Held Allein

Acoustic guitar, sampled and looped. Done in Renoise, exploiting the glide FX (to allow for endless looping even when repeating a song) and the maYbe FX, to randomly select among some samples.

The Renoise song can be played on repeat, with subtle variations on each pass.

Among my initial goals: Should sound pretty good when played over my phone speaker, and allow for repetition.

When I started I was sort of aiming for something something quasi-ambient but not sleep-inducing. I played around some with various loops of different duration but it all kept sounding too aleatoric, like a bad lounge band covering Music for Airports.

The final piece does use loops of varying lengths, but they serve largely as a back-drop for some changing looping riffs.

Renoise allows for various ways to introduce some controlled randomness. A few key motifs are present as samples at different pitches; on each pass of the song, samples are chosen at random. In theory it could be played on repeat with subtle variation each time.

I did my mixing using a mono Behritone monitor, to avoid depending on too-wide a frequency range or stereo. There is, though, stereo separation in the final version.

When I was done I transferred it to my phone for a test play. I was pleasantly surprised how it sounded a bit more percussive than when played through proper speakers.

That said, while I like the resulting piece as music I’m not entirely sure I’d want to hear this as hold music, but it’s still way more enjoyable than 99% of I encounter on hold

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0-coast looped and processed by morphagene, qu-bit nebluae v2, and clouds.

recorded live in one take. video of the patch here:

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https://soundcloud.com/ohm-research/telephonic-disquiet-0335

A random phrygian arpeggio driving a Mannequins Mangrove.

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It’s 1:04 min and it loops. Maybe it’s a little bit conventional – but I had this ruin of a piece that was planned to be some kind of tribute to Kraftwerk, and what could be a better opportunity to re-use it than music to wait for something else?(Note the avoidance of a vocoder BUT the use of a vocoderish sound …)

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After another listen on a smaller speaker I got to thinking of the differences in sound when played over different equipment. I prefer the speaker-phone sound as hold music versus the full-sound from my usual monitors.

If I were really clever I would have thought of this from the start and deliberately planned music that works, but works differently, on different speaker arrangements. That it ended up this way is one of those Junto happy accidents.

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Field recordings loops of sheep and birds.
Sounds could be related to space? There are sounds that sound nice in one place
(phone) and bad in another (conference)
I choose birds for phones and sheep for conferences…
2 loops of birds and two of sheep

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Hi everyone, I have been wanting to post a track since November when I discovered Disquiet Junto from a podcast interviewing Lucid Grain, a modular synth duo. This is my first post.

Acquired Comforts is an ironic analogy to what is referred as acquired taste, where something that might be perceived as displeasing becomes pleasing by tasting it.

As the theme is settled within offices, and therefore city life, I chose to create a piece that reflects the alienation that we suffer form modern life, as corporate offices consume our best hours and years, paperwork and chores are a weekly challenges, where fancy cars, cigarettes, and ulcer giving eating habits are advertised as enjoyment…a scenario where suffering becomes sophistication

For this track I used only the Korg Electribe Sampler 2, and the Volca Fm and recorded it in one take. The Fm provided that cold and glassy sound, the e2s the drum, bass, and a synth voice with a vocal type filter, all through a decimator as the master fx, as decimation occurs naturally on call hold music.

So, is it pleasing? Yes and No…

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My idea of pleasing hold music is that it should be soothing, happy background music that is non-distracting, so you can continue working while waiting. But it should be interesting to listen to if you choose to listen, at least for brief snippets. The category “repetitious new age music” fits somewhat.

It should also sound decent on narrowband POTS (plain old telephone service) audio frequencies of 330 Hz to 3400 Hz.

My composition is comprised of 7 instruments playing 7 repeating parts at different cycles in C Major. The repeating parts are unpredictable enough to be interesting, yet predictable enough to be familiar. There is no melody to distract the listener. Just repetitious new age music.

Although the recording uses the full audio spectrum, I listened to it through a 300 to 3400 Hz filter to ensure it would sound adequate on a telephone line.

The track cover art is a self-portrait while listening to hold music too long.

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No time for a description now, but here’s my piece: https://soundcloud.com/plusch/hold-loop-disquiet0335

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…really loved this weeks prompt, and I had a day off to participate…
I just knew I had to try out a 12 tone row and 11 intervals - so I used the Mother Chord row used by, among others, Alban Berg in his Lyric Suite - the notes are F, E, C, A, G, D, A♭, D♭, E♭, G♭, B♭, C♭.
I had an idea of using a Glockenspiel to imitate the tradition of waiting music - I ended up with a preset in Ableton that I liked. I the wrote the notes in the piano roll. I then had Ableton going through the motions to form the 4 possibilities of retrograde/inversions to form the “melody”.
The “bass line” is an inversion of the original row quad-doubled in time. I then moved individual notes to form movement through a rhythm.
The tempo is 66 BPM - since I learned that the sum of numbers 1 through 11 equals 66. I “looped” the piece 6 times before uploading it to Soundcloud.

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I really enjoyed your piece… I would call you hoping to be put on hold

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Not an entry - but I just remembered I made this a few years back - would have fitted the brief quite well!

https://soundcloud.com/search?q=ikjoyce%20telephone

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I forgot what I called for… :slight_smile: Lovely

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I feel like I could very easlily go off and make some coffee, and get my notes in order whilst this plays and I wait for an answer- perfect for the job!

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In my mind, I could see Wile E Coyote :slight_smile: Very entertaining!

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I really like this idea of using field recordings for hold music - nice!

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thank you, Ian. Yes, very soothing…

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@rrizzi thanks for listening!

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Hi folks, a little interlude to loop for infinity…
:smile:
:sunny:

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I used iOS apps: Rozeta Collider sequencer which had Rozeta LFO modulating the pitch and the amount of hadrons, these in turn sent midi to the 3 synths; Kronecker, Tardigrain & iSEM.
The idea was to create a short loop that drifted in and out, in a dreamlike fashion, to make the wait in limbo as painless as possible!
:slight_smile:

1 Like