Yeah! Here’s another example - pitch CVs going to self-oscillating analog filters, then envelopes to other analog filters, then all that analog synth is brought back into Audulus and has effects applied to it, then it goes back out of Audulus and into my other interface where I apply even more effects. Still very low latency!
From the description:
This demo shows you how you can use Audulus to control your Eurorack synthesizer by sending it sequenced 1 volt per octave signals as well as envelopes. The signal path is all analog until it is processed by an analog-modelling delay created in Audulus.
In this track, Audulus is sending a sequenced 1 volt per octave signal through the Expert Sleepers ES-8 to two self-resonating filters - the STG Soundlabs Sea Devils and Mankato LPFs.
The Sea Devils is being shaped by the L-1 Tube VCA and filtered by the Doepfer A-106-5 SEM clone. Audulus is sending an envelope to the response input of the Sea Devils (for amplitude control) and an envelope to the SEM filter cutoff input.
The Mankato filter is self-resonating, but has a mix of feedback from both the SeM20 filter’s bandpass output and the 24dB/oct output of the Mankato into the control amount input. The Audulus Clockable Tuned Delay Line is flipping between tuned and synced mode every few measures.
The drums are 909 clones made in Audulus, created by Nömak. The hat has some delay on it.
