We have had quite a bit of discussion in several topics about the depth year concept presented here:
I intend to make 2020 a depth year for myself, having somewhat (unknowingly) tried and failed last year. I intend to write up several objectives for my depth year in the days leading up to 2020 which I will post here.
Feel free to share your own thoughts, progress, story, etc here. 2020 is the year!
Iāve been kicking around doing something similar since I read about the idea on @Starthiefās blog:
I donāt think giving up starting new projects is for me, but I like the idea of putting a cap on resources and going deeper with the tools and affordances I already have for a year.
I suppose Iām going to have to buy that lapsteel Iāve been eyeing this monthā¦
As mentioned elsewhere, Iām going to be hopefully studying for an MA in Music Research next year and have always planned to take advantage of the student discount offered on Ableton Live Suite. Thatās the exception, though. Iām in.
I like the idea! Count me in. My attention is usually all over the place. Lets focus now. No new projects. Perfection instead of instant gratification.
Thanks for making this thread. Iāve started a draft three or four times but just couldnāt find the words.
I was part of the discussion to get depth year started, and so far Iām really excited. I did cave and buy a few āyeah this will come in handyā pedals and bike parts. I feel like a tool as a result, but I genuinely feel like Iām setting myself up for success by giving in to these last few urges.
No new gear, no new hobbies.
Revisit old hobbies. 100% all the games sitting at 90% (hereās looking at you Cuphead). Get back into film photography. Ride my bikes instead of just working on them. Finish building the half-dozen guitar pedal pcbs Iāve been neglecting. Record record record. Those are my goals!
I have a beautiful bike that I havenāt ridden in a couple of years. Iām getting increasingly anxious about ridding around in the city. As the traffic gets worse it sucks some of the joy out of riding that I used to feel. Iām going to follow your lead though. I already walk everywhere, why not ride.
Has anybody else engaged in a manic fortnight or so of preparing themselves/their gear for the coming depth year? Having decided that I will allow myself to purchase Live Suite (should my Masters application be approved and I receive a student discount for Ableton products) Iāve totally flattened my current installation of Live Lite and installed all the things I never bothered with before (namely all the free plugins I got with various hardware items - Novation/Focusrite bundles especially). Iāve discovered some truly incredible things!
Also I took advantage of a little end of year sale action to cover a few areas, grabbing Soundtoysā mini Primal Tap yesterday for 9 USD and taking advantage of the huge discount on Pigments 2 to grab that for 69 EUR (thanks to registering my Microfreak). I figure that Pigments will cover my urges for a Peak and if I truly feel that I need something (and have bought Live Suite) it will only serve to double-down my commitment to learning Max For Live so that I can create it myself!
I filled two boxes with music gear that I want to exclude. Bought a licence for Renoise. Got a final piece of gear for recording. Going to continue boxing stuff up as time rolls on.
Just storage for now. I can evaluate later (2021?) and see what Iām really missing. I feel pretty good about the gear Iāve picked. Still struggling a bit with how my workflow is going to work. A lot of things Iām choosing are leaning towards fine tuned note fiddling when Iām kind of a ābuild a sound monolith then carve things away to the minimumā kind of guy. Weāll see how it goes.
Iām very aware that I have given myself a lot of get-out-of-jail options with Ableton and the myriad ways it can by used when incorporating M4L devices but itās something Iāve never explored and am really excited about how that might affect the music I make
Likewise, in a similar way with Renoise I know Iāll be pushing against some serious limitations. For some reason, getting more adept at trackers is something Iāve wanted to do since Fast Tracker II days. I anticipate some hair pulling and surprises.
My first experience of making music was backseat driving Octamed on an Amiga A500 but all the alphanumeric sequences never did much other than confuse me, I have to confess!
I was preparing my space also. Shoving the large dining room table Iāve been using around the room snapped one of itās legs. Might be back to working on the floor.