First time trying something intentionally “glitch” - I really liked the idea of embracing and celebrating the “faults” of a media source and/or effect through disruption. Sometimes the world is too polished and clean for its own good.

For this, I took a 20sec sample of a bowed cymbal and ran it through various effects [ETA: in Ableton 9] to disrupt the original sound source.

Layer 1: Trance gate + around the head pan
Layer 2: Transmission [frequency shifter]
Layer 3: Kaputt [redux effect]
Layer 4: Kaput + Transmission
Layer 5: Insect [beat repeat effect]
Layer 6: Original source

I then ran the whole thing through Bit Reduction + Reverb.

8 Likes

Welcome to the Junto! :space_invader:

2 Likes

https://soundcloud.com/dot_slash_noise/disquiet-junto-project-0349-got-glitch-disquiet0349

I am not 100% happy how it turned out musically but I managed to find a few nice techniques that I would like to study more in the future so not everything is lost :wink: In this one I tried to glitch it on many levels.
First I started to play my guitar sloppy without trying to keep tight rhythm and catching enviromental noises in the recording (like my dog walking)
Then I used Ableton live timestreatching algorithm to make it locked to the grid and created a four bar loop.
Next I sliced this four bar loop into 64 slices and used lfos to play random slices (to simulate jitter) and random lfos to bitrate and sample rate reduction.
Then I recorded around 2,5 minutes from this random playing
Then I created four copies of this track and pitched them: one octave lower, non transposed, two octaves higher and four octaves higher.
After that I applied reverb and some Reaktor grainstates fx to some track and automated it.

At the end of the track you can hear the guitar loop after the timestretching but before slicing.
I liked how audio after pitching it up by four octaves started to resemble aliasing noises.

4 Likes

https://soundcloud.com/forcedamage/skipped-string-disquiet0349

My first thought was to use a no-input mixing or some of my circuit bent stuff, but I wanted to do something different.

An all modular patch from me, using a few modules. In this case, the instrument the clock is clocking is influencing the clock, hence the glitch.

5 Likes

Here is my piece for this week’s Got Glitch?

https://soundcloud.com/gbel/punk-glitched-disquiet0349

I had this circuit bending youtube video https://youtu.be/PvlYM5Js450 on my watch list so went for it as source of inspiration but other than some vocals nothing really attracted me…
After a little bit of though processing I remembered my first ever DIY project which I got somewhat working – Glitched?? – a rakits.co.uk Atari Punk Console so I used that as the main sound source.
As I’m in the process of learning the Octatrack everything was done on it and I abused the effects to get the raw sound a little more palatable…
The beginning of track is from a Bhudist prayer radio that I had at hand slowed down so it doesn’t sound right.

It’s a dark one as I wasn’t in the best of moods while playing it.

It was all recorded “live” with me playing parts on the Octatrack.

I hope it feels glitched.

4 Likes

https://soundcloud.com/k-blamo/etrackglitchxdisquiet0349

recorded 17 seconds of guitar on the iphone
and some sounds from the beach
supercollided-ed it
vocals by laura alvarez
(influences)

7 Likes

cool sounds :slight_smile:
great track

2 Likes

https://soundcloud.com/vgmrmojo/what-the-glitch-its-broken

0349disquiet
What the Glitch – It’s Broken
I. Did a little reading about Glitch music and used some of the methods and techniques
II. Chose the following vsti’s and effects to use for this project
III. VSTi’s: Minibit cm, Eurydice cm, RG Muted cm, Thorn, VST Speek, Paulstretch, Blip
IV. Effects: Filterjam, iZotope vinyl, Reverberate cm, Granular loop sampler
V. Recorded, mixed (iZotope Neutron), mastered ( iZotope Ozone 8) in Reaper

5 Likes

Really like the simplicity of the track great stuff!

2 Likes

https://soundcloud.com/search?q=%23disquiet0349

The basic source material is some great free samples from Glitchmachines. After stepping all over them, I added a beat from Richard Devine to draw it together.

2 Likes

https://soundcloud.com/janglesoul/disquiet0349-nighttime-metronome-glitch

Just a small beat with a glitched up piano.

I got the idea to make a basic rhythm from a field recording of some audio signals from pedastrian crossings at night that I found interesting since they were sort of out of phase with each other. A natural glitch sort of? Then I messed around with the Creative Extensions pack in Ableton, warped some tracks for additional glitch etc.

4 Likes

My track:

Propter hoc

More of a technical piece, trying to learn the ins and outs software that I have been remiss about getting to grips with. So generated in AudioMulch, clipped in Audacity, and beatsliced in Renoise.

Also, glitching my schedule so I can contribute to the Junto after a long time :slight_smile:

dl

2 Likes

Glitch, glitch is always about making something as if it was a tear in reality. So what if that idea was glitched? So that maybe reality reared it’s ugly head into something ugly, and made it beautiful again. So here is a single synth line, completely destroyed, fucked up, and made beautiful again, with a hint, of what it originally was. It’s what I call dreamNOISEpop. https://soundcloud.com/collectionsofdeadsouls/ch-3-66-6-bpm-disquiet0349

3 Likes

As my responses are shaped by what I can show in a video, this prompt led me to use my circuit bent instruments.

I have a few machines that have been bent by Diabolical Devices, including two Casio SK-1s and a Kawai drum machine.

This gear with a 707 and Volca Key are driven by MIDI and I’ve recycled a piece from earlier this year but looped it a few times while trying different bends.

I then added a few glitchy effects in Ableton Live, particularly Beatrepeat and Audio Damage’s Automaton.

The result could use an edit but time ran out.

4 Likes

I didn’t have much time to do this one, as I’d spent most of my weekend working and then had homework for a lyric writing course that needed to be finished first. However, from the moment I saw the prompt, I knew I was going to work with a badly cropped loop. In the end I took the first two bars of the song I made for said homework, copied it five times and cropped them all incorrectly but in different ways, then used Ableton’s “launch” settings to trigger a different loop every bar. I then recorded a good minute of that, and added some effects that become more pronounced and more erratic as the track progresses.

https://soundcloud.com/user-863178836-956583768/diquiet0349-got-glitch

4 Likes

https://soundcloud.com/otolythe/glitch-disquiet0349

Used an old glitch-track I had painstakingly cut and spliced some time ago, stretched it, layered it, added some internet hildegard from an html page whose glitch let you play all the tracks at once, with rhythm provided by contact mics on a chainlink fence, which picked up the sounds of bells in the air, a bit, at the end.

2 Likes

Hi all,

As this assignment addressed one of my favourite music genres, I felt compelled to submit at least a vague idea of what the concept “glitch” encompasses for me – it’s “live-playing-like”, nervous, stuttering, avoiding the obvious “stressed” parts of the bar, lots of non-repetition, and a certain machine funkiness, perhaps? The synonym “malfunctioning” wasn’t a major consideration when I made that track, even though it sounds as if nothing’s working right throughout … Anyway, that was what I was going for in my version. Made in Ableton Live 9.

https://soundcloud.com/encymlll/disquiet-0349-got-glitch

3 Likes

When I think of glitches, I mostly think of interruptions, stopping something in the middle before it’s finished. This is annoying on your computer, but in music you can use the stops and starts and glitches to make something new.

I usually cringe at stock sounds that come with music gear, I’d rather make something completely new, however my 4ms Stereo Triggered Sampler came with some pretty good samples, perfect for cutting to shreds.

This track is focused mostly on two banks of stock samples I found in my sampler module, I used misc other control devices to constantly mess with the start time, sample length, sample selection, and pitch of these banks, glitching them beyond recognition. I threw in some fairly randomized oscillator sequences as well to add some extra chaos.

Some of the sounds I came up with I think I could certainly use in some more structured music.

3 Likes

https://soundcloud.com/afhawthorn/getting-ready-for-the-dance-disquiet0349

Eh, not entirely sure about this piece. I didn’t want to go full-on noise-glitch, and for whatever reason, the first thing that came to my head was to find a 1950’s dancing instructional video…so that’s what I did. I decided to aim for a more “old-school” sense of glitch - vinyl pops and jumps, warbles in tone and pitch, etc. Chopped up some uptempo jazz underneath the vocal, constructed a glitchy gritty percussion loop underneath. Finally, added a few more modern glitches here and there for spice.

4 Likes

Here’s mine: https://soundcloud.com/plusch/the-glitching-hour-disquiet0349

Don’t know if this qualifies as glitch, and it’s probably unlistenable. (Sorry.) I went wild with Glitchmachines’ Cataract, Cryogen, and Subvert; and CableGuys’ ShaperBox; and Bitwig devices and lots of modulation.

https://soundcloud.com/plusch/the-glitching-hour-disquiet0349

5 Likes