A few weeks ago I saw an article describing the use of the Web Audio API to create systems music, and I thought it would be a good way to get reacquainted with SuperCollider (I have no interest in Web Audio). I had a recording that had been haunting me for a couple of years, and finally I knew this is where it belonged. So I started playing.

As luck would have it, a couple weeks later the Disquiet Junto is tasked with celebrating Steve Reich’s 80th birthday. After fiddling a bit more with my earlier prototype, I asked a friend for “some audio”, and she sent me two perfect samples. I fed one to a granular synth, and used the other for the second part of the piece. The code is available as a gist.

Samples: myself and picul metre.

I am so happy to have discovered phasing! Thanks Steve, and thanks Marc :slight_smile:

https://soundcloud.com/otolythe/phases80-disquiet0249

I used a track I had made for Disquiet #0196 interpreting a graphic score, “Inside Out”, and phased it, using slowed down versions of -15 and -10, and speeded up versions of +10 and +35, as well as the original. First I phased the original with the -15, and then the original with the +35, then I started looping them and let them all go. I faded out the last sounding phase just shy of the 5-minute mark.

this works really well, I love it!

Wow. Hi. Just got back from spending the weekend in Yosemite, and came back to 47 SoundCloud tracks and, on first look, some non-SoundCloud ones, too. Can’t wait to start listening. The playlist is up to date:

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Hi all. Here’s my contribution.

I started out by playing Happy Birthday into my MIDI keyboard. I played each section twice, so if the tune is ABCD, I played AABBCCDD. From there I messed around with the MIDI to make the tune itself unrecognizable, hoping to find something interesting.

The track has four main sections - Noise, Melody 1, Melody 2 and Melody 3.

Noise - starts out with the sound of an old light switch that I recorded a while back. I clicked it on and off a number of times, but not in tempo to anything but myself. I layered this track onto itself, first slowly and then faster, layering up to 36 instances. You can actually start to hear the background hum of the recording as it layers. Then I added a computer interference noise I recorded a few years ago. This part has 15 layers.

Melody 1 - I reversed the MIDI notes, randomized the pitch in Logic, reversed the note order again and then evened out the notes outside of the scale. This is layered 9 times in 1 bar intervals. At one point I edited each section at a different point, and then lined up each part to be in unison.

Melody 2 - This is a simple reverse order of the MIDI notes. There are 6 versions layered that enter on 1/4 beats at random times.

Melody 3 - This is an audio reverse of the tune, and then layered 6 times in one bar intervals.

The track then ends with a little bit of that noise by itself.
The instrument used throughout is the EP88 from UVI.

https://soundcloud.com/alt-formant/phasing-out-disquiet0249

Can’t keep up with anything this week…cheers
Title says it all! Apologies, this weeks project is a little undercooked. Started with my own melody but kept coming back to Happy Birthday tune. Started with opening 4 notes and was building the phasing element with orchestral instruments and all intentions of building into the full song, but time caught up and made a somewhat rough draft of the posted song. I think given the time and Logic instruments I could have gotten closer to a silk purse from this sows ear :wink: Steve Reich and his music have had definitely influenced aspects of my work but I didn’t realize it at the time! So Happy Birthday to you Steve!
@disquiet

https://soundcloud.com/user-651760074/unfinished-cakedisquiet0249

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My submission for this week’s project is here:

https://soundcloud.com/cryptohelix/happy-disquiet0249

Years ago I worked with tape loops. Digital looping “works” but there is less variation from tiny machine errors over time. I tried to accommodate this by turning off ‘snap to grid’ and then making one loop a little shorter than the other. I have a few loops in resealed cassette tape cases; in a similar project those should be used.

“Happy” and “to you” are pulled from an online audio book; the female “happy birthday to you” is voice synthesizer “Alice” at http://www.fromtexttospeech.com/

The gurgling synth sounds are line out from my phone of an app called EtherSurface: https://play.google.com/store/apps/details?id=com.zebproj.etherpad&hl=en

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