Hey All, The Kenranic Space Colony (Sector 4.82 of the Gatlin System) was first established in 3285 as a port for space Tankers to refuel on the long arduous Intergalaxy Route #45 (I 45). The population is now estimated at 75,000 which is just a fraction it was at the peak of interspace trade during the Planetary Mining Era (3600-4000). At that time the population was estimated to be close to 8,000,000 and the capitol city of Crimson Tide alone had a population well over 3,000,000 and was a popular destination for tourists because of it’s rustic charm and relatively cheap prices due to the weakness of its currency the Warshrag. With the end of the PM era the Kenranic Colony went into steep decline and became a Classified G-4 Ghost Colony. The people of Kenramic are a very private people and no visitors are allowed and roaming packs wild dogs make sure that any unwanted visitors do not stay long. The only product exported to other planets is Lunar Glow a much sought after high proof alcohol drink banned in many systems due to its side effect of making even the most docile people extremely violent. The Kenranic National Anthem was chosen in a colony wide music contest . The winner of the contest was Tangelo Nightmare whose entry was rumored to be based on a television theme song from the late 20th century.

Peace, Hugh

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I hear that. What happened to the America I was promised as a kid?

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The only remaining recording of the proud national anthem of Zrof-Hallonien. This is the instrumental B-side.

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This is National Anthem of Mordor (official version)

Composed and performed by DD
All sorts of bowed upright basses, playing notes, noises, cries and effects.
Bamboo drums.
Field recordings: insects and crazy birds on a jungle (sound bank)
Guests: Hermy Wolf and Lisa Z (tortured souls)

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Love this idea! Couldn’t help but veer a little off the country theme side. Instead thought to keep it a little more local. Also have a bunch of midi note files for odd 1970s instrumental inserts. So layered a few into the Roland sound module for a cacophony of urgency. Here’s the TV News Station’s morning intro:

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Dear Mr Williamson,

Greetings from the, alas, long forgotten embassy of Razrainia. Thank you for your kind enquiry about our national anthem. I hope you find the enclosed tape satisfactory for your needs. We don’t often play it now for few of us know it any more. Sometimes one or two of us elders gather together on a hot summers night in one of the halls we used to use so freely during the day and play it quietly so as not to wake our guests.

Regarding your question - no we never were invaded. I think perhaps we were just too polite. As visitors came to love our country we made room for them to stay without a fuss, letting them make their own improvements, withdrawing into forgotten rooms, using the crawl spaces, quietly doing the dishes and laundry until our guests seemed to forget we were there. We didn’t like to draw attention to ourselves, they all seemed to be having such fun and getting on with things. There aren’t many of us left anymore of course and perhaps that’s for the best.

I look forward to meeting up with you again one day

Regards

Alexadra

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I’m glad you chose the theme from The Beverly Hillbillies, as I may need to count on a variation on the theme from Green Acres for mine.

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The sound of this is just ace, gis. Really beautiful and transporting.

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Imagineering an anti, or trans-national anthem
played before every match at the next World Cup
a couple of minutes to contemplate
the gift of being human, breathing together
all iOS construction
Factory, Aparillo, Rozeta collider, FAC Envolver
AUM :slightly_smiling_face:

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an anthem for the nation of lumon, which me n my girlfriend came up with in bed this morning.

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A country where the visions of Marge Piercy, Ursula LeGuin, and Octavia Butler intersect, where people face fundamental choices about their relationships with the natural world and one another. Something rustles in the bushes.

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United Territories of Fungus and Ant.
"It Bititit" Closest human language translation meaning "Together We Eat Strong"

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Juno 6 + DSI MoPHo SE recorded directly in to Ableton w/ 2 Analog instruments and one drum sample!

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Out there on the third cloud on the left, a small tribe of ethereal beings live beyond reach and sight of the population on the ground. They don’t adhere to narrow ideas of nations and anthems - and still, this Ode to the Odyssey (or song for travelling) is probably the closest they’ll get.

The piece is made out of several taiko samples, Spitfire Orchestra samples, exhale and other voices - and I’ve tried to glue it a little together with a few iZotope plugins (Trash, Ozone) and SoundToys.

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Music by Whalt Thisney.
Spoken word by Fernando Ribeiro from the metal band Moonspell.

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Been listening a lot to John Luther Adams’ Become Ocean, and got to thinking about a post-global-flood situation (yes, sort of like that Kevin Costner movie, but once I made the connection I had already written the lyrics:-). Made a three part mockup arrangement, that I rendered with Embertone strings. Whispered vocals - kids are asleep in the next room. Unfortunately, I’m away from my keyboard (and pop filter etcetera) so the programming is a bit static (and the vocal rather noisy).

Home, hallowed ground on the water
How I’ve longed for, and still long, for thee
At the turn of the tide
Where the four winds collide
Home is the lull of the sea

Home, settle down on the water
Hear the sailors are calling for thee
Liquid land of the brave
Atop our watery grave
Home is the lull of the sea

Home, hallowed ground on the water
How I’ve longed for, and still long, for thee
At the turn of the tide
Where the four winds collide
Home is the lull of the sea
Home is the lull of the sea

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Here is the microdemocratic anthem for the people of AgFutures, a government from Malka Older’s novel State Tectonics. Here’s a relevant excerpt describing the government:

…Based on ads, the main contenders seem to be local or regional: O!Canada!, a retrograde government trading, like so many do, on nostalgia; and, less prominently, AgFutures, which targets farmers but also attracts agricultural scientists and people who believe themselves “culturally farmers”.

It seemed to me that Oliver Wendell Douglas of the television show Green Acres (played by Eddie Albert) was what you’d call “culturally a farmer” since he was a big-city lawyer who felt an affinity for the agricultural lifestyle. The melody of the anthem is based on that show’s theme song, but changed to ¾ time and slowed to a “stately” pace (with quotation of another familiar anthem).

The performance is as if done by the brass band of an amateur community orchestra, perhaps one that learned to play their instruments by Professor Harold Hill’s “Think System”.

Fun fact: It is thanks to Malka Older’s novel Infomocracy (the first book of the trilogy that State Tectonics completes), that I discovered the Junto. In it, she mentions a fictional genre of music called “Gronkytonk”, which became the basis for disquiet0302. While reading the novel I searched “Gronkytonk” and happily found the imaginings of this group on how it might sound.

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@BennDeMole is right, it’s all about the ants. Benn’s amazing composition could be the soundtrack for Calvino’s horror story The Argentine Ant. I went in another direction. One day, ants will rule the world and this will be their comic anthem.

(Tragic footnote: it seems that no matter how much great literature and philosophy I am exposed to - Homer, Dante, Shakespeare, Kant, Proust, Wittgenstein - the movie ANTZ continues to have a more pervasive grip on my soul. Shame on me.)

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cool anthem :slight_smile:

My fictional country is an inland Australian nation that might’ve been.

Lyrics and details at my blog:

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