Created using Abelton Live, Push2, Roland DJ 808, Midi Fighter. I took a sample using a Tascam of my double pump reed organ. Looping that thru using the Push2 and the MIDI fighter with some 808 sequencing.

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Disquiet0421
Marquee Phantom
• Key: F# Bhairav BPM: 120 Time signature: 4/4 DAW: Reaper
• Instruments: Absynth 5, FM 8
• Plug-ins: Ozone 8, replika, captain plugins
• Five tracks
• Two synths, bass, two audio downloads from Freesound

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Let’s take a single sample from a film I like and see what I can do with it. And so:

A single scene from The Last Picture Show, first loaded into mangl on a Monome norns, adjusted live with grid and faderbank; recorded to internal TAPE. Then, the same sample loaded into cheat codes, TAPE both playing back and recording simultaneously. Final composite wav file loaded into Ableton, light mastering, removal of weird norns clipping issues.

Not hugely on the outcome, but it was a fun 60m playing, and learning a new device.

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I went for the obvious…

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A nice and simple one for this week. Loved the prompt. Kind of wanted to just make a little noisy thing. Aside from the processed kick, there are two noise textures layered together, both distorted and filtered with almost completely wet reverb. One was from Reaktor’s Space Drone and the other was a recording I did playing random lines on my cello from another room then put it through a vinyl emulation plugin with a high warp setting. I had different ideas I thought of adding, like distant voices or creaking wood, but after putting those two noises together, I kept getting the feeling that anything else I added would just be extraneous. So, I just left it how it is.

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Really cool. Like this a lot. Great texture and the old cassette really adds to it I think. Maybe that lofi cassette quality is just in right now, but either way I really am enjoying it.

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Lo-fi cassette quality is always good.

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My vague concept was that the listener is somehow in a trance or hallucinating that they are going to the movies. In reality they are in a disused movie theatre. The audio is meant to be a mixture of their imagination and reality.

I had attempted to get a few field recordings (on my Zoom H5) for this but didn’t get to go to a cinema (disused or otherwise) so I fell back to taking recordings from around the house. The samples all have very minimal treatment (normalize, crop and a little filter or compression if necessary). The only significantly treated element was the ambience which I did a granular style chop and reverb which I bounced and used as a pad. The only non sampled sound is the bass which is from a bass station 2. Everything else except the effects is from my MPC. I ran to 4 channels on the mixer (where it got EQ) plus sends to my regular delay and reverb.

Overall I could have done with some more sounds to hint at various more specific elements in the space, as it feels a bit sparse and slow at times. I used the delay and reverb to compensate a little but it could have done with some more energy at times. My recent experiments with samples have encouraged me to try and use them more heavily in my music: thanks for another fun project!

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This track takes some melancholic orchestral music overlaid with projector sounds and popping popcorn, then mangles it. Mangling includes slowing down to half speed, adding a 24-ish frame per second filter gate, tape wow and flutter effects and a convolution reverb.

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Only a few days ago I performed a live improvised soundtrack to the silent movie Metropolis, so this project was unusually timely. Once my gear was hooked up in the studio again, I improvised this soundtrack in a similar way, imagining walking through an an abandoned, haunted old movie theatre, in the darkest depths of the night…

Recorded live in the studio.
Moog One starts off with a bass drone.
Waldorf Quantum comes in, adding dissonant and spooky sounds.
After a while a piano is heard, delivering random eerie notes.
Towards the end, the chase is on, or is it just imagination?
Two Roland Space Echoes create added spookiness.

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My first thought when reading the project was of hearing distant remnants of better times echoing through the empty theater. Specifically distorted voices and a piano melody. I took that as a starting point and tried to create an atmosphere of space and distance and a little bit of melancholy for things lost to the past.

Technical things. I found a piano melody sample that resonated with me and used that as the anchor for the track. I also used some processed vocal samples and created a few simple drones to create atmosphere. Everything was run through a heavy effects chain with lots of delay and reverb to create a feeling of space.

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was thinking of old silent films with a live piano accompaniment
used harmonic table java
processing in audacity - suboctave generator, lots of reverb, preverb, sliding time shift
meant to be played quietly in the dark

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Tried to draw inspiration from vintage B movie soundtracks. I used the virtual ANS synth along with some samples including footsteps and a film projector which I manipulated and slowed with audacity. Also mixed in some unintelligible vocal samples for a little more creepiness.

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I’m making my way through a strange time. My grandmother died a couple of weeks ago, and she was one of the biggest influences on me. I’m sharing this with you all as a way to begin to explain my approach and headspace. I’ve loved noise for as long as I can remember. I am fond of feedback and drones, but also the mundane things like the sound of water and the hum of traffic. In the last couple of weeks, however, something inexplicable has happened, and I’ve found myself very sensitive to sound. It isn’t an irritant, but it’s more like it’s overwhelming. The noise in a supermarket is thicker than a Sonic Youth show. The voice of my daughter in the car is like a riot cop megaphone. It’s getting better, and I’m starting to find some good in listening to music again. All of this is leading to my explanation of this piece: I imagined the way I’m hearing now, and how it would feel to stand in the abandoned disquiet theater we’re all working around. I imagined breath, heartbeats, echoes, wind through some rudimentary beatboxing that I pitched down and sent through some reverb, a little dirt and a filter. Best wishes. Oh, and this is probably not the ideal place, but since I gave the big note of my loss, I will add what a great comfort it was to feel that I had said all I wanted to her. She knew my love, and I knew hers. When the time comes for loss, that is huge; If I were to give some unrequested advice, I’d say let the people around you know how you feel. It may mean more to you both than you can imagine. Cheers- RSM

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For the Marquee Ghosts challenge, I tried to recreate the atmosphere of an old cinema using recordings of an old film projector and an empty hall. Both samples are pulled together in Supercollider where they were looped and played at different rates. The deep concussions are the product of super slow playback of single clicks from the projector. The samples were remixed in Ableton Live 10.

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i have been making recordings in the desplaines theater, which was built in 1925 and has been abandoned for most of the past 25 years…

onsite field recordings were made with a zoom h4n & using found sources in the building… tried to take advantage of the acoustics…

combined 1o stereo recordings made within the last year in cubase sx… did some amplitude & eq shaping, no other fx… sound forge 5 for the normalizing finale…

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I used Supercollider to build an FM synth and pass it through a reverb bus.

I used a minor pentatonic scale to convey a sense of familiarity and easiness that a theater might envoke.

The steady voice has a more simple wave and consistent rhythm that describe a curious stroll through the space, while the swells reflect strong feelings that arise along the way.

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Field-recording of pre-show at Live Arts, a theater in Charlottesville, Virginia USA, edited slightly in Audition. Recorded Volca Keys. Recorded Animoog app into Borderlands Granular. All put into Garageband (iOS)

The brief was to make music for a discarded cinema but I spend more time in theaters these days so I thought to start with things I had recorded there. Added some emptiness and dust. Lost drones.

Image is from a book I made about Guillaume Apollinaire’s death (the sun, gone, like cinema-light.)

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Imagine if a remnant of you was stuck in this eternal loop, along with some other unfortunate souls. You would all like to leave but instead are compelled to repeat the same actions over and over.

Sound effects from the following Freesound.org contributors:

n2p5
martypinso
nebulousflynn
unkleceeg
screamstudio

VSTs:

Sennheiser AMBEO
NI Raum
NI Replika

PS: ack I’m late again! Promising myself to be punctual for the next Disquiet!

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