Like @voidstar said, LOCATION gives you the integral of the input signal, not just a slewed version (or the derivative, which is the goal of the rate of change patches you all have been discussing in the modeling thread).
I’ve been watching that discussion and wanted to try something out using FOLLOW – that’s the Cold Mac output that behaves more like a slew. It rectifies the input first, so in order to get the rate of change, you need to subtract the FOLLOW and rectified outputs. And the FOLLOW output’s gain is apparently higher than that of the rectified output, so FOLLOW needs to be scaled down before subtraction. All that is to say, I needed a lot of cables, and an inverting mixer (Shades in this case).
CM SURVEY knob/input as control
CM rectified output to CM FADE input
CM FOLLOW output to Shades ch1 (with gain about halfway)
CM RIGHT output (inverted rectified output) to Shades ch2 (at full gain)
Shades ch2 output (FOLLOW/2 + RIGHT) to OR input 1
…and via stackable to Shades ch3 (gain at -1)
Shades ch3 output to OR input 2
Tweak Shades ch1 gain so that ch2 output is roughly 0 when Survey knob isn’t moving.
For a vaguely breath/bow-ish voice (oscillator -> filter -> VCA):
Shades ch2 or ch3 output to filter cutoff (these two Shades channels output the un-rectified rate of change, so they will momentarily open or close the filter depending on which direction the SURVEY knob is moving)
CM OR output (rectified rate of change) to VCA gain
In the patch above, any time SURVEY crosses 0, the VCA closes (or nearly closes). I thought I’d take advantage of that and clock a sequencer when that happens.
CM LEFT output to Maths ch1 input
Maths EOR to sequencer clock
I have a feeling Maths alone could do the RoC thing a little more efficiently, since it’s a slew, inverting mixer, and slope detector all in one. I’ll post in the other thread when I’ve tried that out.