I associate cultural appropriation with people who cut and paste the aesthetics of something without having a clue about the thing they’re jacking. E.g. the proverbial kid at the festival wearing a war bonnet.
The whole appropriation conversation gets kind of overwrought, IMO. (And I say that as a card carrying, far-left leaning sociologist who does fieldwork in Latin America and has had this conversation too many times to count—just to qualify that statement). Not to derail this poor OP’s request for some metallophone samples…
Thanks for all the replies to this. I was never planning to actually try to compose gamelan music, but more to use the samples as a base for transformation such as granular processing.
These were recorded at a Schtung studio in Singapore. When it closed down around 2010, I bought the Kurzweil K2000 that was used on the sampling sessions for these.
I have the Sonic Couture Gamelan 34GB library for Kontakt, which was first released in its native tuning, but soon after they released Kotankt alt tuning patch for orchestral use…
Playing the real thing is a really fantastic experience. The local University music school has a full gamelan set and often run workshops open to anyone. Playing the big bass gongs was heavenly…