This reminds me a bit of a talk I saw where Chuck Palahniuk was talking about dissatisfaction as a creative stimulus. I remember in the same talk he was talking about people being so steeped in narrative these days and that being somewhat of a boon for constructing new narratives, and I do think this applies in music.

To the extent that the musical terrain is so easily surveyed and that whatever tracts of that terrain prove intriguing to a person may be so readily navigable, I don’t think it’s a great leap to infer something novel and reasonably satisfying based upon this exposure. This, to me, is little different from the selection and honing of tools and processes by which one aims to articulate a particular sound and warrants the same level of deliberation on the part of the artist.

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I work on all different types of music so find that when I get too confused by one I can move on to another. I always find playing the piano a bit of a palette cleanser in this regard.

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The problem I had with that is I like too many things, and I’m not good at most of them. Experimental jazz powernoise baladi chiptune ambient just wasn’t working for me. I had to make a whole lot of stuff, and listen to it over a long period, to figure out my strengths.

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After years of playing piano and singing in bars (years), I used to be concerned that I sounded too much like other people, but I’ve come to appreciate that if you push together a lot of styles and influences, what pops out the other side isn’t something old but something new, even if that newness is a familiar one.

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I think (generally) people are too concerned with being seen as a copy of anyone. It’s pretty much impossible, there is always something that will set your work apart.

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Definitely. It’s a (long) process to get from inside to outside. I have a feeling there is plenty of that Experimental jazz powernoise baladi chiptune ambient lurking inside your music even if it’s not executed exactly the way you imagine.

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Yeah, I think all of the influences are present, just not at the surface.

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Like other folks here, I have many influences and multiple personas…

My current aspiration is to blend synthesis (West Coast inspired mostly) with Oud/Middle Eastern vibes…

I’m at a place in my life where I experience music primarily as a sacred meditative path, and these two musical streams are intertwining in my inner ear…

I’ve largely left behind my psych/experimental/art/punk rock roots for what feel are higher vistas, no disrespect to those genres at all, they are still very dear…

I noticed many years ago that a number of my favorite rock artists were going in a more ambient direction as they got older… Fripp, Eno, etc…

That evolution makes a lot of sense to me now… I’d be interested in hearing how others are thinking about such matters…

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There’s a difference between music I like and music I feel most compelled to share… while I usually like what I share, the reverse is not necessarily true.

What I share is that which is already caught up in a broader purpose or calling. I do not feel this as originating inside me, rather in the best of circumstances I let it appropriate me. I let it bring me into what is proper, that is, into my own. In that way, I also bring the sound into its own. Being already “in” the sound, I simply reveal it as that which it already is.

Ideally, what I share would be 100% the work of others – in reality though, this work can almost never be found. This gap then naturally becomes the space in which I create. Creation is simply to be of service and has nothing to do with uniqueness and least of all “innovation” or “distinguishing myself” … Better to not distinguish myself, better to promote others instead because then there is a community that can be a real force in the world.

[I really need to heed my own advice and set up a mixcloud or NTS show or record label or live events which… and then only create when I cannot do otherwise… There are all sorts of ways I am failing right now, but if I ever turn things around this is the form things are likely to take…]

‘Uniqueness’ is a dangerous trap – it is not the phenomenon, but a distortion thereof, an attempt to ground the groundless in a neoliberal ‘I’… I must take pains that the ‘thatness’ of my circumstance not become a ‘whatness’… Which is all to say – of course there’s a radical specificity – I come from a specific place, with a specific history, and only certain things are meaningful at any given moment – perhaps really only the one thing to which I have been called is meaningful. But this lack of universality should not be mistaken for individualism. To take this radical dependence – on that which I am ‘in’ and that to which I have been delivered over – and push it inside the ‘I’ is to convert dependence into its opposite – independence, the autonomy and self-sufficiency of the ‘I’, it is to destroy the connections, historical and social, human and non-human, which sustain all creation. And it is only because there are such substantializing forces that there is even strife… that creation is even a battle to begin with… But the battle is never against ‘others’, rather always for and with them – always fighting on their side.

The one who heeds the call may end up being ‘different’… but all the better if this is not the case, all the better if we all heed the same call and come forth together.

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Yep, I knew when I got into eurorack that I liked the tone of synths but I didn’t really love a ton of electronic music (at the time), so I feel like everything that I’ve made up till this point is just stuff that I wanted to hear but wasn’t sure where to find it. I’ve since discovered more stuff I’ve liked, but I still have a pretty long list in my head of sounds and genres I don’t really care to sound like. For example, I really don’t like dance music, techno, acid, EDM or anything related to that in any way, shape or form. I also kinda decided in my head that the Moog/subtractive paradigm is something I wasn’t as interested in because I’d heard it so much already. Like I never need to hear a big filter sweep in a song, just sounds cheesy to me. I also really despise those 80’s DX-7 sounds, so I went as analog and raw with my oscillator choices as possible. When you can weed that out right away you make things easier on yourself for defining what you actually want to focus on. I pretty much just want to make a cross of moody indy kraut rock, minimalist classic stuff and free jazz on the synth.

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