#93

the carnivalesque has funhouses, sure, but what are those weird mirrors really reflecting? is it that something wicked this way comes, or does it not come fast enough? what happens when dreams are disrupted; is an irruption into the real the most real, or the real’s undoing? questions, questions… and thx for the reference to Toby Dammit — I looked it up as I was unfamiliar; loves me some Poe, oh yes :slight_smile:

2 Likes
#94

I will probably be the last one to submit this week, but just possibly better late than never.

The idea here was to work with two dissimilar items, in this case a twelve-tone row and a tonal center. The more I worked on this the more I was able to find, and with hours to go before the deadline for completing the piece, I am offering what is part of what should become a much larger piece, as I still see numerous opportunities for playing with this idea.

A Sewing-Machine And An Umbrella was written for Flute, Clarinet, Trombone, Violin, Viola and Cello.

The score is available at http://bit.ly/2Ecb2hm

8 Likes
#95

The umbrella and sewing machine were the samples I used
The chance was in the randomness of throwing it together until stuff worked (beauty)
The dissecting table was FL Studio
The whole undertaking was surreal :grinning:

5 Likes
#96

Dissecting-table drone,
Glitchy sewing beats,
Chance random Gestrument umbrellaic instruments,
Is there beauty in the flute?

5 Likes
#97

5 Likes
#98

Missing a “Baz” … ie a low end.

5 Likes
#99

When criminals in the world appear
Expect abstract foley sounds from key chains to clicks.
Read what users say:
Is it any wonder that mankind stands open-mouthed before the bartender?
Diarrhea Draught,
Dixie Cocktail,
Dream,
Delusion.
Thanks to our acoustic object models,
the cry goes out both far and near
for Jimbo! Tom Bullock!
St. Louis Style.
This is not a Librivox recording.

5 Likes
#100

Like a lost Ives piece. Lovely and mysterious. Bravo.

1 Like
#101

beautiful piece — it doesn’t even sound like you’re “working with”, it just sounds like music. and the score is equally austere and lovely, thanks for posting it as well! from our vantage point in the 21st century, surrealism could be said to be “classical”…looking forward to hearing its next iteration :slight_smile:

1 Like
#102

surreal disco is the best disco! I had no idea of the dance potential of these domestic implements/instruments :slight_smile:

2 Likes
#103

delicate and mesmerizing, the depths of the eternal abyss and the temporal ship floating over, unawares… :slight_smile:

1 Like
#104

incremental incidental percussive builds to melody or rhythmic patterns, before bursting briefly apart, then building, differently, again – love your interpretation of appliances by instruments, yet another layer of surrealist gesture :slight_smile:

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#105

hooked on bach meets hooked on breton meets the pace of change is accelerating these days, everyone says so meets hooked on noyze: nice! :slight_smile:

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#106

I FOR ONE welcome our new robot overlords — so long as they are composed of happy accidents and snippets of previously broadcast instruction and delight :slight_smile:

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#107

HOW did I miss that it’s a Satie rip-off! I’ll blame the fact that I’m only ever half-awake when I hear it :slight_smile:

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#108

Hahaha! Yep, very voyeuristic! :slight_smile:

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#109

NON-SUBMISSION Hey All, I mucked about with some of the Junto tracks. They are basically destroyed beyond recognition. I also chopped up some lynch and beastie boys on it too.

Peace. Hugh

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#110

I don’t fully grasp what the remit is, but I love what I’m hearing, have read the FAQ and 100% want to get involved with the next one!

1 Like
#111

Cool. Great to have you join in. The basic idea is that every Thursday a different project goes out (tinyletter.com/disquiet-junto), and you have until the following Monday at 11:59pm to post a track in response to the assignment.

1 Like
#112

Brilliant - I’ve signed up for the email and am ready to go tomorrow.

2 Likes