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highly suggest this one. Its a quick read and kept my heart and brain talking to each other. great for anyone who has a strong wanderlust :slight_smile:

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I’d be curious what you make of it good or bad.

I hate to be that person and its not like I’m super well versed in the entire field of criticism except for a select few… and I can barely stand him enough to have read much by him but I really think Saltz is a total idiot. Everything just seems like some sort of gross cash in from his defense of some really shitty capitalist art, incredibly weak “art activism”, his talks that constantly defend a broken and exploitative system, while simultaneously pitying himself like he’s some poor bum and him and his partner are the last real art writers rather than someone in an incredibly powerful position with massive social clout he cashes in on (books, talks, Bravo TV…)

also regardless of how one may feel about him you have to admit his coffee thing is downright bizarre (just google…) and I take great pleasure out of watching the internet obsess and rip on it.

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I just did some research on the “coffee” thing — unique to say the least?

Will weigh in on some more thoughts once I’ve finished the book…

A good (very snarky) overview. :laughing:

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Is this what makes him qualified to write about being an artist? This body of work is certainly… provocative.

On a more serious note: my mind reels at the willful ignorance required to even joke that paying someone else to make your coffee makes you “not a part of this world.”

oh, but books! I’m nearing the end of Le Guin’s The Dispossessed and really love it. I had enjoyed City of Illusions and Left Hand of Darkness, but this one’s hitting home even more, especially this final 1/4 or so. Thanks to everyone who recommended it in this thread.

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Just finished — it definitely has some of the issues you mentioned but 90% of the book is basically just life tips to force you to get to work and be more creative.

Feel like it would be a very quick and handy read for anyone looking to get creatively motivated.

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@slowsounds @Loitering My favorite get motivated book is On Writing by Stephen King. The tl;dr is basically that the idea of inspiration is bs and you simply need to put the time in. So you make it a point to show up at the typewriter/studio/easel regularly and do the work “200 crummy words at a time.”

I remember earlier in my practice I used to be pretty obsessed with the concept of inspiration: capturing it, teasing it out, bottling it up, etc. There’s another great saying along those lines: “craft is what enables you to do the work even when you’re not inspired.”

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Very similar philosophy in the Saltz book.

It basically reduces down to: the best way to be creative is to start working and make stuff.

Don’t worry about it being perfect.

Set self imposed deadlines, listen carefully to any feedback (especially negative feedback) and then get to work again.

His biggest point seems to be that worrying about working is much harder then actually working, so force yourself to get started and do it as much as possible.

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I love that. Art & Fear talks about, too.

Artists only work when the pain of not working exceeds the pain of actually working.

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I read Rendezvous with Rama by Arthur C. Clarke last week. The minimalist plot left all the important questions unanswered. I was satisfyingly tantalized.

Therefore reading the sequel was bound to be a mistake.

I just returned Rama II to the library at 25% completion. I basically never put down a book once started, so believe me when I say Rama II is trash.

RIYL sci-fi: Ra by Sam Hughes

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If you want the original, I’m pretty sure Pawn Stars has a copy :slight_smile:

even early-teen me could tell that Rama II was utter arse. Most of Clarke’s sequels are… weak. Although I rather liked 2010, I think?

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I deeply enjoyed 3001, the final book in the 2001 series – I’ve read it a few times! It’s got a hopefulness and utopianism like that of The Songs of Distant Earth, which is so hard to find in a literary tradition which so often tends toward dystopia.

Now: this…

It’s a book about swimming but it’s also one of those books about everything.

Reading on Robert Macfarlane’s recommendation…

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Had a thrilling moment of excitement thinking this was a different Roger Deakins :stuck_out_tongue:

If you’re into Macfarlane, I’d recommend checking out Tim Robinson’s work. Of the bit of “New Nature Writing” I’ve read, I found him the most self-aware and deep-thinking in a very satisfying way :slight_smile:

crosspost

https://llllllll.co/t/secret-tree-fort/20942/335

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Yeah not the cinematographer (who at first I thought Macfarlane was first talking about)…

Will check out Robinson’s stuff!

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I’m (as usual) giving time to a Qur’an translation- This time it’s The Study Qur’an, which is amazing if for its footnotes alone. Lots of amazing sources to scour!

Also in the middle of:
Roll, Jordan, Roll - Something my father read as part of his Master’s studies. Really is recontextualizing all the years I lived in the South.
The Shia Revival - Just near and dear to me as a Queer Leftist Revert.

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I’ve really been enjoying Duckett & Dyer: Dicks for Hire. Every time I sit down with it I laugh out loud, usually multiple times. I never read “John Dies at the End” though I did watch the movie, and this book has that same tone. It also feels a little…British (though it’s not).

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I often wonder with advice/tips/self help, so on, if generally what we are looking for is outside sources to confirm instincts we already have. While I think some of the basis of this is very useful- as in yes, try to work, get feedback, limitations and deadlines can be helpful, I also think such strategies maybe only can serve particular TYPES of work. I think a lot of it also comes across as a very puritan work ethic (read: I am the lazy type of artist) which is going to yield a very particular result and viewpoint. Leaning towards confirming my own already held positions I’ve also read in interviews with many artists whose work I gravitate towards (Mark Fell, Daniel Levine) there is a strong emphasis on also NOT working that I found has worked well for me. If no ideas are there, you aren’t in the mood, so on its better to just go and do other things, and work when it feels time to work. Sometimes there is a need to really push through some very difficult points, but they seem to present themselves rather obviously and you know when its time to really go for it. In the end maybe both ways of working actually arrive at the same point, just personal preference on how you get there. Or us “lazy” types want to convince ourselves of that? That we took a long enjoyable walk around a wall while someone else decided to slowly knock it down with a hammer.

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