@chaonaut Very nice. The title matches the visual in my brain when listening to it, many little insects feasting on my body. As you said, I tend to make things quite dark.

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Ah, gotcha. I’ll put numbers in parenthesis when people say that they are going to do one, and remove the number when it is done.

Cheers -

george

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Very thoughtful approach. So effective when you can’t tell what came first.

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And the playlist is now rolling:

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This is from #5 from Ethan Hein from last week. it is slightly shortened. I thought instantly to do the blues, but it seemed to easy. So I thought what’s a piece from Ethan Hein without hip-hop drum beats. I pulled up his google sheet from youtube and programmed some various beats using Renoise as a tracker for simpler in VCV rack. Also using Plateau for light verb. I hope you enjoy I had tons of fun as I have been away for a while.

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Decided to go with a piece made by @Sam_Knot because I found it to be quite strange and haunting.

I had originally wanted to add drums to a track, but I think thats for the centre panned project :wink: So I thought about what I’d been struggling with in terms of music recently. And that is melodies, I’ve had some good drum patterns and chord progressions / pads going on, but any melodies I try to layer on top sound way too child toy keyboard like and I can’t help turn it into a directionless progression.

So, here I tried to play a very very simple and slightly disturbing melody. I’ve been quite into hauntology music recently and particular the ghost box label. And I wanted to try to capture this kind of muddy and murky atmosphere. Added some breath sounds I found on my digitakt. Sometimes they kind of chop a bit - which I’m not sure comes from the samples cutting eachother off, or its just some weird latency from my computer (which I’ve been getting a lot of recently) but I decided to leave it there anyway as an artefact of the recording

Edit 11/04: I have linked the stem of my contribution in the Junto 0432 thread

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Darn, I wish I had thought about that. I smell a mono mix in the future. I will have to give another one a go.

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Thank you @SityPhoxx for making such a lovely musical Elegy with the waves. Glad you did. :slight_smile:

I hope to make some responses soon too.

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Which piece is the initial channel?

Cheers -

george

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@zoundsabar It was such a great track to work with, it felt really freeing

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Thank you for those kind words…

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the left channel----- https://soundcloud.com/michel-banabila/fase-1-disquiet-0429-solitary-ensembles

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Thanks for the great second part. I really like what you did here. I think it sets very well for an interesting third track.

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Remix (0432)

For anyone who wants to remix this track, my part is here.

The left channel is “Solitary Ensembles (disquiet0429” by @RPLKTR .

I added a simple drum part:

  1. Tapped out a simple bass drum beat on a MIDI keyboard.
  2. Used Magenta Groove to enhance my drum part.
  3. Added Dotted Quarter Note Clean Delay effect to the drum track.
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Here is my contribution. I used track #8 (Winter Never Came) as my source.

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My random number generator chose 26 (3rd roll because the prior 2 were already taken) so I’m starting on that one. If I have time I’ll take another pick tomorrow if I have time.

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This is based on number 26 by @modus_pony Chewed Tongue. I managed to meet the guidelines better this time. In particular the version linked above is mixed but it includes a private link to a version with the two parts panned left and right.

I spent some time experimenting with some chord progressions, melodies and rhythmic elements but I didn’t really hit on anything I was very happy with. In the end I decided it would sit nicely alongside a drone. Drones aren’t something I’m very familiar with making but I put one together then recorded some slow automations of various parameters to keep things moving. Overall I think it was fairly successful.

In this case the only addition was the drone patch I made on Peak (minimal effects beyond the Peaks reverb). I did some light EQ on both parts and also a little compression on the original. The movement in the drone was more down to the 8 mod slot entires I added (plus normaled routings) using the LFOs and looping envelopes (peak has 3 EG per voice, 2 LFO per voice and 2 global LFO so I had 42 cyclic modulation sources in play). It was fun to put together.

All in all I’m quite happy with the result and I’m looking forward to (hopefully) making a 3rd entry tomorrow.

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Ok, first one! I might do a second (following the random rule) later tonight.

Left channel: @vgmrmojo
Right channel: me

This one (“Alone In A Group” from fellow Lines user, @vgmrmojo caught my ear. I really liked the spartan percussion played at a slow tempo. It seemed to afford a lot of space to work with, whilst also following the tonal grounding of the percussion .

Since reading David Toop’s memoir, Flutter Echo, I’ve become interested in his approach to prepared guitar, especially with the pinching of strings using alligator clips. I used this approach for this duet, running my electric guitar through an Ooh Wah sequenced filter and EHX Memory Man. I first made a little loop on the Memory Man, emphasising the timbres of the pinched strings, and played over this for the duration of @vgmrmojo’s track.

In Logic, I sidechained the compressor on my guitar track with vgmrmojo’s percussion so that its attack (especially on the low drum) would duck out the amplitude of the guitar. I thought that this created a nice counterbalance and gave the impression that the percussion was influencing the presence of the guitar. I also like the crunchy artefacts from this processing.

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I put the playlist on random, listened for a while - and downloaded the tracks SoundCloud chose for me. I got up early this morning - before the family (two of our kids moved back in our smaaaalll house a couple of weeks ago, to endure the #stayhome life together), put on my headphones and “attacked” the first track on my HD. This was @chalkwalk’s submission.

I’ve mangled the sound of the track a bit (sorry), removed the B-piece (again, sorry) - not because it wasn’t great, but I couldn’t supplement it well enough; so any changes etc. is because of my lack of abilities - not the original material!!). I’ve panned my additions to the right. Also, the piece is now sped up a lot. Not sure I’m completely satisfied by that, now that I re-listen to the thing.

Ah well. Here goes…
All faults mine!

(If I get the time, I’ll happily destroy a couple of other tracks)

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