Signal flow / filter / LPG question
Have recently reached the stage of having real options for my signal path (optomix, DPLPG, 3S x 2, six-channel VCA, all leading to a Sound Stage with its 20 fixed filters). One challenge here is actually being able to repatch and retweak the more fundamental aspects of a voice (LPG into filter or filter into LPG? Envelope into LPG or VCA or filter cutoff? Which of the several distortion options in the chain is my go-to?) without fear of ‘losing something’ in returning to the original (one of the dozen settings getting tweaked and not returned to its initial value). Some of this is heightened by the seeming lack of documentation on the DPLPG (is it distorting past 2 V on the input, or is the source too hot, or is this just its ‘character’?) I’ve actually found the Optomix (often lauded for its ‘grit’) much more gentle than Meng Qi’s efficient stroke of passive brilliance – but maybe I’m missing something here?
Does anyone have advice on a general path to follow // alternatives to that path worth exploring? At some point I picked up an osc -> VCA / LPG -> filter -> mixer -> effects -> filter 2 -> mixer 2 -> effects habit that leaves me with so so many permutations of a single sequence cascading from a single point of modulation with nearly no room to repatch and just ‘try things out’ without tweaking like… Dozens of params across a half-dozen modules. This is all part of the fun and I know deeper understanding will (and has) come with time but I worry I’ve grown comfortable in a method that’s ultimately a bit restrictive // cumbersome compared to say… Osc --> filter (envelope in cut off) --> effects --> mixer. I’m doing some satisfyingly detailed sculpting, I think, but growing reluctant to take things back to the drawing board so… Here’s hoping for fresh data!