I too have a lot of experience drum modules and my opinions are fairly close to mrsoundboyking’s where they overlap:
ALM Akemie’s Taiko: I can get all kinds of weird sounds out of this but it can take a while to dial it in. It’s got a lot of sweet spots but also some not-so-sweet spots. Exploration can really pay off.
Bastl Noise Square + Skis: This combo gives a ton of range for various clashy drum sounds, many of which are pretty video-gamey. Skis is a little AD + VCA module that’s great size and cost value as it is all you need to turn a sound source into a drum.
Bastl Tea Kick: I like this more as a bass lead than a kick. Definitely thumpy and crunchy, also a bit video-gamey.
Intellijel Plonk: A physical modeling monster - if you want realistic-sounding drums, this is the way to go, and you can also push parameters into weird unreal realms. You can build up ‘kits’ and trigger related drums sounds through the same module. The presets sound amazing and it’s hugely powerful. I have friends who are moving all of their percussion towards just having a couple of these.
Malekko Voltage Block: This is not a drum module but I find it to be stellar for controlling complex drum modules on a step-by-step basis. If I’m using Akemie’s Taiko, BIA, or Plonk to make more than one sound in a deterministic way I am almost always using a Voltage Block to make that go.
Mutant Bass Drum: Good solid kick. I find it needs a lot of gain.
Mutant Clap: I’m not a huge fan of this one - it gets me some sounds that are similar to Bastl Noise Square + Skis.
Mutant Snare: Not a huge amount of range but a nice clean sounding snare. I think it must be 909-based because it pairs nicely with the SD808.
Noise Engineering BIA: If you want clashy industrial drums, this is the end-all-be-all. It’s great at cymbals and metallic thumps. If you modulate the heck out if it you get grimy alien laser attacks. Most spots are pretty sweet.
Radio Music: Pretty good for storing drum samples although a bit finicky to control.
SSF Entity Bass Drum: Somewhat misnamed because the pitch knob lets it go all the way from throbbing kicks to high pitched plinks. I find this a bit hard to dial in but once it’s dialed in, it gives me some of the best kicks I’ve heard in modular. The bass lead is also nice and a bit more smooth and rubbery than the one in Tea Kick.
Tiptop SD808: The classic analog snare. Levels for the noise, tone, and accent can be set. Not a lot of range but sounds just right.
All of this said, it’s also important to remember that a lot of basic analog drums can be built up from other modules. One of the best kicks I’ve ever created was actually a square wave fed into an Intellijel Polaris in LPF mode with two AD envelopes that were modulating the FM and the VCA that the Polaris was feeding into. So it can be worth looking at what classic drum circuits are made up of because you probably have the components in your rack already.