Hi All,

Great project - great text! I’m using modular (mainly morphagene and qpas) and tidalcycles, layered up behind the reading.

Have a great week!

h u :slight_smile:

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I just realized after listening to some of the previous works that I did not follow instructions:

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I didn’t want to “create” a soundtrack, by some reason I wanted her voice to accompany itself, and I wanted to do it all by free VSTs. So at first I used some VST plugins, mainly Michael Norris Soundmagic Spectral, to create different clouds around her voice. Here sometimes I used a very strong filtered part of the spectrum as an input. Then I looked for a way to add a rhythmic structure and found something new (for me), Synth Track VST, which did the job. Both have been used in four instances of the voice. Sometimes I took the voice from the input, to accentuate other sounds. At the end some additional echos have been place by hand.

The main voice is unchanged and I think it’s audible and intelligible.

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Disquiet0400

• Key: E Scale type: Modern Messiaen II BPM: 120 Time signature: 4/4 DAW: Reaper
• Instruments: strings, synth
• Plug-ins: Neutron 3, session strings, modular icons, mammut
• Downloaded track # 4 as chosen by Random.org
• In Reaper added some strings and percussive sounds
• Processed the spoken word track with Mammut
More on the Disquiet Junto at:

disquiet.com/junto/

Subscribe to project announcements here:

tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…t-0400-sub-divided/ 5

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet 1 for Slack inclusion.

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This is a theoretical live sound treatment for Malka Older’s short story „The Divided“.

I used the transient feature in Ableton Live, Izotope’s Vocalsynth 2, a cheap granulation VST and extracted the pitch of Malka’s voice for a piano line.

I took the liberty of editing her voice. I kinda like these transient bits - the brain starts filling in the blanks and tries to understand the meaning, but as soon as the delay kicks in, understanding becomes more difficult.

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I made an edit of parts 5-6 that has a nice passage I liked, and created the music from her voice alone (microtones played back as notes with lots of fxs). I also broke step 4 slightly… see if you can find where.

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This is a dub mix of my earlier reggae version. I’m learning about dub music, so any constructive criticism is welcome.

I did this in Ableton Live and did not use any loops. Well, I did use loops, but they were of my own creation. I used the article “Dub Mixing” by Andrea Terrano for guidance.

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Hey, happy 400th! Thanks to Detritus to remind me to participate. I haven’t done so regularly in the last years, but since I was doing the 1st, I have to celebrate the 400th with you.

Here’s my contribution:

Process & thoughts: instead of entirely at random, I picked the part 8 of 9 because this one wasn’t picked yet (at the time I was looking for that).
While working on the track I realized that when I listened to the speech as if it was music, the speed was quite high. Word hearing-understanding seems to work a bit different than music hearing I guess. I like more slow music so that I can listen to all of the aspects properly. On the contrary, a slow speaker tends to annoy me when all I want from listening is to extract the information of the sounds. Therefore my result of making “score” to the speech, out of the speech itself, is a mixture of 1. ambience created from reverb and stretching 2. picking the main information from each paragraph which was related to the relocation: moved south- desert- city - hotel- and then the result: forget and live your life - sad. 3. the main information running parallel to the details, kind of like a second thought or a feeling of environment that your mind describes in a word. 4. some illustration of the sounds that were described to be heard at the hotel.

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What a wonderful story to have the pleasure to create a score for!
Although I originally planned to add some extra instrumentation, all sounds here were originally sourced from the voice recording. I listened through to find a moment with nice tone, the Spanish words seemed most musical. Using sampler I created a synth from that to play chords. Percussion from some lip and sibilant sounds. A kind of bass from another piece of Spanish. Playing them in, editing and mixing to make it all sit together well.
Thank you.

HAPPY 400TH !!
My first was DJ #65.

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https://soundcloud.com/ohm-research/malka-older-the-divided-part-19-disquiet0400

The source material for all audio is Malka Older reading part 1 of “The Divided.”

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Unfortunately I don’t have much time to do Junto’s atm… But had to clear my schedule for this one :wink:

My solution includes granular synthesis to create the bassy part and the “out-of-tune” drone, the grains of course being Olders Voice. I’ve also sampled a small sibilant syllable which is played randomly and fed to a reverberant effect for a noisy ambience.
I’ve slightly modified the pauses in Olders performance to make the ‘rythm’ feel right.
Everything was made in Ableton 10.
The part was chosen by having random dot org supply me a random integer.

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Hey All, Man I spent so long trying different things with the vocal and it was really distracting from the vocal. Finally I pitched her voice down 48 unwarped and got the low end I wanted (and then some) so that was the ticket. It was funny right before I got the assignment I was looking up how to get rid of a seed corn that had developed on the heel of my foot and the story started off with the father taking care of his wife’s feet so I was really into the story. The story really is very current and has a unique viewpoint. Science fiction as a genre can be very good at giving a perspective on current issues IMO.

Peace, Hugh

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I got part 1 in the shuffle, I thought of going with some ominous beats. All the sounds in the track are made out of cut up and processed snippets of Older’s voice.

Drones and textures were processed with Remnant, Crystallizer and Valhalla Vintage Verb.
Drums and Rhythmic elements were processed with Devil-Loc, Spectre, Compression and EQ.

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One thing leads (back) to another. Da riddim version.

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Me and my crappy old PC did this…

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The only sounds heard on this piece come from the narration. The first sounds heard - the synth sound - are using Ableton Live’s Wavetable synth using the story as the wavetable. Next, the airy choir sound is from Audio Damage’s Quanta with the author’s voice as the source audio. Some reverb is added for effect. Since this is the final portion of the story, i took the liberty of extending the piece after the story ends. The voices fading in at the very end are playing with Quanta grain sizes - going from breathy choir to a cloud of voices - the lost voices in (or beyond) the wall.

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I like the chiptune sounds with the reverb effect. Dunno, makes me feel like it’s in a shopping mall or something.

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That growling is kinda unsettling. It’s like the walls have mouths!

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This is more sound design than score but the majority of the sounds were created from Malka’s voice. The walls, the ticking clock, the background drone. I used a couple of samples from freesound.org; gulls1 by soundmary and Birds and Ambience at La Crux plaza by starman827. The gulls were chopped with Quanta and delayed; the birds were untouched. The walls were a combination of Serum and Ableton wavetables of Malka’s voice modulated with an envelope. A second track of the original stem was mangled with various granular effects and delays. A drone, also made with wavetables from the original stem, detuned and played in unison is continuous in the background.

I’d hoped to make this more musical but will settle for an atmospheric albeit literal take.

Thank you to Malka for the unforgettable story.

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Tried to keep it a bit light, not too much layering and used some of the whispy air from the recording, im not sure if it really came through but alas, its in there somewhere :joy:

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