Linear power supplies are larger so they don’t work in shallow cases. As people wanted more portable (vs. studio) cases manufacturers had to start using switching supplies. Switching supplies can also be used in countries with different voltage standards which means the same case/power supply can be used in North American as well as in Europe, Asia, etc. Doepfer used to have to make two versions of their cases that used linear supplies, one for 110v and one for 220v.

I have two cases that both use a Doepfer PSU2 which is a linear supply; they’re great, very low noise, but they don’t power modules that use the 5v rail. They also give off a lot more heat than my cases with switching supplies which is fine in the winter but not so great in the summer!

Edit: There are probably a bunch of other reasons most manufacturers use switching supplies vs. linear ones, I’m just listing the ones I know about.

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Anyone have tips for using the Korg SQ-1 to sequence non-melodic parameters?

Is it helpful to set the cv range to the highest rate, if I remember correctly it’s 8v?

Thanks!

I guess I just wanted to share this.

I have an 0-coast, 0-ctrl and a keystep 37 (that I don’t really like using yet, need to spend time with the manual which bums me out)

I have the maths and qpas already and I’m having a blast. Last night I had Maths into qpas making sounds that ripped through the space/time continuum. I started laughing out loud.

I’m working my way towards the rest of the modules, anyone have any thoughts on my direction? Hope you all are having a good day.

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Those are all very excellent modules.

I’m loving the qpas, thanks for the encouragement away from xpan. I’m getting plenty of fun panning but also getting clay pots and glass symphonies

Those are all great modules and all work great together alongside the 0-coast and 0-ctrl.

Personally, in a skiff such as this I like to have my output module (so HPO in this case) positioned on the far right side of the case but this is totally a different strokes for different folks sort of comment :smile:

It’s in a doepfer a-100 case, so it’s set in enough that I have to invert and pinch my fingers to turn the volume up or down if it’s positioned all the way to the right.

Rookie case move I reckon. Moving it on the other side of the maths means I can reach the knob with less shoulder/wrist gymnastics

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Hi all, new to the forum and I’m looking for suggestions.
I have a octatack that I’m planning to sequence my system with but I would also like to take advantage of some of the crazy euro sequencers that I’ve seen.

Any idea on sequencers or randomness modules that would ad some more playability and happy accidents paired with a octatrack?

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IF money is no object look at Five12’s vector sequencer.

!!! Thnx for the reply!
That thing looks crazy cool!

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MI Marbles has got to be worth a look I think

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Yea so that was the first thing I was thinking, maybe sequencer is the wrong word for what I’m looking for. Not sure what categorie marbles falls under.

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its definitely on the random side of the tracks and can also sequence, its a versatile package!

I recently got a Qu-Bit Bloom and have ‘clicked’ with it way better than I did with Marbles.

That’s not to diss Marbles in any way - Emilie’s designs are breathtaking in their functionality, as well as beautiful to look at - but it just wasn’t for me.

Bloom, on the other hand…! :sunglasses:

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Thnx I’ll check that one out!

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I know it’s not a great idea to put our faith in YouTube vids (lol) but I do think these two show the huge range it can cover.

Strange Sequencing with Qu-Bit Bloom (by White Noises)

A Fractal Eurorack Sequencer? // QuBit Bloom Overview (by Ricky Tinez)

Anyway, that’s enough from me - no doubt other Liners will have suggestions too; please keep us posted about what you finally decide on!

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Bloom is a good call, I have it in my rack too !

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@kinggrump I was just watching this, gives a pretty decent overview of the different types of sequencing/random to expect from several different modules

It includes Marbles and Bloom as well as several other modules ranging from 100% random to pretty controllable like the Bloom.

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Good video overall. It glossed over and oversimplified a lot about Marbles, but as it says, it can be fairly complex. A couple of cool things about Marbles:

– you can program custom scales, and the quantization on the Steps knob is based on how commonly the notes appeared in your playing.
– it can sample incoming CV from another source, rather than using random values – so it can act as a sort of rearranging/re-quantizing shift register.
– gate and CV sections that are linked by default, but can be separated
– it makes a pretty great master clock, but it can also follow rhythmic sequences from other sources and even time its glides to match the rhythm.

Another option is u-he CVilization. It’s got four main modes; one is somewhat similar to Bloom (randomize or capture a sequence, then mutate it in various ways and “unmutate” if you want to), and another is a sequencer/sequential switch that can have random steps. Powerful stuff. The downside is, it is a multifunction module that relies on color codes and a cheat sheet to some extent, though the design is pretty smart overall and a lot of things aren’t hard to memorize.

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That’s a really helpful vid, thanks for sharing it.
The Omsonic Stochastic looks pretty amazing!