#262

Kind of an interesting idea:

The audio seems to be just a Mogees type thing (or something quite similar), and in that sense it comes across more like an ‘artful interface’ rather than a ‘composition’ in the sense that I don’t really get a sense of form/time/change (other than exploratory playfulness).

BUT the idea is cool and an interesting take on the spirit of this thread.

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#263

Oh, just discovered this topic! These links might be interesting:

Christopher williams - bass player and composer think he’s doing his PhD about
graphic scores.

and Justin Bennett’s Blueprint project…

x gus

#264

Maybe even more related, as it combines graphic approach to scoring
with (photoelectric!) synthesis: the ANS synthesiser

and Virtual ANS software:

x gus

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#265

What a wonderful resource. Not sure if these are already included, but here goes anyway:

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#266

notations! i was lucky enough to buy a copy in a used bookstore…mmmm…nearly 30 years ago! fuck i’m old.

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#267

Yes… I scanned those as examples from an original copy. Such a beautiful book.

Here is another early score: Luigi Russolo’s Awakening of a City. Now it looks like automation on manuscript paper…

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Not sure which book it’s from though. Maybe the Nyman Experimental Music book?

I just found a nice film on intonomouri and Russolo’s music if you’ve not heard these instruments:

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#268

Wonderful additions! Thank you.
I do not think I had any of these here.
Rzewski! So cool!
All great.

#269

Posts here remind me of the AlgoScore open source software, written by Jonathan Liljedahl / Kymatica:

http://kymatica.com/uploads/Software/algoscore_shot5_small.png

.

http://kymatica.com/uploads/Software/algoscore_shot7_small.png

Never tried it. I believe it’s Linux only. It looks great.

http://kymatica.com/Software/AlgoScore

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#270

In the Flame of the Dream, for cello solo, graphic score. A graphic score by Russian composer Vadim Karassikov (b.1972).

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#271

Excerpt from the score for Galaxis (1962) from Roland Kayn

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#272

AlgoScore is for mac OS as well (you know, the one made by those tax evaders) as well. It can output csound, midi (via Jack) or OSC so you could theoreticallly use it as an interface for controlling just about anything. In my (little) experience of these sorts of things though, you have to REALLY know that you want to use them otherwise it might involve so much tweaking and experiment that you might as well just learn to programme one yourself. Here’s another one, though maybe it’s been mentioned before:

Iannix:

http://www.iannix.org/en/whatisiannix/

x gus

1 Like
#273

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http://www.gianpaologuerini.it/08_entire/the_entire_cdrom/_forpage/0index.htm

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#274

Not sure if this is quite what you were after, but in terms of the confluence of language (words), visual art (colour) and music (notes), my recent work, Conflux, is exactly that:
http://www.geraintedwards.com/?page_id=254

It’s about to appear at Concordia festival in Enschede, Netherlands and in Rethink Digital Art festival in Crete.

Hope you like it.

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#275

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http://www.gianpaologuerini.it/08_entire/the_entire_cdrom/_forpage/0index.htm

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#276

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http://www.gianpaologuerini.it/08_entire/the_entire_cdrom/_forpage/0index.htm

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#277

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http://www.gianpaologuerini.it/08_entire/the_entire_cdrom/_forpage/0index.htm

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#278

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http://www.gianpaologuerini.it/08_entire/the_entire_cdrom/_forpage/0index.htm

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#279

few might be interested in the notation system I developed, concept is derived from improvisational experimentation and research in sonic performances of an instrument… implemented through graphical symbols further developed in graph. scores /// http://violinrevealed.blogspot.hr/

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#280

I cruised through this while I was at work, so I’m sure I missed a lot of it, but off this first glance i want to say, your illustrations are awesome!

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#281

this one is called Transgression of the Souls [[[ 333 ]]], Book II

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