load my default project with my 828es off it will default to the Mac in/outputs, but as soon as I switch to the 828ea all my previous active in/outputs and custom names appear as normal.
I’ve not tried it switching between two different external interfaces.
It doesn’t need to be external. Just opening a set with the computer output messes things up in other saved projects.
I don’t have an audio interface permanently plugged, I’m changing between computer output, Loopback, ES-9 and Motu Ultralite AVB depending on needs, sometimes even aggregated devices.
I’m actually very careful by having the interface on and plugged before opening the Live set, It makes no difference if the previous set you used had another audio configuration.
It also affects opening templates which to me it defeats a huge part of its purpose.
LLK
2082
I’m not sure I understand. The behavior in Ableton is that it displays the I/O of the currently selected interface (like in most DAWs), what is it that defaults to previous set? The selected interface? When you select back your correct interface it doesn’t reassign the correct i/o? This feels like a bug it never happened to me.
Or do you mean that you want your live set to remember which interface was plugged in when you used it and reselect that automatically? Haven’t heard of a DAW with that feature but maybe that’s a thing.
PSA - there’s a bug with the latest 12 beta in case anyone missed the post on the public beta forum from a few days ago - audio dropouts and poor performance.
2 Likes
monopole
2084
Not quite. I’m talking about audio preferences configuration, not the tracks I/O.
The issue is that I can have a set with an specific audio interface, enabled and named different inputs and outputs (mono or stereo), open another project or start a new one with a different interface/setting and come back to the previous set and all the I/O configuration is gone. Gone in the sense that only 1&2 ins and outs are enabled, the rest is disabled and unnamed.
The relation on the tracks themselves is not lost, once I reconfigure the I/O again, but the process is a pain with interfaces using a large amount of ports, you don’t want to enable unused ports. This happens almost every time you open a different project with a different interface configuration.
1 Like
Use an offset with a quantizer set to two notes a fifth apart 
Combine with a precision adder if you’re wanting to transpose another pitch sequence
1 Like
Ithacus
2086
Hey that’s a neat idea.
I’ve got an ASQ-1 (has a Quantizer channel) and Doepfer Precision Adder so could patch this up pretty quickly
I’m still attached to Ableton 9.
The funny story is that I was in Kyoto Japan this year, and found a producer who was using Ableton 1 from 2001…the first version!
So I guess all of them has beauty to offer.
Good vibes!
9 Likes
My fondest memories were from Live 4 I think - used to play a lot of very DIY laptop gigs with that one.
1 Like
Does the Push 3 controller work with the MIDI generators? I’m hoping to consolidate my workflow onto the Push and this would do the trick nicely. (I understand that they don’t work with the standalone…)
I don’t believe so (at least not yet), unless I just missed it in the current interface.
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Thank you! What a tremendous bummer, though.
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Agreed. I just dug through the beta forums and it appears somebody has posted it as a suggestion, so let’s hope they implement it.
1 Like
LLK
2093
I wonder how the work for Push 3 integration works with the people building the major updates for Ableton. Because it’s hard enough already to add great new features without breaking the flow of what already worked in the software, but it must be harder still to the make it work perfectly within the idiosyncratic and opinionated interface of the Push. I could understand if there was always a delay between the addition of a new feature and its Push 3 integration.
3 Likes
Absolutely, it must be a lot of work! And I’m sure they would get a lot of grief for promising features like this before they are ready to deliver. OTOH, I want!
Fingers crossed for compatibility in the future.
2 Likes
