Such a cool project! enjoy listening to all the contributions

3 Likes

Dear JUNTOS, happy new year everybody. It’s been a pleasure sharing this 2017 here with you.

See you all (and hear you) next year.

Love

DD

7 Likes

The playlist is now rolling:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0313

Thanks to everyone for a great year. I’m looking forward to 2018.

6 Likes

https://soundcloud.com/drift-of-signifieds/disquiet-junto-disquiet0313-audio-journal-2017

My contribution was constructed from twelve snippets, one per month, of sketches, remixes, live recordings and an interview fragment (bonus points for identifying the interviewee) recorded during 2017.

There was very little advance listening to the snippets involved, as the technique employed was to briefly examine the waveforms in Audacity, then cutting out interesting-looking areas and trimming them to precisely five seconds each. Any multiple tracks were panned hard left, hard right and centred (if there were more than two in the source material) on an arbitrary basis; the only edits were to fade in the first five seconds and to fade out the last section.

3 Likes

https://soundcloud.com/cboulter/december-30th-2017-disquiet0313

Well here it is, mainly me playing around with a modular synth. I’m still trying to learn / experiment so try to produce things pretty regularly, with arbitrary titles by date (which helped!).

Much respect to Marc for keeping such an inspirational project going, and all the contributors to the Junto and the encouragement I’ve had thus far.

Happy New Year!

6 Likes

My year in music… in just 60 seconds.

January - live session with PTH
February - “Count With Me” - Disquiet Junto 0269
March - live performance at Luggage Store Gallery
April - “Corner” - with PTH
May - “TelCo”
June - “Chamber” - Disquiet Junto 0284
July - improv with a young musician friend
August - unreleased live session with EK
September - “Bagatelle” - Disquiet Junto 0298
October - “001.3” with MB
November - unreleased work in progress for my son
December - live at Hotel Utah with EK

January - https://electrickitchen.bandcamp.com/album/session-series
February - https://soundcloud.com/mtnviewmark-bits/count-with-me-disquiet0269
March - https://electrickitchen.bandcamp.com/album/live-at-luggage-store-gallery
April - https://electrickitchen.bandcamp.com/track/corner
May - https://youtu.be/MY-6dU1LIkE
June - https://soundcloud.com/mtnviewmark-bits/chamber-disquiet284
July - https://soundcloud.com/mtnviewmark-bits/dj-hi-def-mzero-three-parts
August - unreleased
September - https://soundcloud.com/mtnviewmark-bits/bagatelle-0298-disquiet0298
October - https://metalbiped.bandcamp.com/album/001
November - unreleased
December - release forthcoming

PTH/EK: Jan., Mar., Apr., Aug., & Dec. were with my band, electric.kitchen - https://electric.kitchen/ (formerly known as Punjabi Tea House)
MB: Oct. is a collaboration known as Metal Biped - https://metalbiped.bandcamp.com

5 Likes

Hey Junto Gang
Happy New Year All


(Info Jan 17 - Phone recording made in pocket of glass factory (became https://soundcloud.com/patzr-radio/patzr-radio-sixtysix-touring-the-glass-factory-2)
Feb 17 - Phone recording made of some weird sounds from shortwave radio, think it was around 3600-4200kHz @ 21:49 26/02/17
Mar 17 - Phone recording of church bells made during morning run
Apr 17 - Parts from - https://soundcloud.com/mattnix/do-overs-are-fine-disquiet0275
May 17 - An incomplete Junto Project 0281
Jun 17 - Deconvoluted impulse response made in Half life 1 game engine
Jul 17 - Phone recording of Pfarrkirche Stockerau
Aug 17 - Some tape loop thingy based on a phone recording
Sep 17 - Phone recording my baadd piano playing
Oct 17 - Phone recording of dripping sound in old railway tunnel
Nov 17 - Something made
Dec 17 - https://soundcloud.com/mattnix/sc-429842aiff-15st at normal speed
)

5 Likes

oof. Here We Are Again. But still i do find this project soothing, kinda; reflective anyhow.

I idly flicked through my 2017 folder, with the exception of the final chunk which is something i recorded yesterday. My choice, in the main, skews by name - “why did i call it that” - and/or confusion - “what was that again”; even when you’d - uh, i’d - figure it was pretty self-explanatory [eg. ‘test signal’ &c &c &c]

0.00:0.05 wndscrn snz+++++.wav [created 08 ‎January ‎2017, ‏‎14:50:41]
0.05:0.10 170217___.wav [created 17 ‎February ‎2017, ‏‎09:28:48]
0.10:0.15 bts_±06.wav [created 05 ‎March ‎2017, ‏‎11:23:07]
0.15:0.20 rain - hail 010417.wav [created ‎01 ‎April ‎2017, ‏‎22:30:09]
0.20:0.25 chip box.wav [created 27 ‎May ‎2017, ‏‎16:36:05]
0.25:0.30 BACK YARD 230617 ~0700.wav [created 23 ‎June ‎2017, ‏‎08:32:16]
0.30:0.35 030717+++.wav [‎created 03 ‎July ‎2017, ‏‎13:30:40]
0.35:0.40 mm glitch.wav [created ‎14 ‎August ‎2017, ‏‎23:04:53]
0.40:0.45 test signal.wav [created 10 ‎September ‎2017, ‏‎11:48:39]
0.45:0.50 081017++.wav [created ‎08 ‎October ‎2017, ‏‎11:51:04]
0.50:0.55 bigg market machine.wav [created 18 November 2017, 18:24:41]
0.55:1.00 mix.wav [created 29 ‎December ‎2017, ‏‎12:04:18]

Same time next year, hopefully, maybe?

6 Likes

as much as i <3 <3 <3 this regular recurring project, listening to the playlist has a terrifying aspect; like, all these sounds, all these individual years, and the supreme difficulty in keeping up…

7 Likes

It is like having an extreme form of ADHD, as all this content zooms by, rapidly switching focus. 2017 felt like it sped by at record speed, this playlist feels suitably fast!

3 Likes

2017 was a strange year for me. It feels like I managed to get very little done, although one of the good things about doing this Junto project is that it helps me realise I did more than I thought.

The early part of the year was moslty taken up with putting an EP togetehr, the middle and latter part with putting together a performance piece and gearing up for my first solo gig for a while in October, so most of the tracks I’ve used for this relate to one of those:

January: part of a track called “Prayer and Void” created for a Cities and Memory project
February: Extract from a performance with John Richards and students from Trinity Laban
March: track from my EP The Optimist, recorded (mostly) in March
April: field recording of a stream in Wales
May: part of an arrangment of a folk song, “The month of May” (also from the Optimist EP)
June: cello improv
July: guitar improv
August: stretched fragment of Beeethoven, part of materials I was assembling for my piece “Exit Music”
September: Cello loop
October: improv, preparing for a solo gig
November: the exit from Exit Music. This performance was a stressful experience for all kinds of reasons, not least a tech failure that brought down the quadrophonic drones that were a major part of the texture. Hopefully I’ll get to do it again somewhere and realise it properly.
December: Part of the track I contributed to the Linear Obsessional compilation A View from a Hill

I always feel bad that I don’t get time to do more of these, but it’s good to know it’s there. Happy New Year everyone!

4 Likes

https://soundcloud.com/missushardy/disquiet0313-old-long-since

More detailed notes in the Soundcloud description, but in short,

January - London
February - Larry Gales
March - Pinewood Derby
April - India / London concrete
May - Tilt a Whirl
June - Rehearsal
July - Noise
August - India
September - My son on the modular
October - My son and I collaborating
November - Lunch and learn
December - Hotel carpet

Happy New Year everyone!

3 Likes

https://soundcloud.com/acoustic_mirror/a-year-in-60-seconds-disquiet0313

<iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/377062559&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true"></iframe>

2017 was a long, intense, and busy year. Not something I can summarise in a paragraph, but, lo and behold, Marc Weidenbaum’s Disquiet Junto project came to the rescue at the last minute.
So, there you go - this is my year in sound, condensed (compressed?) to 60 seconds.

Happy New Ear, everyone!

(((o)))

[00:00:00] January: Oblique Soundwalks
First project of the year. This is from a series of soundwalks produced in Cuenca, Spain, in January, following the (non-)guidance of Brian Eno’s Oblique Strategies. To be released Real Soon Now.

[00:00:05] February: Ghostwalk #01 - Atocha
First in a series of works based on field recordings from important sites of memory - memoryscapes. This was broadcast as part of the Radiophrenia 2017 broadcast later in the year.

[00:00:10] March: Hellschreiber
A first attempt at working with the audio versions of CAPTCHA systems. This became part of Wavefarm’s Short Waves / Long Distance programme.

[00:00:15] April: Radiowalk
More “walks”. This time trying out algorithmic walks through the SW radio spectrum. This project didn’t go very far, but eventually it evolved into my contribution to #disquiet0292.

[00:00:20] May: Timepiece/Leap
Something to do with time. And clocks. And leap seconds. Never got anywhere with this. Still, I have been having a go at it at least once a year since 2016 - so it’s here because I’m certain I will get back to it sometime in 2018. On the positive side, I learned how to programme all manner of clocks in Pure Data. For what it’s worth.

[00:00:25] June: (sub)
This was commissioned by Saout Radio for their Saout Africa(s) programme on documenta 14 Public Radio. It’s about language, and the kinds of things we do with language.

[00:00:30] July: Antiprótesis
A raw take from a summer artist residence in Espacio Tangente, Burgos, Spain, with Elisa Arteta and José Otero. We were exploring movement, listening, and sound. Some of this should get a release, at some point.

[00:00:35] August: Estépar (Ghostwalk #02)
Another Ghostwalk, another memoryscape. This time in Estépar - the site of the mass graves of civilians massacred by Franco’s regime during the Spanish Civil War. This was included in WLD-Barcelona’s Listening Room, and later broadcast as part of Radiophrenia 2017.

[00:00:40] September: Cabeza de Estado a -60dB
The annual Christmas speech by the king of Spain, normalized to -60dB. This was part of the escuchatorio:silencio broadcast. I still believe there’s a lot of unexplored territory in sonic vandalism.

[00:00:45] October: El Triángulo
In October, “El Triángulo”, an experimental programme of music education, kicked off at CA2M, Móstoles (Madrid). More news about this Real Soon Now.

[00:00:50] November: Máster-LAV
Me and my students at Máster-LAV, improvising and generally messing around with field recordings after a full morning of soundwalks at a Madrid marketplace.

[00:00:55] December: Sleep
A quick evening soundwalk in the snow. This was a contribution to a sound project by La Cosa Preziosa. To be released sometime in 2018.[quote=“acoustic_mirror, post:34, topic:10800, full:true”]

2017 was a long, intense, and busy year. Not something I can summarise in a paragraph, but, lo and behold, Marc Weidenbaum’s Disquiet Junto project came to the rescue at the last minute.
So, there you go - this is my year in sound, condensed (compressed?) to 60 seconds.

Happy New Ear, everyone!

(((o)))

[00:00:00] January: Oblique Soundwalks
First project of the year. This is from a series of soundwalks produced in Cuenca, Spain, in January, following the (non-)guidance of Brian Eno’s Oblique Strategies. To be released Real Soon Now.

[00:00:05] February: Ghostwalk #01 - Atocha
First in a series of works based on field recordings from important sites of memory - memoryscapes. This was broadcast as part of the Radiophrenia 2017 broadcast later in the year.

[00:00:10] March: Hellschreiber
A first attempt at working with the audio versions of CAPTCHA systems. This became part of Wavefarm’s Short Waves / Long Distance programme.

[00:00:15] April: Radiowalk
More “walks”. This time trying out algorithmic walks through the SW radio spectrum. This project didn’t go very far, but eventually it evolved into my contribution to #disquiet0292.

[00:00:20] May: Timepiece/Leap
Something to do with time. And clocks. And leap seconds. Never got anywhere with this. Still, I have been having a go at it at least once a year since 2016 - so it’s here because I’m certain I will get back to it sometime in 2018. On the positive side, I learned how to programme all manner of clocks in Pure Data. For what it’s worth.

[00:00:25] June: (sub)
This was commissioned by Saout Radio for their Saout Africa(s) programme on documenta 14 Public Radio. It’s about language, and the kinds of things we do with language.

[00:00:30] July: Antiprótesis
A raw take from a summer artist residence in Espacio Tangente, Burgos, Spain, with Elisa Arteta and José Otero. We were exploring movement, listening, and sound. Some of this should get a release, at some point.

[00:00:35] August: Estépar (Ghostwalk #02)
Another Ghostwalk, another memoryscape. This time in Estépar - the site of the mass graves of civilians massacred by Franco’s regime during the Spanish Civil War. This was included in WLD-Barcelona’s Listening Room, and later broadcast as part of Radiophrenia 2017.

[00:00:40] September: Cabeza de Estado a -60dB
The annual Christmas speech by the king of Spain, normalized to -60dB. This was part of the escuchatorio:silencio broadcast. I still believe there’s a lot of unexplored territory in sonic vandalism.

[00:00:45] October: El Triángulo
In October, “El Triángulo”, an experimental programme of music education, kicked off at CA2M, Móstoles (Madrid). More news about this Real Soon Now.

[00:00:50] November: Máster-LAV
Me and my students at Máster-LAV, improvising and generally messing around with field recordings after a full morning of soundwalks at a Madrid marketplace.

[00:00:55] December: Sleep
A quick evening soundwalk in the snow. This was a contribution to a sound project by La Cosa Preziosa. To be released sometime in 2018.
[/quote]Preformatted text

3 Likes

https://soundcloud.com/ohm-research/tunani-disquiet-0313-tunani

3 Likes

Great flight through!

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Wonderful caroussel! Like it!

1 Like

Wonderful hoping! Like your sounds! Very creative!

1 Like

Thanks a lot, Robert.

1 Like

https://soundcloud.com/otolythe/ajournal2017-disquiet0313

Half the tracks but twice as long. Decided to stray a bit from the précis; some end-of-the-year sounds were particularly speaking to me, so I let them. Double-barreled December ice storms plus a visit to some video art dominate the stage, with assistance from the Sound Garden, an eclipse from a mountain, some old-fangled shipbuilding, and knocking on a bronze statue of Amundsen, to see what he’d sound like after all this time.

3 Likes

https://soundcloud.com/triermusic/the-year-in-trier-disquiet313

Busy year. In addition to Disquiet-inspired sound art, I went to composer camp and got back into counterpoint, finished my first (short) opera, and tried to write more for voices in the context of a narrative.

4 Likes