Disquiet Junto Project 0312: Amplify/Magnify
Explore two ways in which sound is scaled.
Step 1: This week’s project will explore the difference between “amplification” and “magnification.” Consider the two words, what they have in common, and what distinguishes them when applied to sound.
Step 2: Select a short piece of sound/music.
Step 3: Produce an original recording with three movements of equal length that explores the sound from Step 2. The first movement of this recording should involve the “amplification” of the sound from Step 2. The second movement of this recording should involve the “magnification” of the sound from Step 2. The third and final movement of this recording should explore contrasts and similarities between elements from the first and second movements.
Five More Important Steps When Your Track Is Done:
Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0312” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: Please consider posting your track in the following discussion thread at llllllll.co.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project’s deadline is 11:59pm (that is, just before midnight) wherever you are on Monday, December 25, 2017. This project was posted in the morning, California time, on Thursday, December 21, 2017.
Length: As long as you see fit. Three minutes feels about right.
Title/Tag: When posting your track, please include “disquiet0312” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 312th weekly Disquiet Junto project (Ceramic Notation: Read a work of ceramics as a score in graphic notation) at:
More on the Disquiet Junto at:
Subscribe to project announcements here:
Project discussion takes place on llllllll.co:
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.
Image associated with this project is by Carly Hagins and is used via Flickr thanks to a Creative Commons license: