Thanks for the advice. I heard elsewhere that there is this mysterious thing called USPS Media Mail. Some of the packages I’ve got through artists on Bandcamp have this word printed on the label. But the service-with-a-scowl I got at my local post office led me to believe this was not actually a thing and they told me it would cost $15 to mail one 3oz package with a single tape enclosed.

This was a lie.

Media Mail is real, it’s $2.80 for private individuals for 16oz or less and the Pirate Ship service can deliver PDF files of these labels with paid postage. Yea!

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Is there anything to take in consideration when mastering for tape?

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alright guys i need to know where i can find places to record my music on cassette tape
I found things in Canada, China and the USA, but the more information I have the better

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@EricBeatz
national audio company is cheapest, if you don’t sample much. they are strict on sampling, but easy on price.
in canada, duplication.ca has been my go-to for fancy tapes. i always dubbed them myself, but they do great work i have heard!

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I know this site, but they told me that freight to Brazil is complicated, but I’ll try, thank you very much

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This is a question as much for consumers as for producers of cassette releases: what physical and artistic features do you value in a cassette release?

The context is as follows. I’m considering rebooting my old tape microlabel under a new name, in effect starting a new one altogether. With the previous imprint I often revised presentational format between releases as well as other practices such as promotion. This gave an inconsistent image with inconsistent results and although I liked the indifference to recognisable identity and style, I think it was unsurprisingly unsuccessful in generating enough interest to feel like I was doing my artists any justice.

I intend to take a much more focussed and consistent and realistic approach this time. My plan at the moment is for every tape to be a split between two artists. This also opens up some interesting options regarding packaging.

I realise that judgements on the success of these things come down to individual cases and contexts, and that painstakingly made DIY sleeves need not necessarily be preferable to professionally printed inserts, but I suppose I just would appreciate hearing any suggestions or anecdotes of memorable or well-appreciated presentation of these rather small, light plastic things we like to bung our tunes on.

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