Loopop’s review is also available

As always a pretty exhaustive overview :slight_smile:

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Thanks for sharing that and describing it – the keyboard is really the part I’m most interested in. The sound engine seems competent enough, but isn’t really grabbing me enough to want the synth.

I’d like to see this keyboard as a standalone controller (“FreaKey?”). Or put that keyboard on a Microbrute 2 :slight_smile: I know not everyone loves Arturia’s “Brute” Steiner-Parker filters, but that plus a nicely saturated triangle, with a second VCO for linear FM or stacking, is really all I need in a fixed/semi-modular monosynth.

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Nick Batt at the controls:

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This is great, about time!! :smile: thanks for sharing this link

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I “accidentally” pre-ordered one of these and got it this week. See my video in latest tracks for a little performance with it

Got to say I love it - the keyboard is really nice - very easy to play very fast on, the pressure thing is surprisingly good. Slightly too easy to make mistakes - but my seaboard Rise was like that when I got it first.

Loads of good sounds both ‘nuts’ and calm and sensible to be had out of it - just been making some mad (and actually musically very useable) noise modulating the filter cut off with both the LFO and the cycling envelope at close to 100hz with the resonance right up.

It’s very easy to get good sounds out of it - I’ve not really listened to the presets at all - when I use it (& I’ve found myself turning it on for a ‘play’ often) I just start from an init patch.

No idea what the comments about “serious” synths are - you can either make music on something or you can’t. I’ll be making a lot of music with this little thing , and having fun doing it.

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Can you connect the roll rise too it as a keyboard is love to know if this works b4 I buy a freak

I am also mostly interested in the CV out / controller capabilities of it, especially that it can output 1.2 v/o so I can control my 208r rev. 1 with it. However, I have a question that i wasn’t able to find an answer to, online or in the manual.
Can somebody with a Microfreak (ugh) please confirm that it outputs sequencer and arpeggiator CV and gates out of the CV/gate outputs? Or just keys you press?

Thanks!

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What about MIDI in to CV/gate out conversion?

(Editing my own lazy question after perusing the manual: http://downloads.arturia.net/products/microfreak/manual/MicroFreak_Manual_1_0_0_EN.pdf)

Based on page 77 of the manual, apparently, MIDI in, sequencer & the built-in keys all output cv (and gate?). This reading assumes that the manual has a typo. The original text goes like this:

There is only one pitch CV output at the rear of the MicroFreak. If you play a chord on the
MicroFreak, either with the keyboard or using the sequencer, the last and lowest note of that chord will be transmitted via MIDI. Notes arriving at the MIDI In port have priority over notes you play on the keyboard or using the MicroFreak sequencer.

However, this paragraph makes more sense if “transmitted via MIDI” means “transmitted via CV output”. Can anybody test this?

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There’s now an updated version of the manual which fixes that mistake. It is as you suspected:

There is only one pitch CV output at the rear of the MicroFreak. When you play back a sequence pattern a step’s lowest note will be transmitted. When playing the keyboard the last note you play will be transmitted.

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Bc the manual says lowest note “per step,” I’m assuming it outputs pitch sequences via cv

Would also like to hear a definite on this from someone who owns one.

Yes, the sequences are sent out via CV, or at least a monophonic version of the sequences.

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Well, now i own one, and i can fully confirm that it outputs arp / seq CVs out of the cv/gate/pressure jacks.
Pretty amazing little controller. Onboard synth is a bonus! Syncs to modular clock with no problems, too.
However, while it certainly is able to output 1.2 volts per octave as required by Buchla gear, i couldn’t coax proper Buchla gates out of it. So i still have to use my Synovatron active Euro / Buchla converter for gates to get 208r envelope to react properly to sustained notes.

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Now that the dust has settled over the MI PR absurdities, it’s nice to be able to focus on the unit itself. Doing which resulted in me ordering one which arrived today!

Even though I’d seen the videos, the first thing I did was still scroll through the presets and see what kind of sounds it showcased. I have to say, if it was being marketing using those alone I would be unlikely to touch it with a considerably lengthy bargepole as there’s about 10% of the 160 that felt useful. Obviously I didn’t buy it for the presets, though, so moving on to exploring the synth itself revealed a really interesting and rewarding unit that, despite my initial impressions, is impressively intuitive.

The Modal oscillator mode was the most immediately exciting (although all of them produced very interesting sounds even with very minimal tinkering). It offered sounds that I absolutely don’t already have in my current setup, which was the whole purpose of getting the unit in the first place.

As a quick aside: the mod matrix is simple to use initially but hints at a lot of power in the more in-depth functions & the keyboard is excellent, far from gimmicky and really quite expressive.


My first thought after spending an hour so with it - and with those comments regarding the presets in mind - was simply:

Are people sharing presets for this in the same way I’ve seen them doing for the Peak/Summit?

And then:

Are my fellow Lines users doing it already or, if not, interested in starting to?

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I just got one last week and I’m loving it! Deleted all of the presets this afternoon to make room for original sounds. I find patch creation extremely easy and rewarding with this synth.

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Sold mine earlier this month Bought a BS2 with the returns.

Some of the algorithms we’re lacking, though I enjoyed the immediacy of patch creation. The sound palette in a compact box is great. But that sound palette exits in my iPad, abiet without the analog filter. Also, for me, the keyboard is a lousy as a controller

I’m kind of interested in the keyboard as a concept. So can I ask what you didn’t like about it?

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This new firmware update looks fantastic!

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Updating digital hardware synth is my favorite trend of the music industry. This, OPZ, Korg and all novation hardwares, this is clearly something I enjoy and a breath of fresh air from the “new shiny thing every week” nauseating feeling I’ve got sometimes when looking at the news. Getting excited about gear people already own is so much saner and enjoyable.

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Agreed. Helps with depth year too!

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Yeah, it’s time for Depth Year for synth builders (both hardware AND software) too now please.

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