I’m sure you are aware Weerasethakul also exhibits installation work in art galleries, so I don’t believe they are making an uninformed choice especially with regards to “pretensions to rarefied art obscurantism.” Maybe also useful to question the sense of entitlement that everything must be available online instantly, especially when an art film like this (and all his earlier films) would “usually” spend 12-18 months screening exclusively at Film Festivals and would not be available to stream at all or until many years later (eg I checked to see if “Uncle Boonmee Who Can Recall His Past Lives” was available to stream now and Amazon has it, but is likely geo-limited) If they made this new film available to stream, then no film festivals will then screen it and it seems to me his career is not based on streaming numbers. The film is scheduled to screen next month at NZIFF, and I would presume a series of film festival s around the globe for the next year.

I am not ignoring your disappointment, or staying safe but maybe a more useful part to quote from that article, is about the filmmakers intent:

“For Memoria, [the] cinema experience is crucial or maybe the only way. Let’s embrace the darkness and dream, one at a time,” Weerasethakul said.

A vocal advocate for the theatrical experience, Tilda Swinton said, “’Memoria’ is the perfect film for this. Big cinema or bust… Throughout the universe, in perpetuity.”

sorry this is OT

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