Added some rhythm to last weeks arpeggio venture – yes I sticked to my entry.

As I’ve been spending a lot of time on my modular rig that was the source for my drums.
Befaco Sampling Modulator acted as a sequencer for Intelijell’s Plonk running a Lofi Snare together with a racked version of the Teenage Engineering PO12 serving the rest of the rhythmic session with some added Reverberation provided by Make Noise’s Erb Verb plus some incidental noises.
It feels that there is something missing to glue it all together or just a disconnected duo somehow.
Hopefully next week I can tackle that :slight_smile:

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I had today off work, so I spent it experimenting with patches to try to get something that paired with @alanza’s Monosynth Study. I ended up with a percussion patch after I discovered a sort of “steel drum” sound from patching the Cs-L into the Morpheus. This patch would not have been possible without Euclidean Cricles, because I absolutely cannot sequence rhythm…

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Very nice, very alien!

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Would you mind allowing the downloads on SoundCloud? I’m keen to work on it next :slight_smile:

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Wow, this is so groovy!! I love how your percussion / bass patch rolls with my synth!

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Whoops. Downloadable now :slight_smile:

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Thank you, I’m glad you liked it!! It took… a few tries to get it to sync up, but it was a lot of fun!

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With “Through The Wire” singing in my head, I did actually manage to pull together a submission after all! @mzero and @Calytrix’s cool uses of my piece rallied me to try and make something, even if it would have to be quick.

I ended up using @sevenism’s cool reversed-piano piece “left” (chosen in a humanly random fashion from the list of untaken pieces). I decided something mildly atonal and skittery would be fun to layer over the reversed piano, so I made minor adjustments to my current modular patch to allow Teletype to mediate between two channels of Kria and ran it at a fast tempo.

Recording was done in two passes: first I played the modular, tweaking the patch for timbral changes. Then in Ableton I “played the mixer”—listening along to @sevenism’s original piece I brought mine up and down in the mix to build drama and act as though both were playing along to the same conductor. The resulting recording is sent through I think the “Bright Reflections” Ableton reverb preset just over 50% wet and then panned hard right.

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We should do it live!

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This is a descendent of C24 Glsmyth – C24-disquiet0367

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Didn’t make this one and it looks like I’m going to miss the next as well, but I look forward to listening to everyone’s pieces!

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I want to express my gratitude for all of the support from everyone who used my tracks for these projects. I appreciate you helping me grow as a musician and helping me keep going even on days, weeks when I feel like throwing in the towel. Thanks again and can’t wait to see what everyone does next week!

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Hi I’m often late to things.

@encym and I enjoyed collaborating last year (Triermusic – They-call-me-the-backwoods-debussy-disquiet0316), so we revisited our partnership for this year.

I listened to encym’s short guitar improvisation, and heard a motif a few times that grabbed my ear. I figured out the tones and then used that as the basis of my half.

I improvised my way through it, using MIDI so I could go back and edit my performance as need be. I tried to use some unexpected tonal shifts - moving the outer voices by half-steps and not thinking about the chords. I ended up making a few tweaks to my MIDI performance, mostly for timing.

The next, unsuccessful, step was to try to run the MIDI data through a hardware synth, but I had some weird problematic distortion, so I ended up just layering two different Ableton organ presets.

The final step was to mix - finding the right balance was tough (different instruments at recorded at different times in different places). I ended up using Ableton’s Spectrum plug-in to see where in the frequency spectrum the guitar “lived,” and then use EQ on the droney organ to cut out that space. Also, I set the compressor on the organ to be sidechained to the guitar, which worked well. The mix was rushed, but overall I dig it!

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Thanks Nate! Sounds great.

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Sorry. It is fixed now.

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The first part of your contribution reminded me of some of Max Casacci and Daniele Mana’s beautiful album Glasstress :slight_smile:

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amazing work :slight_smile: so dreamy and beautiful

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Hi NorthWoods, could you please make this track downloadable? I’d like to use it for disquiet0369…
Cheers, Stefan

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So kind, Elisa. Thank you!

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hi, sorry about that! Just fixed it. Charlie

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