Although I didn’t get to the very end of the course, I found the content of this Kadenze course very informative. Seth Cluett talks a little bit of the composition methods of early musique concrete studios as well as Stockhausen techniques in the Studio for Electronic Music in Cologne.
Here it’s a performance and further explanation of Cluett’s approach to a max patch that he has developed over 20 years that consists in several file players and oscillators, modeled after the constraints of a working desk in the Columbia-Princeton Electronic Music Center.