Yea the CV implementation is similar to A4 in terms of connection count, but wonky in terms of notes:
When sequencing external CV notes it uses numeric values instead of notes. Not a deal breaker and makes a little sense due to offsets you might have employed, but itâs a hurdle.
A4âs CV section is a bit more logical.
I prefer to just sequence external stuff with Pro 2 over MIDI instead, and though that does use note names for values, itâs still not entirely straight forward. Otherwise the sequencer is very powerful and makes a great mod source.
Itâs a deep synth, deeper than A4, and there is a lot to appreciate. The thing I probably miss the most from A4 that is omitted on Pro 2 is the LFO fade. This can be overcome with some sequencer tweaks but that feature on the A4 is very simple and quick to use. Ideal for long evolving sounds.
Itâs funny that you mentioned Pro 2 as being a good compliment to modular.
I got it in lieu of a modular. The dual filters, routing, vast modulation, and audio rate capabilities give me what I want, and for the things I cannot achieve, I fire up Reaktor blocks. Will need to explore Blocks CV output into Pro 2 as I have 8 unused outputs on my Ultralite MK4.
I donât want to derail this A4 thread too much, so Iâll add that if I ever get an A4 again it would probably be the new black MK2.
Using the QuickPerf pot for filter is a lot of fun (I had a MK2 Rytm for a while), and that overdrive just sounds nice. Once I started using more synths with pots on amazing sounding filters, my love for the A4 MK1 soured, and that was unfortunate. I used to take deep dives into that thing, and the only time I came up for air I was a few sampled drums away from a finished tune.