I’m incredibly pleased and proud to share the release of my first EP, Carnation Lily Lily Rose.
I’d describe the record as a diverse landscape of twisted, lo-fi electronics and haunted distortion, taking inspiration from the work of Xiu Xiu, Sarah Davachi, and Arthur Russell. It was recorded during the winter of 2022, largely improvised on modular synth and presented with minimal editing.
It was important to me that the record have a human feel, that it could breathe and drift, collapse and rebuild.
Most of the compositions started as patches on a Moog Matriarch, which were then run through a Make Noise Strega. I captured the output of both the Matriarch and the Strega, which gave me some flexibility to creatively mix between these instruments, highlighting the sweetness of the Matriarch and the harshness of the Strega.
This is the first volume of completed work that I’ve released — thanks to everyone in this community who (perhaps unknowingly) lent their wisdom and support. Hearing from you all has been a constant source of inspiration over the many years I’ve been working toward this moment.