i’ve started smoothing some stuff out with the very capable @cannc who’ll be helping me as for the grid management. i’ll definitely do my best to make a 128 version – it may how ever be, that the layout of it is a little “unconventional” (namely vertical – not horizontal as usual). we’ll see…
@Miskalicious + @i_morgendoerfer: thanks guys. really glad you like it (and polyrhythmus :)). as for the monobright: this will turn out pretty difficult. i had a monobright 256 when i started building the sequencer and sold it to get a 4-level vari cause i really needed these layers for all the functionalities.
Great to see the extensive work you’ve done with this, B.
My name’s Andreas, and I’ve had some long talks with benniii about timing and such. I was developing an abstraction system called Dawn and a lot of its features are integrated in this lovely… well, piece of art.
So yeah, I’d love to participate in any way helpful, if you guys will have my non-monome-having ass around We’re working towards a full release of the dawn.* suite hopefully in March.
hi andreas, great to have you. lines is not a monome club!
i’m glad to hear you’re working on this. while working through some ideas it occurred to me that this would make a great visual application-- to see overall graphs and relationships at once. the grid is great for performability, and the limitation of how much you see at once is a useful limitation. but i also think it’d be nice/pretty to see everything all at once.
if you’re interested in the code i came up with (quickly, don’t judge too harshly) it’s all on github now.
after completely rewriting the sequencer and then adding some new & fun stuff to it, it is now nearly finished and i have started to work on a version for the monome 128 (thank you @tehn). looking forward to share it here hopefully soon!
absolutely gorgeous. can’t wait for a 128 version. i have no idea how you’re sequencing that 4-track, and i’m about to go down a deep internet abyss trying to figure it out. nice work.
hehe (: thanks buddy… we’ll – i’m pretty much cheating on the tape-sequencing (it’s not done “mechanically”). there’s not much more to it then routing the tape-loop through max -> gating the signal and pitching it in polyphony via a [poly~] object. i’ve found quite some while ago that i very very much like the sound that this digital pitching produces. i’m using max’s [gizmo~] for this.
Bookmarked! Thrilled to hear of anything anything which might have transcended over the past month or so. The euclidian m4l device was such a positive thing (oh the colors!) when that came. My first introduction to anything euclidian really.