Happy to be on board with this again, had a great time making this. I’ve been struggling with the LCRP-project the last couple of days, mainly because there’s so many possible directions (what a great bunch of samples!), so this was really nice with the limitations and all.

This little tune started out with three different layers of Rings, trying to replicate something like a xylophone. I then fed my Morphagene with samples of tambourines, then some saxophone. To wrap it up I recorded some acoustic guitar that I processed in various ways so it sounded a little more like a banjo.

6 Likes

The playlist is now rolling:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0321

And I got a nice note from Liila saying how cool it is to see “how academic research can turn into artistic practice.”

4 Likes

https://soundcloud.com/user-696185036/happydisquiet0321

6 Likes

https://soundcloud.com/cboulter/february-23rd-2018-disquiet0321

The brief was quite explicit in terms of key and instrumentation and I’ve tried to be faithful to this, either with the use of acoustic instruments or synthesised equivalents (whilst those equivalents may not be in any way realistic). There’s a kalimba and a ukulele in there.

I don’t think I’ve been entirely successful in the keeping the mind focused bit.

9 Likes

Hello Juntoniates!

https://soundcloud.com/half-unusual/half-active-disquiet0321-free-download

I chose one of the instruments and messed with some recordings of an out-of-tune ukulele, played in major key (ish). Tempo 135bpm and a fair bit of the iOS Borderlands Granular, which is great fun to play with if you’ve not come across it.

Have a great week!

h u :slight_smile:

8 Likes

Here is my submission. I think it might be the worst thing I’ve ever created.

I used mostly Ableton presets, with lots of sequencing. I also recorded part of the track into Morphagene and then re-recorded it passed through a filter.

https://soundcloud.com/user-462528591-656249947/disquiet0321-seq

I think this is a very beautiful theme. I’m very excited to listen to what everyone else has done.

9 Likes

https://soundcloud.com/total_energy/a-quickie-disquiet0321

142 bpm, using fake banjo, glockenspiel, piccolo, tambourine and baritone sax. Looped. The tracks, not me. Not yet. :slight_smile:

7 Likes

https://soundcloud.com/suss-musik/taruffi-disquiet0321

With all due respect to Dr. Taruffi, Suss Müsik isn’t entirely convinced that meta-awareness leads to greater happiness. Then again, Suss Müsik has never tested this theory on 216 participants using neuronal magnetic resonance. Suss Müsik has enough trouble changing the battery on a smoke alarm, let alone investigating the effect of delayed gratification on the prefrontal cortex.

What Suss Müsik does know, however, is that music definitely has some impact on the mind’s natural ability to wander. What might be worth discussion is whether hyper-awareness and emotional balance can be achieved by listening to “happy” sounding music. What sonic attributes make us happy?

This is where accounting for personal taste comes into play. For some, major scales and stick-to-your-ribs melodies evoke feelings of happiness, such as listening to Davy Jones sing “Daydream Believer.” Then there is the drum music of Babatunde Olatunji, which compels players to lock into a single pulse rhythm, generating a deeply hypnotic (some would say euphoric) state of bliss.

Anyway … for this short piece, Suss Müsik attempted to create a sonic environment to serve both goals of distraction and focus. Phrases were written at 154 BPM and played on fake banjo, xylophone, glockenspiel, toy piano and tambourine. Two baritone saxophone parts were played in real time in a single take, hoping to capture variability in pitch contour. Finally, an EWI with a piccolo voice was played through a Red Panda Tensor pedal to randomize the high-end.

The piece is titled Taruffi. The image is magnified grounds of coffee, Suss Müsik’s preferred method of ratiocination.

10 Likes

If this is the worst thing you’ve ever created, you have mega-talent. Very nicely done.

2 Likes

Hey All, This track is result of hours upon hours of loving hands on destruction built upon countless crossfades and knoblature while using as little mental concentration as possible which I am quite used to doing. I was thinking like a doorman at a residential apartment in NYC. He is like lost in space except when he has to open the door every so often. I wonder how much of mental wandering is sexual in nature. I want to do that experiment.

Peace, Hugh

7 Likes

I was quite taken by this week’s premise, on a number of levels - firstly, in how music can help with decreasing mind-wandering [which is probably why so many of us listen to music while working!] and secondly as a personal challenge to write something upbeat and uptempo for once.

I interpreted the recommendation for “variation” and reduced regularity in a slightly different context, where I considered density and movement of sound. Piece is in D Major @ 145bpm.

Layers:

  1. Tambourine samples
  2. Clouds and Bells VST
  3. Clouds and Bells VST
  4. Clouds and Bells VST with Fifth randomiser and Minor Third Up
  5. Saxophone samples
  6. Toy piano sample
7 Likes

The Junto this week was quite prescriptive, which probably helped as I found the last couple of weeks difficult.

Initially I’d thought about revisiting a piece I’d recorded that had gone nowhere but it quickly became obvious it was still not worth moving on.

Since I have a ukulele I started thinking about chords in a major key. Normally I like minor keys, so it’s good to try something different.

Then I considered how to incorporate the glockenspiel and decided it would be easiest to stay in the key of C.

In keeping everything simple so I wouldn’t be discouraged, I decided to record parts using the video camera.

However I forgot to plug the external microphone in for the ukulele recording and ended up capturing more of my breathing than I’d normally like to include.

I also recorded tambourine and ended up looping it to keep close to the 135bpm.

6 Likes

I did this very quickly. I feel it lets the mind wander briefly, but then brings listener back to focus.

https://soundcloud.com/lawrence-frazier-1/disquiet0321

4 Likes

Used all Ableton presets: tingklik, alto sax, tambourines (first track made in Ableton 10). Had the soundtrack to and scenes from “Powaqqatsi” on the mind. Enjoyed the challenge of creating something upbeat that was supposed to signify something like “happiness.”

https://soundcloud.com/lethatechnique/interieur-met-kamerplant-disquiet0321-lets-active

5 Likes

That’s a sweet-looking ukulele.

1 Like

https://soundcloud.com/ohm-research/xilo-disquiet-0321

2 Likes

Cheers, I bought it secondhand on Ebay and couldn’t find anything online about it.

Seems to be modeled on Ovation guitars with those pretty sound holes and a black rounded back on the body.

4 Likes

https://soundcloud.com/daniel-diaz/would-you-focus-please-disquiet0321

Recording on the road, at 37°09’01.7"S 56°53’06.9"W
Used what I have with me: the Requinto on the photo (taken on recording location) an instrument I bought in Tegucigalpa 22 years ago that proved to be a nice travel companion and perhaps the worst instrument I own. A real bastard when it comes for tuning and playing comfort.

8 tracks of it recorded with an AKG 451, then I converted one melody track to midi and triggered a lead synth on z3TA-2.
Added some upright bass notes from my vault, notes I recorded 13000 km away from here long ago, or in a different timeline…

A major, 168bpm in 7/4 time.

Created for Disquiet Junto Project 0321: Let’s Active , 24th an d25th February 2018.

4 Likes

Killer reference. Mom brought my sister and I on a daytrip into NYC > 25 years ago where the highlight was Olatunji at SOBs. There were nearly as many members in the band as in the audience. Drums of Passion still gets touched at least once a month.

3 Likes

After listening to some of the songs in the thread and reading the posts I ended up reading through the paper, which I enjoyed.

I’m thinking it would be interesting to research up on the individual components of music that invoke arousal (tempo was one that was suggested in the paper), regardless of whether it’s sad or happy, and then also looking at the psychological profile of the subjects (were they introverts? add/adhd? or any other characteristics that might have some kind of interesting correlation to follow up on etc.)

My mind did wander a bit while reading the paper, but this was a cool project.

3 Likes