this is a great question!
Yes compression is used liberally but no, i don’t usually think i’m processing the kicks apart from the other sounds. Usually i tune sounds/textures to each other (by ear not to a scale) and then make a pattern.
Destructive editing and resampling comes next. I don’t usually make edits or tweaks on just one sound in isolation. But I know some tricks to get the kick where i want it w/o sacrificing the whole track.
Since i care more about drums & kicks than melodies, if i cant find an ideal solution i’ll usually lean toward spotlighting the kick over something else
I was gonna say no but it probably depends on the track. Some experiments include transient shaping or gate method #1 shown by @pATCHES here
but, again never use this technique alone, usually on a whole track or layer before stacking/flattening