the pressure is very sensitive. so you can focus on a few angles.

one trick is to use a corner for touch so a very small surface area to allow for greater control

another is to patch slew on in output (or in even?) to allow a slurring of signals

and another is to put something soft on top of the pad and you’ll change how pressure is interpreted by device.

it is a bit of an instrument regarding the fine motor skill sensitivity, which i always found helpful rather harmful in terms of learning curve. and then always some way to kludge a patch if some aspect isn’t responding in the desired way.

i do believe its completely open nature inspires creativity in patching.

and there are no dumb questions (i’m happy to discuss at length any aspect in public or private!)

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Thanks for the advice! I hadn’t considered using a corner at all, so that is super helpful.

I just had a vision, of a patchwork of different surfaces on the device at once, so I can very quickly try out different responses of different materials, and quickly change the sensitivity on the fly by touching different areas of the pad :thinking: I’m gonna need to digging around in my basement for different types of foam and rubber :smile:

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that idea is one ive never tried and would be helpful for experimentation but also probably for some aspect of performance oriented patching if specific materials ticked various approach boxes. i guess that is what i mean about kind of letting it lead you in patching. nothing going in as far i have ever seen has done any harm. they are just resistors so you can explore a lot of territory.

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HI Xeric, I’ve had success with sending a lower offset to the FSR box - so instead of +8V from stages, i send something like +5V.

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Ended up using some cardboard with good results! Haven’t tried different materials yet, but a combination of a lower input offset (instead of just attenuating the output) and making use of corners (great for vibrato!) has been made this box sound really amazing.
Paired with Earthsea, I can now play much more expressive phrases :pray:

I especially like modulating the delay time on Chronoblob with pitch shifting enabled (feels like I’m manually pushing on a tape loop!) as well as spreading the span on 3 Sisters (fun take on a wah-wah sounds).

Another useful (and simple) trick I used is to mult the outputs so I could modulate either mono-synth in my setup (I switch back and forth between Earthsea controlling Just Friends in sound mode and a MIDI keyboard controlling a pair of Mangroves, and I didn’t want to have to choose between the two :slight_smile:)

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finally got around to building/testing a shiny pad version to keep for my modular use. mouser offered different parts so i like to see what is around. so many different but seemingly “the same” versions of the square fsr.

the corners feel a bit different but can get that smooth edge work via middle of each edge.

noiasueating audio use test:

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