https://soundcloud.com/ohm-research/ww-disquiet0353

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https://soundcloud.com/untilledsound/shawl-disquiet0353

First off, thanks a zillion to @samarobryn for converting the image to MIDI for me! That was an enormous help. Check out samaobryn’s bandcamp at samarobryn.bandcamp.com/

Basically I took the midi files and loaded them into Reaper, and used my mutant brain to control my eurorack. So all external controls on this track come from the MIDI files generated from the image. All sound was generated from the rack.

I tried to add elements that semi-spontaneously added some "Warp and Weft to the piece, in the way I interpreted it. Random enough to keep it interesting, but predictable enough to lull you in a bit. It reminded me a bit of the “Music for Insomniac’s” Junto we did a few weeks ago.

I’m working on an aggressive electro-metal project, that I hope to be my main focus, but i’m enjoying the more laid-back atmospheric stuff more than I thought. Perhaps I’ll simultaneously work on something for chilling out. Either way, it’s fun to expand your horizons.

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Try Spitfire Labs. I don’t like when a plugin editor makes me install a map but their instruments sounds awesome - and they’re free. They’ve got some electric and soft pianos, strings, drums…

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Disquiet0353
Soundweaver
• Downloaded the picture of the loom-woven fabric
• Imported the picture into Iannix https://www.iannix.org/en/
• Used Iannix as a midi sequencer to play 6 different vsti’s in Reaper

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I like the voices cool

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Lovely! Enjoyed the way you interpreted the pattern decaying at the end.

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I enjoyed it! There’s good nuggets here if you chose to continue on and shape it more to your liking. There’s both pattern and a bits of chaos in the weaving, and I think you captured that. I especially liked imagining the quick lof’d sound as ‘stitches’ (or rather, the tiny, individual pieces of weft that make up the pattern?). Bonus that you used a synth called Loom!

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This is awesome! Love the subtle warping (woofing/wefting, rather) pitch shifting and soft-mute glitch. Great minimalist approach, in instrumentation and the piece overall - feels like it fits the mood of the weaving. Good luck on your gig!

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Thanks, I’ll get back to this one and read you comment again, will help. Now I think that the pattern-weaving idea got lost in the chaos. I’ll see.
LOOM was included for free with something I bought (a controller I think) and never used it , but it was longing to be part of this junto. Of course.
Cheers/DD

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https://soundcloud.com/afhawthorn/warp-and-weft-disquiet0353

Not my finest work, but they can’t all be. Started off with the diagetic sound of a (mechanized) loom, developed a drum track off that - it felt like it wanted to be brushes on a snare, but couldn’t quickly find a sample library in my arsenal that had brushes (note to self…)

I wanted to find some balance of two types of sounds - the rhythmic on-the-beat warps and the sideways dancing and weaving wefts. Eh…I thought maybe I could get there using a bunch of whole-note-triplets but the whole thing just feels…meh. Maybe not every piece gets to be one’s finest work but it’s as much a part of the process as the pieces I’m proud of, so I’m sharing it. :slight_smile:

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https://soundcloud.com/k-blamo/sc-181007-153725xdisquiet0353
this kinda sounds like it, right :slight_smile:
supercollider

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cool process, and track :slight_smile:

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https://soundcloud.com/dascott/world-wide-weft-disquiet0353

As is often the case with Disquiet Junto projects, I find I get the most inspiration by creating something as “literally-minded” as I can. In this case, creating a piece which (to me) was as close to a musical weaving as I could imagine at the time.

I began with 7 “warps”, which function as drones, spread across both the pitch spectrum (each is a just 5th away from the other) and across sound space (each is 20 degrees separated from the other). These pulsate at a constant rate of 9 per second throughout, though early in the piece the notes blend together.

Slowly I add 7 “wefts”, which are pitched in the gaps between the “warps” (where else would they be?), tuned to a just major 3rd above the lower side warp. Each of the weft lines starts out on one of three 24-beat patterns, but later they all play short snippets of pattern together as a layer. The wefts move from left to right in 10-degree increments (yes, this piece should be listened to with headphones).

I used additive sine and Karplus-Strong generators fed through a room simulation system of my own design, all of which are part of the RTcmix software toolkit. The patterns, positioning, etc., were all done with the MinC scripting language which is part of RTcmix.

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Hey All, I did a single note penciled in the midi roll to the pattern with blue being loud and white being soft. I then weaved the beat in with a crossfader and added a keyboard guitar solo with a vocal expressing my mood at that movement. I deleted what i wanted to say here.I will let the track speak for itself. Peace, Hugh
https://soundcloud.com/detritus-tabu3/the-goddamn-state-of-america

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Nice guitar work and sound

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Seconding this @TotalEnergy - I used Spitfire drums on a recent project, and was quite happy with the results. The free strings sound like they’d be a good find, too.

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Love your graphic interpretation. And it’s groovy, too!

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That’s a nice touch, adding in the textile machinery sounds.

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Nice! I really like your idea of using pans as weft.

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Very cool interpretation!

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