Hi Tehn,
Well, the short answer is “yes, I wrote it to slice up my field recordings into one shots, specifically with the Elektron in mind so I could trigger them with the pads”.
The long answer is “But later realised it could be useful for any sample player, e.g., the Monomes and the Arcs. I have made quite a few field recordings over the years and didn’t want to go through them one by one loading them up to find the good bits, chopping them up and naming them individually, dealing with each file manually (as is the case with something like Ableton). And I couldn’t find anything online that would serve this need. I didn’t want to slice by transients because I wanted something less obviously rhythmic, that is to find the otherwise more unusual rhythms, and I didn’t want to map to a keyboard. For example, like when (in the olden days) a cd or vinyl record would get stuck in an unplanned loop – after a a while, the loop starts to make sense. Or like in Frank Bretschneider’s track from ~2000 (can’t think of the name right now), where it starts out going ‘sicko, sicko, sicko’, then morphs into 'Osick, Osick, Osick, then ‘Mexi, Mexi, Mexi’ then eventually you hear it as ‘Mexico, Mexico, Mexico’.”