#31

For this piece I took track ‘Graphical 6 - semi 4-3’ by haLF unusuaL as the 1st track. The piece is by no means least bookended with track ‘Part 16’ by Simon McCorry from 20 Transmissions From The 20th Century. I have placed a recent (untreated) Contact mic recording made from the building I live in. It has a musical string like utterance near its end – I have placed this as the joining track as it negotiates ‘to my ears’ the two sound worlds of processed like sounds from haLF unusuaL and the string instrument work from Simon McCorry.

Looking forward to listening to the submissions.

Kind regards,

Andrew

8 Likes
#32

I used Guy Birkin - Processed Field Recordings -04 Sneinton - Rain and Fourier Resynthesis 1 and
05 - Snienton - Rain and Fourier Resynthesis 2

I used my own field recording of rain and manipulated with Morphagene to match pitch. I used Telharmonic for the drone, trying to match the nice deep note in the original recording. Added a sub with dixie II+ and Rings for melody.

7 Likes
#33


The random number generator gave me a though nut to crack. According to the generator it would be a good idea to connect @halF_unusuaL 's semI autO biO graphicaL - 17 Graphical 6 - semi 4-3 with Minimal_Drone-GRL’s Vision - 02 Vintage. Okay, I did it.

9 Likes
#34

Disquiet0448
Seamless Bridge or Smooth Link
• Key: C Major BPM: 120 Time signature: 4/4 DAW: Reaper
• Instruments:
• Plug-ins: Alterego
• Randomly chose album 8 track 3 and album 10 track 20
• Tay_ploops - Dish of Orcas - 03 Tete-a-tete
• haLF unusuaL - semI autO biO graphicaL - 20 Graphical 9
• Added a 20 second along section inbetween the two chosen tracks
•

7 Likes
#35

Nice and seamless also blends in nice

3 Likes
#36

My first time at contributing to the Junto. I chose music from 777minus1: opening with “Hotel stairwell whistle” and closing with “Swift flight - dive _ multiply - open up the sky.” Between these two, my track was created from a field recording I made on Impalila Island in Namibia after the safari trekkers had left for the day, leaving me to record pristine audio without background tourist chatter. I used Ableton to create a MIDI file from the bird calls on a separate track, enhancing the rhythmic placement by hand. The MIDI file played a ghostly flute-like instrument created with NI’s Prism . The audio file was altered with a watery NI Molekular Vocoder.

8 Likes
#37

After listening to quite a few of the tracks, I chose one with a quiet opening and another with a pulsating sound for the ending. For the middle section I took some reversed part of the first and added synth and Solina strings, slightly tweaked, to it. Added a fade to more distorted, flangy version of the Solina part, added some drums.

6 Likes
#38

I’m enjoying all these submissions - so many different and creative ways to accomplish the same task! What if we were put in charge of the Google Maps route-finding algorithm??

5 Likes
#39

This is my first post on the discussion at Disquiet Junto.

A bridge between Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
and haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4
The material of the bridge comes entirely from the 2 original sources.
Editing with Audacity.
Thanks to Sevenism & haLF unusuaL & all
Gerard

9 Likes
#40

I picked two pieces that were in related keys:

I used Mixed In Key to find the keys. Then I simply used F minor chords that transitioned to A-flat major chords. “Spectral” is rather atonal, while “015” is quite tonal and warm-sounding. I wanted my bridge to sound like George Martin’s orchestral swell that connects “Revolution 9” and “Goodnight”.

My approach was quite simple. Part of that was because of a lack of time. I think a simple approach worked here, though.

7 Likes
#41

For this “bridge” prompt I began with the last track on the oldest 20x20 release (semI autO biO graphicaL by haLF unusuaL), followed by my bridge, and closed with the first track on the newest 20x20 release (20 Transmissions From The 20th Century by Simon McCorry). I chose these pieces without first listening to them.

I used the Plumbutter to create my bridge with as it’s the instrument I’m currently working with the most, but I also felt that the “urban > suburban” topology lent itself well to the two bookended pieces.

8 Likes
#42

I used one of my tracks from Processed Field Recordings - ‘Dovedale & Razor 1’, together with ‘Nine’ by Mrs Dink from Twenty. To make the bridge between them, I used some of the same synth (Razor) and field recordings that were used in my track and added some drums modelled on those in Mrs Dink’s track.

6 Likes
#43

This was fun - I’m putting a 20x20 type album on my very-long project list!

I used Rupert Lally’s “Hepta” at the start, little mellotron noodle and Dan Diaz’s “13 013” at the end

9 Likes
#44


For the Seamless Bridge challenge, I chose to bridge – Dish of Orcas, Track 8. Knot from here, by @tay_ploops with semi auto biO graphical - Track 7, Auto 3, by @halF_unusuaL . The result is all about being around family during a quarantine. Thanks (with apologies) to the creative minds of Tay_ploops, and half unusual for your fantastic 20x20 compilations.

5 Likes
#45

seam-fillled into bird-endowed!!!
love it.

3 Likes
#46

This bridge spans halF unusuaL’s “Graphical 7” and Mrs Dink’s “Six”. Thanks to you both for providing such great tracks and I hope you don’t mind my mangling of your works. It was a tricky assignment.

7 Likes
#47

Hey All, Hope you are well. Here is my submission for the week.

NON-SUBMISSION-I also did this track after I realized we were able to overlap the other pieces.

Peace, Hugh

3 Likes
#48

This Disquiet Junto project provides a 20" bridge between two other 20" pieces from the 20x20 project. I chose Rupert Lally’s #1, “Mono” to begin and Simon McCorry’s #20 to end. In between is a violin piece using a 5-string electric played through some IK Multimedia Amplitude effects. I really like Rupert and Simon’s pieces. I hope they don’t mind that I used them in this way.

4 Likes
#49

Thanks to everyone who took part in this weeks challenge and used the work from the 20x20 Project!
Totally blown away with the works… Some wonderful tracks!

The next 20x20 release is coming out this Friday 7th August and will be by Jmmy Kppl @jks

Thanks again.

8 Likes
#50

And thank you, @AudioObscura. Your 20x20 series is inspiring, and it was greatly appreciated that you proposed this collaboration with the Disquiet Junto community.

5 Likes