Itās fairly typical, similar to what you would see in Audio Damage Quanta. Drop a sample in, choose a sample index, scan rate/position/rnd. position, rate, size, shape, shape tilt, direction, stereo width, pitch, rnd. pitch. (all modulatable, of course)
One of the great things about Equator2 patches is all the layering. Picking the first patch that contains the word āgranulatedā brings me to ā100 Granulated Fairiesā and here we have three granular samples, a harp pluck, and two different slices out of a nylon guitar sample, with a synth pad, and strings going on in sample layers behind. All mapped to the dimensions of MPE. Like most patches in Equator2 I could just play this patch with no other accompaniment, effects, or post production, and keep myself entertained for hoursā¦
Somewhat tangentially, Iāve been playing with Matt Tytelās Vital a bit, and there are some notable similarities. I can see where Vital has even more potential than Equator2 in some of its features, but at the moment the sound design that ROLI has invested in Equator2 patches exceeds that found in Vital. I have hopes that the Vital crew will catch up in this area over time.