#54

I think this tool by Landscape would interest lot of you. I certainly have major GAS for it!!

https://www.landscape.fm/hctt

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3 Likes
#55

a maestro of destructive loops - fascinating and well executed concept but mostly posting here because the song itself is very well done and the destruction is so satisfying. warning for racist and explicit language.

9 Likes
#56

That’s such a sweet way of turning something terrible into art :sob::sob::sob:

2 Likes
#57

I’ve been experimenting a bit using the DLD for this; I’ll have to try the send/return technique.
With DLD I found if you have feedback just a bit before 100% and you play with that and the Delay Feed (I’ve been using attenuated irregular CV from O&C) you can get some nice stuff.

Although Phonogene in Broken Echo mode is :kissing_heart:

#58

I’ll second the el capistan here. But also am madly in love with Cooper FX’s Generation Loss. It’ll mess things up. Slowly ramping the Gen knob down yields utter destruction.

2 Likes
#59

For the Organelle heads.
https://www.critterandguitari.com/organelle-patches/deterior

5 Likes
#60

A pretty impressive take on this topic with the upcoming Synthesis Technology E520.

7 Likes
#61

I have a cooper Generation Loss pedal which I love, and was mentioned elsewhere, but I don’t think anyone’s talked about the Strymon Volante yet which actually has a disintegration loop setting that’s very accurate. You go into the sound on sound loop mode, record your loop, and then set wow flutter, tape age, and tone of the repeats. At some settings, the loop degrades after a couple of passes and at others, I’ve made it last almost an hour.

5 Likes
#63

^ This. Lucier’s a huge influence on areas of my practice, and I’ve used the IASIAR process of resonance and constructive interference so many times! It’s the process that keeps on giving, since resonance (along with parameters of fidelity, amplification, equalisation) has so much nuance and unpredictability.

2 Likes
#64

A slight tangent, perhaps, but I’ve been playing with a long have version of this using an iPhone FM transmitter and an old Walkman with a built-in radio. I play the loop through the iPhone and then re-record it into my computer via the Walkman radio. I’ve played with different methods of doing it, including send the output of the Walkman radio into a dictaphone before sending it into the computer and it works well. Obviously you can send it back out from the dictaphone though the iPhone/transmitter as many times as you like and it offers interesting effects. Using unreliable tapes in the dictaphone is an interesting idea too - I need to try that.

On a side note, I just recently got Reaktor and it’s great to see @Ithacus & @trickyflemming discussing ensembles in this context. Is there a dedicated Reaktor thread that I’ve somehow missed?

(Side note 2: Hainbach’s latest (3rd, I believe) disintegration loops video is available to watch now and is incredible)

7 Likes
#65

thought of something simple for deteriorating loops:
add random amounts of DC offset(keep signal within range with soft-clipped distortion or limiting of some kind) to each re-recording… i know it’s not as good as tape or analog, but just had to try it in Max


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2 Likes
#66

Ha, I bought one of those FM-radio transmitters a few years ago hoping for lofi-goodness. I gave up on it after a few minutes, as I recall because it sounded too good. Probably too early. What happens if you increase the physical distance between the transmittor and receiver. It should probably introduce interesting artifacts. Maybe you can disturb the signal in some way?

I need to look into this again. Btw, the SP-303 vinyl simulator can be a way to add extra texture (wow, flutter) as well.

1 Like
#67

I get different results depending on a few factors - which FM frequency I use, how far away the transmitter is from the receiver, what objects I use to try to interfere with the signal etc. Also unreliable signal paths are fun. I got a clock radio and close-mic’d the speaker on that instead of taking a direct signal into the computer. Using the same method for tape but using the dictaphone microphone is handy too. It all depends how poor you want it to sound (but yes you do have to work at it because they’re surprisingly quite good!)

2 Likes
#68

Haha, yes that matches my memory.

1 Like
#69

Blocks thread: Reaktor blocks

Less active Ensemble thread: Share your Reaktor ensembles

Misc: Looking for non subtractive Reaktor ensembles and esoteric sequencers

It might be worth starting a dedicated Reaktor thread. The User Library is such a perfect resource for a lot of people doing the Depth Year this year, or at least those trying not to spend money on more gear.

2 Likes
#70

Thanks, these are a great place to start! The depth year angle is more or less exactly why I bought it, to be honest - I figured that it would be able to provide me with the means to create things I needed (/gearlusted after) and therefore would offer some GAS insulation. Also the Space Echo emulation and Cloudlab ensembles are (to me) arguably worth the purchase alone!

I had avoided starting a new thread because I got the feeling most people were M4L users as Reaktor hadn’t been mentioned often but I shall start one up forthwith :slightly_smiling_face:

2 Likes
Reaktor thread
#71

I’m really looking forward to the E520. I feel like between the more standard-ish delays, the spectral craziness and this it’s never going to not be busy :slight_smile:

2 Likes
#72

I feel like I gave up on the Volante too quickly. I got one when it came out, but ended up swapping it out for a Meris Polymoon. Both are cool, but the Volante has all of these awesome extra features, plus it sounds really good…

1 Like
#73

I’ve been thinking about this too but my thought was to use low power AM because it is more “disintegratable”. Thoughts?

1 Like
#74

That video is dangerously close to pushing me into ordering one. Finding a looper in euro that I like is a constant struggle.