Still struggling with this. There aren’t a ton self-contained voices. Here are some observations:
I haven’t had Plaits racked in a while, but it’s kinda the ultimate if you can commit it’s details to memory. That is where I struggle. It’s a deep module. Rings does what everyone knows Rings does. I’m actually using the JakPlug Braids design, as it is one of the few Mutable downsizes that makes sense to me in terms of layout. The two most important controls are sliders, which works well. I’m using it with a 2hp VCA at the moment. I wish Braids could take an envelope for an input, but otherwise I love it. It’s not self contained, but it’s compact. Braids with an Manis-Iteritas-like envelope would be awesome.
Noise Engineering does self-contained well, and aside from Mutable, seems to be one of the few interested in making such modules. Basimilus Iteritas Alter and Manis Iteritas are both good. I have MI racked at this moment. They definitely have “a sound” but it’s broader than many of their demos let on. I struggle with exploring them live, as they both have some knob combinations that can sound really disonant. MI is a little safer in this regard. BIA has a number of sweet spots, but the inbetweens can be rough. I really wish BIA had MI’s pitch knob design! I’ve accidentally detuned BIA before while practicing, and it sucks.
I’m going to be writing my own envelope generator for crow once the next batch ships this week. Streams was almost ideal, but the envelope shape curve was tricky to control and the volume can become unpredicable, and the source code for Streams is very complex. Manis’s envelope is pretty good. BIA’s is solid too. I’m not sure why NE hasn’t done a 4hp VCA with an envelope generator with drive or somesuch.
Alternatively: The Multisample mode on Disting EX or Squid Salmple’s pitched samples both work well for voices. Disting giving you high fidelity, Squid has pitch shifting artifacts, but I like that character myself. You can envelope tones from Squid via it’s inputs as well if you don’t want the envelope shape to track with the time manipulations. Though at a meta level, I prefer a balance of synthesis to samples. Not everything needs to be dynamic, but I like letting inspiration have a foothold in timbre beyond the effects chain.
This is all stuff I’m actively thinking about still.