#2295

The only difficulty might be physically fitting a flying bus cable in the case, since there’s not a lot of room to spare. I had a similar plan for mine, but had to give up and go with four modules.

1 Like
#2296

Control (Mod) has some short ones they sell with only 2 or 3 male ends that I think will work out well. I’ll post an update once I try it out.

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#2297

I used the 4MS one and it worked fine. It was a bit tight but no issues. Have fun!

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#2298

Here’s something I’d like to do and I’m looking to the hivemind for suggestions.

Preferably in euro (no software or external boxes - except kria/grid)… Is there a sequencer that can delay the playing of a predetermined step(s) by a range or random number of clock ticks? I’m not interested in skipping steps just delaying the triggering of them.

Thanks!

1 Like
#2299

I think Teletype should be able to internally but someone may need to confirm.

2 Likes
#2300

One could delay the playing of any steps on most sequencers. Is there a particular way in which you want this to happen?

#2301

Teletype DEL [number]:

1 Like
#2302

So there is such a thing as a gate delay, some of which (I think) have CV control over the delay time; that plus a S&H should give you the result you are looking for (in not too much space) and provide the feature for any given sequencer.

One negative would be that, if you delay the whole gate (not just the gate open), you may hear the pitch change or gates may not close between given pairs of steps. With trigs this shouldn’t be a problem, so trigs work, or you could use a gate to trig (depending on your intention for the trigs, gates and voltages).

#2303

Check out the Doepfer A-106-6. It’s got more than just bandpass filters. None seemed to self oscillate. Mix the different outputs for various filter types and slopes. A very unique filter

1 Like
#2304

Yes! A-106-6 sure is a terrific filter. So much bang for the buck

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#2305

Any thoughts or reviews on Qubit Data Bender? Been pondering picking one up, but haven’t seen any good demos yet.

#2306

I haven’t spent a lot of time with my Data Bender yet, but so far I’m loving it. It works exactly as advertised: glitchy buffer juggling with tape speed + digital error effects. One neat thing is that it can operate either in manual mode (where you have fine-grained control over the parameters) or automated mode (where the knobs/CV inputs control the strength of randomized automation of the parameters). It’s clockable so you can get tight time-synced effects if you want. Also, the “time” and “repeats” knobs have a bonkers upper range that turns everything to extreme digital noise if that’s your kind of thing – but of course it’s capable of much more subtle and even pretty effects too.

#2307

The thing is bonkers noise is not my thing yet most demos focus on that.

#2308

ornament & crime’s Hemisphere has a gate delay.

it’s good to see so many people with Telharmonic in here. i got it on a whim after seeing the “Quantum Foam” digital noise/aliasing video from makenoise but i never heard much, if anything about anyone actually recommending or using it.

does anyone have experience with joranalogue generate 3? any praise for that? or demos? it looks like it may be more flexible than some of the instruo vcos with fm, although i was looking into the Tòna, which didn’t seem available anywhere. I do wonder how that compares to something like the Tsl or the I-ō47 or if there was something particularly special about the sound on the tona. i found the divkid demo of it’s fm timbre to be very intriguing.

i love the way the telharmonic sounds but im wondering if im missing out on some nice analog voices now that i only have digital voices in my entire setup. i do have a very difficult time trying to differentiate or compare things like the doepfer thru zero fm vcos to the instruo ones or even that generate 3 from the youtube demos

i dont know how realistic this is, but i’d like to be able to really pull some complex fm shaped tones from an analog vco. i never got anything useful from the 0-coast fm input. but i also wasn’t as familiar with the process back when i had one

EDIT: What about this baby!? buying this asap. gorgeous sounding:

2 Likes
#2309

Yikes, well… Maybe I need to go back to my research. Bloom is the only sequencer I own (other than Kria).

I envision just being able to set (knob) or control (cv) the delay length between notes.

Fantastic! Thank you.

1 Like
#2310

Something like the DPO is made to do this, you could do a complex fm voice with basically any two analog oscillators of your choosing, and the more different modulation options they have (generate 3 seems to have a ton) the more flexible it would be. Keep in mind if you used two separate oscillators you would probably need a lot of attenuation/VCA’s to make the interaction more flexible. Something like a generate 3 with a dixie 2+ would give a lot of options but require a lot of adjacent resources to maximize its potential.

1 Like
#2311

Any ideas how to generate control voltage as wav files in a computer or some other way?

My bitbox micro can record and playback cv (have tested and confirmed using Pams) but I’d like to have more control over generating interesting/long cv modulation and then load them up on the sd card. Would be awesome to be able to draw them myself, or get quantized sequences, etc.

Google searches come up with a lot of sites about building the perfect resume. haha

#2312

thats a good point. i wonder if happy nerding’s fm aid would be handy in that scenario as well. or just redundant. the dixie 2 is also appealing, thanks. never really looked into the dpo, guess i should. such a huge module though

@setfield

@spacelordmother
i think he uses audacity for it here. octatrack or digitakt would be really handy though

2 Likes
#2313

In Live you can create control voltage as audio (& then record it into clips) using CV Tools.

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#2314

@encephalitislethargi that’s great!

@Smapti if only i had suite :sweat_smile:

1 Like