#273

i don’t, it’s just a hypothesis i’m working on. i also do it

#274

I agree with you, this sort of question risks becoming hyperbolic and philosophical to the point of complete paralysis. Isn’t all art a call for attention? Isn’t all art a personal expression of what is inside the artist? Doesn’t all art comprise both a personal and impossible to quantify point of view? Doesn’t all art have a political context?

The act of creation is both personal and public. It is both a manifestation of my personal feelings yet occupies the real world which I don’t truly own any of. So, yeah, we could talk all day about how the private and lock away 4-Track tapes is the sign of a true artist and the SoundCloud promoted after a viral tweet is automatically trash.

Or, we could just put aside the over complicated (and in my view counterproductive) grandstanding/gatekeeping about what art IS and instead look at creations we enjoy and that motivate and inspire us. We can spend all freaking life time wallowing in the pits of this argument over what formats are legit. Many people have! Or we could skip the question of what publication tools represent a real exploration of sound and just say “dang, that sound I found on this BBS board (or instagram, or tumblr or a blank unmarked tape I bought of eBay at 3am) is really cool! Let me hear that again!

4 Likes
#276

I sometimes wish citation would only be allowed in full because I feel like you omitted my next sentence which completely changes the meaning of what I said :stuck_out_tongue: Basically I don’t agree with encephalitislethargi because I personally feel like those questions lead you nowhere and you can basically play down any art going by that reasoning. I believe anything is art as long as someone created it with intention (or sometimes even without it).

1 Like
#277

I don’t know why I read that and didn’t register that comment as it was. I will re-edit it to include your full comment and have my comment be a longer and more pontificating version of your succinctly put point. :grimacing:

Thanks to the edit key, it’s now public ally appears as if I didnt just fail reading comprehension! :wink:

2 Likes
#278

I can really relate to this and I’ve also made the same decision regarding new gear in 2020. The reality is, I have more than enough equipment for my needs (verging on too much). Eurorack is an especially tricky area; even though I’m not expanding my system any more there is always a tendency to trade things out in order to optimize or squeeze in an extra function. It definitely triggers the obsessive and compulsive part of my brain, which in turn triggers all kinds of negative emotions.

Watching videos about gear I already own is a bit of a mixed bag; it’s great for discovering new tricks etc. but it will often lead to clicking on a recommended video for another piece of gear that I don’t own.

Basically, looking at new gear on the internet generally ends up making me feel terrible, whereas actually making music generally makes me feel good.

5 Likes
#279

I am not worried about GAS I am no stranger to using consumerism to fill the void. I use to have an amazon problem. Luckily I have gotten better over the years and can control it better.

1 Like
#280

The pandemic has cured my gas. I don’t want to deal with deliverymen; certainly don’t want to have to go to the PO if I miss my delivery. Don’t want contaminated packages. Concerned about future financial security. I have enough instruments.

I did buy a one-string phonofiddle though, because they only come up on eBay every couple of years and I couldn’t let this one pass.

5 Likes
#281

:joy: that’s funny! …“The pandemic cured my GAS, I did buy a one-string phonofiddle though”

10 Likes
#282

‚Ello
I found it really inspiring to upgrade my New Pamela, looking for a way to upgrade the Mother32 (still no cure for my non-existing sysex workaround) and waiting for a huge MPC upgrade next week. Also the upgrades on the OP-Z have brought a lot of joy since i bought it. Fixing a DIY Thonk module with Steve via emails made me a confident DIYer in a pandemic as well. These are all sustainable little workhorses that get me up and rearrange my setup or workflow. I think my producing mind needs to be assured that a new toy will bring sustainability into play as i‘ve stopped acquiring stuff that does not match this mindset. This is something i realised in retrospect.
Also in retrospect, i‘m relieved that i could stop watching these gazilion synthfluencer vids on youtube 2 years ago and just move on-this is like talking from an addicts POV, i might fall back into it anytime. And i agree that we need new synthfluencer blood to make me fall back in…a lot of it just bored the hell out of me over time. As does the Insta-patch-vids that i fanatically adored the last couple of years-they become annoying and i can now tell myself ‚oh, its becoming toxic-lets stop‘

The best in todays musicproducing gear is the availability at all times and ‚moderate‘ pricing. (in comparison to the 9ties :smiley:)
The worst is its sheer amount of cool ideas/toys and this definitely needs curation imo.

Its highly questionable that we‘ve found the best way yet to have all this sorted out for good-it will always fluctuate from perfect to cringeworthy.
When i get stuck in this dilemma i‘ll put some music on that i love and get inspired to maybe do something along that line? This will always override my GAS!

2 Likes
#283

This video by @mattlowery helped me understand the workflow on Norns enough to actually go ahead and build a Shield.

5 Likes
#284

Interesting discussion here guys. I’d like to offer the perspective of a professional musician/composer whose work is being lost in the “noise” of information. I thought like many others to follow the steps of the famous YouTubers in our scene, you start with small inspirational video’s and you grow your audience, where you can actually sell your music later on. It takes time and careful planning and hard work. There’s a moment where you hit unprecedented viewing numbers and you get contacted to do promo video’s and get sponsored by certain (well respected) companies in the scene. What do you do? The danger is that your early fans who were inspired by your video’s are probably going to turn their back on you, cause you’ve sold out and your video’s are becoming less and less interesting for them? It’s tough decisions guys, but some people choose to grow the numbers and accept carefully the right invitations, but it’s a natural consequence that not all will be happy. For me personally: I wish there was a better way to show my music out there, without having to become some kind of niche celebrity on YouTube. I have a lot of experience, knowledge and my music is of high quality. But who cares? If anyone can patch cables, anyone can be on youtube, anyone can be on spotify. What’s the point?

4 Likes
#285

For me the point is first and only to find joy and inspiration in learning, sharing and discovering, which by definition cannot ever end… EDIT: All of which are profoundly enhanced by the time I spend on Lines, of course :pray:t2:

Any other concerns of money, fame, worldly success, are just distractions…

But I am lucky that my livelihood has nothing to do with my musical life… If it did, I would be miserable…

13 Likes
#286

That makes me so happy to hear! And welcome to the norniverse!

1 Like
#287

If an alcoholic cut back from from three bottles of vodka to one beer, wouldn’t that be cause for celebration? Let me have my little win, brother!

9 Likes
#288

I agree! Especially considering these companies are small and owned by members of the community , not big capitalists. These are people who are able to make a living off things that help people make art.

. I think that you are likely to watch things you are interested in, including products. How thoes videos are presented can either be engaging or feel too much like a commercial.

Modular videos whether on Instagram or YouTube can be great to inspire. They make me wonder how can I accomplish a similar idea or technique with what I have. Hearing about how others use tools creativly also benifits my creative practice.

2 Likes
#289

What helped me to understand Norns better before I actually had one was focusing on just a couple of scripts/apps that especially caught my interest (mlr, cranes and cheat codes in my case)

#290

i definitely got one as soon as I saw what MLR does

#291

I recognised GAS while reading Philippa Perry’s book

2 Likes
#292

Darn it!
Now I’ve got a one string phonofiddle.

#293

It’s the most ridiculous instrument, isn’t it? Hard to play, and even after you master it it still sounds like shit due to the design. I love mine. I have an idea for a Phonofiddle and Plumbutter album. They seem to go together, both being strange-sounding, barely musical little instruments that never do what I want them to do.

1 Like