#8

And the playlist is rolling:

2 Likes
#9

I remember playing the Colossal Cave Adventure long ago, never getting to the end. I was able to finish a number of the Scott Adams adventure games, and even wrote one of my own as an exercise to see how much I could fit into the 16k RAM of my TI-99/4A.

I like the concept of writing music for a text adventure game and have broken this initial part of the game into three movements, Adagio, Andante, and Allegro.

The score is available at http://bit.ly/2Rpfygd

4 Likes
#10

Great work, yet again. The passage from around 4m through to the end is achingly beautiful.

2 Likes
#11

I imagined the Zork diary as needing a soundtrack like a ‘silent’ movie.

At around a minute you see me hit the spacebar to move to the next page.

It ends at the attic.

5 Likes
#12

I guess it sounds like a computer game?

Sample from Andy Warhol’s Bad.

xo

6 Likes
#13

For this project, I thought how Zork Diaries might sound as an interactive fiction played on a system with modern audio capabilities (something like With Those We Love: https://ifdb.tads.org/viewgame?id=445d989vuwlh4cvz). I’m also a big fan of making foley so for this, I dug through my collection of field recordings for the sound effects.

All sounds by me aside from these:

Atmospheric drones: Generdyn - Free Cinematic Sounds
Footsteps on wood: https://freesound.org/people/martian/
Water bottle: https://freesound.org/people/njabrams
Door creaking: https://freesound.org/people/0XMUSEX0/
Bowed Cymbal: Percussa Toolbox from 99Sounds

4 Likes
#14

i hated text adventures as a kid. i had neverending story on the spectrum and it was utter trash.
i just played this one online, and my feelings havent really changed. it just felt like i was blindly aimlessly going round and round. my brain doesnt do visual imagery so this sort of thing is pointless to me.

on one level this track follows me failing to get into a house, going up a tree and failing to unclasp a jeweled egg, not knowing where a songbird is, going down a ravine and getting nowhere for ages, and getting a sarcastic remark when i tried to take rainbow - i mean i dont know what internal logic youre following but if i can get to the end of a rainbow why am i ridiculed for trying to take it?

on another level i’ve represented the frustration blindness and darkness of this game… and the sound of a spectrum tape loading

no input feedback in podfarm standalone
improvised playing thru synthmaster - freqecho - vocal doubler - podfarm (guitar amp + 3 lots of cavernous reverb)

4 Likes
#16

Zork. I should have recorded silence. Was there any sound on the original Zork? Then I was thinking VIC-20. 3 oscillators and noise. Something simple. Clean wave forms. Mono. No reverb. Making 8-bit music on an analog modular. Digital emulation.
Okay, you could not play Zork on VIC-20… May be with an CP/M cartridge? I have never been a “gamer”. Also I used a saw-tooth wave and a filter. That did not exist on VIC-20. Correct me if I’m wrong.
Badly tuned modular, no overdubs, fiddly session… Enjoy :wink:
Don’t use headphones. Best with laptop- or phone speakers.

3 Likes
#17

Bassling, I really like the mood of this track: lost and hesitant… Great soundscape.
How do you get your guitar to sound like a piano?
I play guitar, but it takes me hours to transfer things manually from my guitar to my midi controller - I think your method would be much better for me!!
Thank you in advance for your help!!

2 Likes
#18

Thanks. Hesitant is right, I should’ve edited a few notes.

I’m using a Roland GM-70 to convert guitar to MIDI.

Another option would be using the ‘convert to MIDI’ function in Ableton Live.

2 Likes
#19

Hey All, Zork, Gorf, use the force it’s still 80’s pop culture to me. I remember when Tommy Porter got the TRS-80 from Radio Shack and had Zork - Good days. here is my take on it.

NON-SUBMISSION here is a little dance track using How the Night Came’s excellent track,

https://soundcloud.com/detritus-tabu3/dance-of-the-grues-samples

peace, Hugh

5 Likes
#20

LOL, it’s not your playing that is hesitant, but the tone of the music… Oh come on, you know what I mean!!

Thanks for the info, I’ll check them both out.

Best wishes,

how the night came

1 Like
#21

https://soundcloud.com/ohm-research/naut-disquiet0361

The rhythm of doors and windows opening and closing

2 Likes
#22

I remember playing Zork I on some PC with two Floppy Disk Drives … the game was mainly WALKing around and LOOKing for the great adventure. So I started with the step samples, added a walking bass and filled the search with some Great Underground Empire pads.

So this is not mainly a score for or from the game, it’s more a score from the mind of the young gamer, who did at that time not need any graphics to have an adventure … although I preferred “The Leather Goddesses of Phobos”.

3 Likes
#23

EVERY week, I tell myself I won’t end up posting at 11p on Monday night again…and EVERY WEEK, I’m one of the last people to post. This week is no different.

I threw this together fairly quickly, as just a fun little exercise. It’s not complex, but I enjoy it. I used the simple built-in polysynth in Logic, the ES P, and used Logic’s MIDI arpeggiator for the bits towards the end. Some simple sound effects pulled from my library and voila, a silly little electro-ditty! :slight_smile:

3 Likes
#24

My ancient journey … to a sudden ending

2 Likes
#25

wish I knew how you did this.

#26

What was that about young boys?

#27

Happy to explain any part of it!

One thing I forgot to mention is that there a Logic BitCrusher on the stereo mix, set to 8-bit and I’m slowly ramping up the downsampling every time the computer keyboard clicks, indicating a new choice.

1 Like
#28

He tortures and kills them kind of like a grue but I think for a grue it is more of a nutritional thing than psycho thing.

1 Like