missed this last year, and had to force myself to do it this year. had to make some ice specially and i’ve got a nasty head cold.

recorded drop clatter and swish for 20 seconds changed the speed to 3 minutes. chorus, convolution reverb. lots of guitar fx. echo, reversing; anything to make it not sound like ice anymore. there was some lovely wooden percussive chimelike sounds made from the slowing down but unfortunately i wasnt in a musical mood!

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This is my first participation in the Disquiet Junto since 2013! and my second time doing the ice project. And my first post on llllllll.co

I recorded ice in two different glasses, swirling and pouring them back and fourth. Re-recorded the initial tracks through a Line6 DL4 pedal for looping and delay. Then re-record those tracks through a BYOC 855 Drive pedal for some crunch and tone changes. I chopped up sections from all of those tracks but mostly left longer segments of “performance”. Then peppered in a time-stretched and reversed version of the original ice sounds.

A much different approach from my last ice attempt, which was just different rhythmic loops pulled from a short recording and layered.

Heres to being more active in 2017.

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Welcome back. This is super.

hey all, i’m going to try to contribute to the junto this year. here it goes!
recorded ice in glass with Rode NT4
sliced the samples in AudioFinder
played around with them in ableton
the kick is me touching the mic
the bass drone is the Bass max5live instrument, grendel drone commander, and me grinding the ice glass against a coaster.
strymon big sky and timeline were used (Ice algo on timeline, of course)
i also used rattling of ice in the glass as an IR in M4L convo reverb pro and used that on the gong sound (which is me hitting the glass with a mallet, pitched down a lot)

i like it

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I thought about this project for a few days, then recorded it quickly. Started withe ice in a glass, of course, then added a low background on an rgcaudio plug patch. I added acoustic guitar through stereo chorus. Then I copied the rgc midi with an offset into a piano synth which I added flanging to.
I think this is the most “Ambient” thing I’ve done. Wind chill was -2F this morning when I woke up, so ice on a chilly day.

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Hi, all, this is my first Junto ice cube project. I recorded several takes of dropping ice cubes into three glasses, and combined the best into two .WAV files. Then I loaded each into a custom-built Pure Data patch that plays samples in various ways, and recorded 17 different loops. These loops were arranged in Reaper, with reverb and multiband compression added to the master track.

Paul

https://soundcloud.com/plusch/michigan-ice-disquiet0262

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https://soundcloud.com/user-651760074/glatteis-knochendisquiet0262

Glatteis Knochen(disquiet0262)

Tired of the cold. Tired of winter. Made some recordings but couldn’t get interested. Tried chopping up the recording, didn’t like that either. Instead left the recording whole with 3 different glasses, cube drops and swirls. Made 8 instances in Cubasis with staggered starts and staggered panning left to right. Then bounced and started playing with speed, then it got darker and I went downhill from there. Lots of bounces and freezing ended up at a barely recognizable cube sound but cold and dark nonetheless. Added an Animoog patch and messed with the low end. Not great but fitting of my inner winter demon.

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https://soundcloud.com/vgmrmojo/0257-ice-code

Kept this project simple.Just ice in a glass and effects.

Put two ice cubes in a Kentucky Derby souvenir glass

Recorded myself shaking the glass for four minutes with a AKG large diaphragm condenser microphone

Put Subsonics’s vst effect Wolfram on the recorded audio track in Reaper and used the random function to change the effects

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https://soundcloud.com/dascott/ice-machine-disquiet0262

This is my first post of a DJ project to this site, but it is my fourth time creating a track for this first project of the year. I used two types of recorded ice sounds: short, one-shot, and longer rattling. In this piece I created three layers:

  1. A fast-moving line of short sounds, randomly panned to one of four locations
  2. A highly-transposed line of the longer rattling sounds, placed at random locations in the simulated room, moving at 1/3 the speed of the top line
  3. A low-transposed set of the longer rattles, played in pairs with slightly different transposition to generate some phasing effects.
    All lines are processed by room simulation software set to a long, quiet reverb.
    All sounds were processed and mixed using RTcmix software instruments.
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modular, effects, and field recordings from a winter vacation in the southwest. a brief respite from the cold. snows melt and fall, icicles drip, sparkling rivulets flow down to the sun-warmed earth.

https://soundcloud.com/ioflow/a-welcome-thaw-midwinter-dazzling

for this disquiet junto project, the first of 2017, i returned to the process of my last track from 2016.

i still had unused raw material from vacation less than two weeks ago, so i decided to use some of those rhodes sessions and nature sounds as the basis for this track, along with a new recording just for this piece: miniature ice cubes periodically rattling in a glass. i chose my instruments and effects for the frozen, chilly appeal of their names.

i recorded two tracks with the modular, one at a time. first, the rhodes improvisation was run through mutable instruments clouds, which has nearly all of its parameters modulated by envelopes from mannequins just friends and cold mac, themselves attenuated by shades and isms. that audio then goes through a strymon bluesky reverb pedal, set to “shimmer” mode, which provides crystalline higher-octave harmonics.

for the second modular track, i used mannequins cold mac, which is normally a summing/logic utility, as an audio source. by patching “crease out” to “survey in” and carefully sweeping the survey knob, several points of scratchy whitenoise can be obtained from “mac out.” i gated this noise in software to allow only the occasional click, and with heavy EQ it sounded much like additional shattering icicles or rattling cubes.

the modular tracks were combined with field recordings of snowmelt when temperatures briefly reached the low 50s, a most welcome thaw before winter returned.

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I’ve been following the Junto for a year or so but first time sharing my own.

https://soundcloud.com/qype-dikir/ice-cubes-disquiet0262

Not in love with how it turned out, hopefully next year it’ll be better!

Thanks @disquiet for organizing this wonderful thing.

1 Like

https://soundcloud.com/user-696185036/ice-disquiet0262

Some sounds of ice cubes, the word ice from an online dictionary, and some wave crashing sounds.
Picture by Lin Liu.

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This is my first ice submission and hopefully not my last.

I discovered paulstretch in audacity (how does it work in ableton?) and the grooves in abletons core library.
https://soundcloud.com/rudzupuke/breaking-the-ice-disquiet0262

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  • I recorded one lonely ice cube in a glass, then took a short clip of it. The clip worked out to 7/4 time for a measure. 120bpm.
  • Seven tracks
  • 1 - The first eight bars is the ice cube clip.
  • 2 - The second sound to come in. The ice cube clip with Filterjam and ValhallaRoom applied.
  • The next five tracks all used The Mangle with the same settings. Then all five had Logic’s Tape Delay, and Space Designer reverb with different settings. I created a repeating three note midi pattern on a bar for all five tracks. The result reminded me of chiming clocks, hence the title;)
  • Four bar sections were alternated for tracks 2 - 7.
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Recorded the sound of putting ice in a glass early this morning. Chopped up the recording, dumped it into Ableton drum pad, played a few funky grooves. Put them together into an A section.

Experimented with a “mensuration canon” (where one voice is twice as slow as another voice). Pitch-shifted the A section down so it was twice as low and twice as fast. Double the original A section so it happened twice.

Then took the pitched-shifted material, played a few funky ice beats. That was my B section. Made it twice as fast, that was its accompaniment.

Took some unused material - that was my bridge.

Added some effects to give it a little more interesting space. Then I started cutting things away, adding pauses. Probably could have done more of that.

Also, I processed the track on the master bus using an Ableton effects rack, where certain frequencies were routed to certain effects chains.

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Hi all!

It’s been a crazy busy week for me; working on three projects simultaneously. So my Junto is short and straightforward:

I recorded about 5 minutes of ice cubes dropping into various types of glassware, and then swirling them around in the glass. You can hear the ice sloshing around in the water as they melt.

I then took all the material, split it into 5 one-minute tracks and layered them together. Then I sent them through varying delay and effects processors. Whatever sounded interesting without much thought or editing.

Plug-ins used: Logic Pro Delay Designer; Eventide Blackhole; iZotope Trash, Alloy and Dynamic Delay; Metric Halo Dirty Delay; Plogue Chipcrusher and Waves SuperTap.

I think there are a few interesting moments, but it’s a big jumble, because that’s how I feel right now… :wink:

https://soundcloud.com/alt-formant/from-ice-to-water-disquiet0262

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Always enjoy your notes :slight_smile: Cheers on the drink, this time of year especially!

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The one thing I enjoy more than group polls…suggesting someone else do these more often. I have done a few of these on either Sonicstate or Synthtopia that were related to a fairly wide variety of topics. Interesting to get opinions in a central location. Just a thought :slight_smile:

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https://soundcloud.com/dreygrade/icetex-55-disquiet0262

For my first Junto I went back to basics and decided to use a 4 track cassette Portastudio. I used a Zoom Handy Recorder H2 as a microphone to record 2 tracks of ice clinking in a glass, then mixed down without effects.
The most interesting thing for me about this recording was that the Zoom recorder also picked up the noise of the cassette transport mechanism quietly in the background as the Zoom was fairly close to the 4 track (I now wished I placed it even closer - maybe). I hadn’t considered this at all when I was making the recording - not sure why not - all I know is it’s a long time since I actually used a cassette machine to make a recording.

1 Like