I’m glad you chose the theme from The Beverly Hillbillies, as I may need to count on a variation on the theme from Green Acres for mine.

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The sound of this is just ace, gis. Really beautiful and transporting.

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Imagineering an anti, or trans-national anthem
played before every match at the next World Cup
a couple of minutes to contemplate
the gift of being human, breathing together
all iOS construction
Factory, Aparillo, Rozeta collider, FAC Envolver
AUM :slightly_smiling_face:

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an anthem for the nation of lumon, which me n my girlfriend came up with in bed this morning.

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A country where the visions of Marge Piercy, Ursula LeGuin, and Octavia Butler intersect, where people face fundamental choices about their relationships with the natural world and one another. Something rustles in the bushes.

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United Territories of Fungus and Ant.
"It Bititit" Closest human language translation meaning "Together We Eat Strong"

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Juno 6 + DSI MoPHo SE recorded directly in to Ableton w/ 2 Analog instruments and one drum sample!

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Out there on the third cloud on the left, a small tribe of ethereal beings live beyond reach and sight of the population on the ground. They don’t adhere to narrow ideas of nations and anthems - and still, this Ode to the Odyssey (or song for travelling) is probably the closest they’ll get.

The piece is made out of several taiko samples, Spitfire Orchestra samples, exhale and other voices - and I’ve tried to glue it a little together with a few iZotope plugins (Trash, Ozone) and SoundToys.

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Music by Whalt Thisney.
Spoken word by Fernando Ribeiro from the metal band Moonspell.

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Been listening a lot to John Luther Adams’ Become Ocean, and got to thinking about a post-global-flood situation (yes, sort of like that Kevin Costner movie, but once I made the connection I had already written the lyrics:-). Made a three part mockup arrangement, that I rendered with Embertone strings. Whispered vocals - kids are asleep in the next room. Unfortunately, I’m away from my keyboard (and pop filter etcetera) so the programming is a bit static (and the vocal rather noisy).

Home, hallowed ground on the water
How I’ve longed for, and still long, for thee
At the turn of the tide
Where the four winds collide
Home is the lull of the sea

Home, settle down on the water
Hear the sailors are calling for thee
Liquid land of the brave
Atop our watery grave
Home is the lull of the sea

Home, hallowed ground on the water
How I’ve longed for, and still long, for thee
At the turn of the tide
Where the four winds collide
Home is the lull of the sea
Home is the lull of the sea

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Here is the microdemocratic anthem for the people of AgFutures, a government from Malka Older’s novel State Tectonics. Here’s a relevant excerpt describing the government:

…Based on ads, the main contenders seem to be local or regional: O!Canada!, a retrograde government trading, like so many do, on nostalgia; and, less prominently, AgFutures, which targets farmers but also attracts agricultural scientists and people who believe themselves “culturally farmers”.

It seemed to me that Oliver Wendell Douglas of the television show Green Acres (played by Eddie Albert) was what you’d call “culturally a farmer” since he was a big-city lawyer who felt an affinity for the agricultural lifestyle. The melody of the anthem is based on that show’s theme song, but changed to ¾ time and slowed to a “stately” pace (with quotation of another familiar anthem).

The performance is as if done by the brass band of an amateur community orchestra, perhaps one that learned to play their instruments by Professor Harold Hill’s “Think System”.

Fun fact: It is thanks to Malka Older’s novel Infomocracy (the first book of the trilogy that State Tectonics completes), that I discovered the Junto. In it, she mentions a fictional genre of music called “Gronkytonk”, which became the basis for disquiet0302. While reading the novel I searched “Gronkytonk” and happily found the imaginings of this group on how it might sound.

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@BennDeMole is right, it’s all about the ants. Benn’s amazing composition could be the soundtrack for Calvino’s horror story The Argentine Ant. I went in another direction. One day, ants will rule the world and this will be their comic anthem.

(Tragic footnote: it seems that no matter how much great literature and philosophy I am exposed to - Homer, Dante, Shakespeare, Kant, Proust, Wittgenstein - the movie ANTZ continues to have a more pervasive grip on my soul. Shame on me.)

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cool anthem :slight_smile:

My fictional country is an inland Australian nation that might’ve been.

Lyrics and details at my blog:

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I stumbled across a musician called Marc Weidenbaum when i was listening to an episode of a podcast about modular (eurorack) music equipment (hosted by Tim Held, a relative newcomer to modular) called Podular Modcast.
Marc has a website called disquiet. Each week he posts a theme to inspire people to make music (i think it is called ‘Junto’)

This weeks theme is: Compose the national anthem for a fictional country.

i thought i would challenge myself to make an anthem for The Upside Down from Stranger Things (as Series 3 has just been released). The challenge is that an anthem is supposed to be rousing and uplifting. it also has to have a bounce. There is a contradiction between the intention of an anthem and the feel of The Upside Down. This piece of music uses the sound pallet of the Stranger Things music (synths for the 80’s - mono/poly, ARP odessy and the Roland SH-101). It has a gritty, dark sound, but uses the format of an anthem.

i am not sure that i actually like it, but i think it is somewhat successful in capturing the feel of The Upside Down, but with something a bit more energetic. I have written some lyrics, but they are so very, very dark. They will unsettle the listener and will cause… … disquiet.

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The national anthem of El Ektronya.
Land of the free electron.

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This is a deep-space radio reception from “Earth Nation One”—the last remnant of civilisation on Earth. The anthem for the nation plays on a loop and echoes off the walls of the desolate space station.

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The anthem for the United Kingdom of England and Wales.

I cut up a BBC Feedback piece on Sailing By, the theme music for the Shipping Forecast, and processed the samples manually and with Hysteresis. Sky News’s theme music was manually processed and added to the mix.

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The sound of the wind sound from our earth. No nations, no borders no divisions… just one small planet in a vast universe

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i noticed the other day that i’ve created over 200 junto pieces, and this is my 132nd consecutive entry.
to celebrate, and to tie this into this week’s project, i am declaring independence. i hereby rescind all ties to the united kingdom of great britain (it was going down the pan anyway) and declare that the conditional temporal and proximal locale of my organism constitutes the territory ‘sevenia’

my national anthem is only to be played and heard by me. no likes, no listens, no comments.
.
i used two instances of protoplasm with choir, flute and trombone samples.

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