I’ve been working on versions of this rack for a while as a free-form companion to my “hard patched” techno system for more intentional and experimental composition, and I feel pretty close to where I want it to go. I have a few modules as alts: Rings, Marbles, Harmonaig(?), uO_C, Earthsea.


[The case is a NONO Lander Two, so the gap is not a 1u row.]

Things I’ve experimented with are:

  • I’ve looked at bringing an ER-301 in, but it requires a lot of sacrifices, and I feel like it requires a 16n or a Sweet Sixteen. I am drawn to it for multi-tracking, in addition to it’s batallion of capabilities, as I do not have any intention of using a DAW with this.
  • I’ve never used a Just Splosh, but my gut tells me I want it in there given the raw amount of diverse CV I have in there.
  • I also wish I had room for a proper offset/attentuator, but the Control will work. Again, a lot of CV to wrangle.
  • Something like a Tallin keeps wanting to be in there. I could do a TXi, but no room at the moment.
  • I’ve tried to make Tempi work, but again, don’t think I want to give up something else for it and TT can do clocks.
  • I wish my extra uO_C fit as is, but again, doesn’t seem like enough of a deal breaker to lose something else. Crow can do a lot of that flexibility work.
  • I’ve had a Godspeed in there to pair with Polygogo, but I’m not sure how essential that is for me at the moment. I’m holding on to it for now, but I’m not sure it has a permanent place.

Ultimately a number of nice-to-haves are sideboarded, but I’m still considering. I’ve got everything in place except that I need to re-acquire Just Friends and Morphagene. And I need a 3rd crow. Disting is in a pre-order queue.

Continued use will inform change as always, but I’m soliciting opinions for additional brain food and things to consider.

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That’s a really cool case!

How are you liking Polygogo? I’ve been wanting one, especially if I end up doing something with ILDA, LZX, and 2D oscilloscopes for visuals, but’s just. so. big. for anything that really is smaller than 6Ux104hp.

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Depending on how you typically use Morphagene, Lubadh could be worth considering. It would involve trading the splice/quasi-granular functionality for two decks (great for bouncing), a crossfader, and an aux input. I find the tape decay mode a good alternative to Morphagene’s TLA.

Not as useful for managing.

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I cannot overstate state how much I like it. I’ve never had a proper scope in my system, but I find the visual feedback really helpful. The controls are all really playable. I had an original Chord, and it felt like it wasted a lot of space; not so with Polygogo. The faders give you good (and importantly useful) percision and everything has an offset as well, which is nice. It has “sweet ranges”, and it’s easy to push into same-y nonsense noise when you start to push everything, but you definitely start to learn which controls and ranges are most useful, and again the visuals are informative about what is actually happening. I’ve sunk many many hours into just playing with it while it drones. It’s a genuinely fun way to explore sound. The module looks like a novelty, and it most definitely is not. It has some limitations, but I definitely arranged a case in ModularGrid with 4 of them for funsies. If anything, it would be nice if they designed it with a poly expander in mind, as it is a huge space investment for a single voice. That said, I have no intention of removing it. Once it hits effects, it can get so big.

Yeah, Lubadh and Arbhar have both been considerations. Morphagene is somewhere between, and I’ve owned one before. Both units do different things the Morphagene kind of does but better, but also clearly are not the same things? It’s a tough call. It seems pretty obvious to me why some people have each of them in the same case. I’ve considered sideboarding them, but each one is also fairly expensive, so I hesistate. Something I will keep thinking about.

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Anyone have experience with both the varigate 4+ and the lifeforms micro sequence? Which do you prefer, if either.

I’m interested in a really playable sequencer. I’ve got an o_C for some midi to cv so I can handle all the really deliberate melody sequencing in ableton. I want something in the rack that feels less like working in a DAW, so no nerdseq or hermod for me. I’m open to either the large full sequencers as well as the smaller ones like the varigate and micro. I definitely want quantization and playability, and I want CV as well as gate. Any recommendations?

Here ya go: https://omsonic.co.uk/product/stochastic-inspiration-generator-and-sequencer/?fbclid=IwAR2p-BJUwVHtUuyC0ZZabzAVM-bL25W3fgB2PEFWiCP3Tb5c-9QIs57f05Y

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Someone needs to talk to them about the meaning of “soon”. :laughing:

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Maybe you already have your eye on it, but I’d check out whatever ebcidic is cooking up on his new(ish) system! teletype + ER301 combo has been central for him for a little while now so it might inspire you in a way you don’t like :stuck_out_tongue: , but (even not making techno myself) I find his “hard-patched” approach interesting to think about.

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I am aware his system; I saw he posted a new pic today. Thanks for the reminder tho! My techno system is much more like his organizationally. I’ve even done the cable weaving thing he does, but it’s not quite ready for that again, as it’s a lot of work to do/undo! :sweat_smile:

The point of the above system is to give me something to patch again and to provide a creative counterpoint. The downside of having a system that’s “hard patched” is that experimentation is really time consuming if you want to change things. That said, I am very happy with how far it has come!

Sadly I can’t grok too much from ebcidic, because my techno system is improv based, and he’s all in on NERDSEQ. I’d be curious to know the details tho! :nerd_face:

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I think they already sold out the first run.

Huh. I’m on the waiting list and haven’t seen an email yet? I definitely want to try it.

I’ve seen the Touché come up many times now whenever I was looking at gestural controllers. I always liked how strings sounded when using the Touché, so I can imagine it and the ribbon making a good team. Are you quantising the pitch coming from the ribbon or are you playing freely?

I don’t quantize, I put a strip of tape just above the ribbon and drew on two octaves of fret markers.
I prefer the manual vibrato and articulation possibilities, obviously it’s harder to play well but quantizing it would produce the same result as a keyboard for me personally.

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Well, this is simply the coolest thing I’ve seen and basically exactly what I’ve been looking for. Now, on to a process that has become all too familiar since I started on this eurorack journey: wait, obsessively check website, wait some more, wait a bit more, repeat.

I really regret selling my Doepfer ribbon lately. I’m eyeing a Hydrasynth so hopefully its ribbon will help add some expressiveness to my controls.

I wonder if this would be a good compromise between expressiveness and tonal accuracy: patch ribbon pressure to a crossfader and fade between the quantized / unquantized voltages. Then you could poke the ribbon for guaranteed semitones, glide hard for glissando, and glide softly for portamento and vibrato.

I’ve been a bit obsessed with getting a ribbon controller but the a-198 is hard to find right now plus I’m out of rack space. I ended up getting a Koma Kommander for a bit more hands on control. It’s fun for controlling dynamics/modulation but not as good with pitch (or at least I’m not very good at controlling pitch with it).

I used to play cello so a ribbon controller makes a lot of sense to me. I’d love to get an a-198 some day.

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Hello all. Putting together a small “Modular 101”, cliche kit around the DPO. Trying to take it slow and keep it small.

I am “pairing” it with my Microvolt and FX will be handled by Zoia. I’m curious if anyone has any suggestions on how to maximize the last 15HP to really bring it out. Something to alter its timbre dramatically? More utilities (and recommendations would be welcome)? Your ideas would be appreciated.

Thinking maybe Kinks/Links, Batumi, ADDAC306 or even Planar (really like the performative controls of the latter two…but Planar might be overkill…)

Really looking forward to finally getting in.

Two words: Wogglebug.

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Plus a modDemix to stay in Make Noise land?

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Unless you have a specific reason in mind, I don’t think you need the buffered mult in there. Buffered is only necessary for multing precise pitch CV’s. Will save you a couple bucks and 1hp, and they’re quite easy to DIY (Bastl or AI synthesis, and probably others). Triple Sloth or Wogglebug seem like good choices, things that you’re not getting with Microvolt — Wogglebug gives you way more options if you’re trying to keep it small though, so I definitely second the expert @hermbot

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