Yeah, you’d probably also need to add an offset with another Maths channel so that the sum output correctly gives Clouds a “high” signal when the input is “low”

2 Likes

awesome, i’ll try this shortly…

that did the trick! Thanks again!

6 Likes

This is one of my favorite uses of the a-119!

3 Likes

Could someone explain what the inputs are for on PNW? Clock is obvious but I’m struggling to figure out the others.

Sure. The inputs are Clock, Run, CV1 and CV2.

Clock lets you sync Pam to another Clock’s output.

A trigger into Run starts and stops Pam or rotates the outputs, depending on a setting.

The voltage received at CV1 can be used to set pretty much any parameter of an output. The amount it affects the parameter is adjustable for every parameter.

So, you could send an LFO cycling between 0 and 5V into CV1. This voltage could be used to modulate the division of Output 1 and the waveform of Output 2 and the amplitude of Output 2 - by varying degrees. There is no limit to the number of parameters that can be mapped in this way.

CV2 is similar to CV1 except it expects a bi-polar signal {eg an LFO cycling - 5V to 5V}.

If you patch an output back into CV1/CV2, some very complex behaviour can be achieved. Even more so if you start to rotate the outputs!

Here’s a dumb question: how do you get out of Easter egg mode in(on?) Rings?

was just struggling with this last night! i think you need to set all the knobs in the same position you did to activate it and hold down one of the buttons to deactivate.

1 Like

Cool, I’ll give it a shot!

Thanks so much. I had no idea it could do so much!

1 Like

A guitar is a box with strings. People manage to get a wide variety of sounds of that. Rings is a module. You can send things into it, and send it into things. I don’t find the interface especially complex, either.

1 Like

Hi I am looking for some experiences with the Make Noise RxMx, particularly in pairing it with the DPO, any of you guys got any experience of it, thoughts, feelings

I don’t yet own one, but I’ve played with a RxMx at one of my local shops and had a lot of fun with it. I’m assuming you’ve already seen this video:

If you’ve got both of those modules and an extra 8 HP to spare, consider buying both the Make Noise FxdF and a File from Control. You’ll be able to connect both the DPO and FxdF to the RxMx via the File, and swap between output modes per output jack at the flip of a switch.

1 Like

Wow I like the look of File, I definitely have my eyes on a FXDf, big purchases coming soon I think

1 Like

I’m still interested in hearing more about how people who love their Réne’s use them. I have one, and honestly I struggle with it. I enjoy using it in a pretty basic way, but given it’s size and number of controls I feel there is a lot I’m missing out on.

I have réne at the positioned at the bottom of 6u rack - and I’m starting to feel that it would be better broken out in a small skiff along with some other ‘control’ modules. Has anyone done this - did it change anything?

Could an intrepid Cold Mac explorer explain what is going on with crease section? The demo showed it cutting out when the survey is below a certain level. Does it respond like a “standard” wavefolder if you patch subtlety or is it its own beast?

I think the video actually showed the audio cutting out when Mangrove’s air was below a certain level? With something patched into crease (or slope), I think survey might no longer have an effect on the crease output?

Anyway, here’s my guess on what’s going on: if you don’t patch in to crease but take output from it and send that to something you can watch or listen to, you’ll notice that you still get motion in the direction you expect, but as you cross noon there’ll be a big jump, and so you could imagine it doing the same thing to an incoming audio-rate signal, sort of introducing a bigger jump (so more high-frequency content) at each zero-crossing. I suspect that because this is an analogue design, in order to get sensible behavior, there has to be a bit of inertia near zero, so if your volume is too low, crease “can’t hear” whether it wants to jump positive or negative, so it decides to not move.

Aww man, almost forgot about your question: my guess is that on its own the crease section is not gonna be quite the same as a dedicated wavefolder, since there aren’t any parameters (like number of folds, offset) you can control from that part of the module. It might be possible to patch up a “wavefolder” if we use more sections…

1 Like

I have found http://doudoroff.com/cold-mac/ to be incredibly useful in understanding what might be going on in Cold Mac.

4 Likes

Thanks for the responses! I missed the part about survey having no effect over crease once something is plugged into the input. It’s all starting to come together in my brain. I’ve looked at the ‘Patching Cold Mac’ guide a few times and each time I read through it I learn something new. I suppose my attention to detail could be stronger.

1 Like